The Metropolitan Museum of Art

Allen & Ginter

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890

Photolithograph

The Metropolitan Museum of Art

C24-1142742

James McNeill Whistler

The Margrave, the Prince[ss] and the Hermit (from Sketchbook), 1854–55

Brown and black ink and pink gouache on dark off-white-tan wove paper

The Metropolitan Museum of Art

C24-942129

Andrew Fisher Bunner

Vicino San Giovanni e Paolo, Venice, 1883

Black ink and graphite traces on off-white wove paper

The Metropolitan Museum of Art

C24-941952

Andrew Fisher Bunner

San Barnabas e Carmine, Venice, 1885

Black ink and graphite traces on off-white wove paper

The Metropolitan Museum of Art

C24-941847

Jan Fijt

Still Life of Fruit, Musical Instruments, and Venison, with a Young Man at the Left, 1672

Brush and brown ink and greasy brownish black chalk over black chalk, heightened with white.

The Metropolitan Museum of Art

C24-941546

Jacob Jordaens

Old Couple with a Child Playing a Pipe, late 18th century

Pen and brush and brown gallnut ink, brown and grayish brown washes.

The Metropolitan Museum of Art

C24-941542

Allen & Ginter

Big Razor, Blackfeet Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888

Commercial color lithograph

The Metropolitan Museum of Art

C24-1057867

Claes Jansz. Visscher the Younger

Barges Moored by Cottages, mid-late 17th century

Pen and brown ink, brush and grayish brown ink, brown and grayish brown wash over black chalk.

The Metropolitan Museum of Art

C24-941237

Gerard de Lairesse

Design for a Frontispiece of a Title Page, n.d.

Brush and gray wash over black chalk; framing lines in brown ink

The Metropolitan Museum of Art

C24-941033

Jacob van Ruisdael

Canal Landscape with a Fisherman, 17th century

Black chalk, brush and gray wash; framing lines in pen and brown ink

The Metropolitan Museum of Art

C24-940916

Dante Gabriel Rossetti

Design for Old Testament Window, ca. 1870

Watercolor, pen and black ink

The Metropolitan Museum of Art

C24-940865

Samuel Wale

A Musical Gathering, 18th century

Pen and ink, brush and gray wash, over graphite

The Metropolitan Museum of Art

C24-940598

Marie Denise Villers

A Woman Seated on a Balustrade, ca. 1801

Oil on canvas

The Metropolitan Museum of Art

C24-1304577

Unidentified artist

Books and Scholarly Accoutrements, 19th century

Two-panel folding screen; ink and color on paper

The Metropolitan Museum of Art

C24-1277876

Studio of Kano Takanobu

The Thirty-Six Poetic Immortals, early 17th century

Pair of six-panel folding screens; ink, color, gold, and silver on paper

The Metropolitan Museum of Art

C24-1273904

Unidentified artists

Hunting screen, 19th century

Eight-panel folding screen, ink and color on paper

The Metropolitan Museum of Art

C24-1273903

Unknown artist

Folding screen with figures in a landscape, 19th century

Carved talc mounted on silk

The Metropolitan Museum of Art

C24-1273902

Follower of Kano Motonobu

Phoenix and Peacock in a Landscape, mid- to-late 16th century

Pair of six-panel folding screens; ink, color, and brushed gold on paper

The Metropolitan Museum of Art

C24-1273901

Jang Seung-eop (장승업 張承業, sobriquet: Owon 오원 吾園)

Birds, Animals, and Still-lifes, late 19th century

Eight-panel folding screen; ink and color on panel

The Metropolitan Museum of Art

C24-1273900

Ren Yi (Ren Bonian)

Bird on Ground Beside Two Blooming Flowers, late 19th century

Album leaf; ink and color on paper

The Metropolitan Museum of Art

C24-1273844

Unidentified artist

Birds and Flowers, 19th century

Eight-panel screen mounted as two sets of four panels; ink and color on paper

The Metropolitan Museum of Art

C24-1273825

Studio of Kano Takanobu

Amusements at Kitano Shrine, mid- to late 1610s

Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper

The Metropolitan Museum of Art

C24-1273001

Andrea Mantegna

Judith with the Head of Holofernes, 15th century style, made at a later unknown date

Tempera on wood

The Metropolitan Museum of Art

C24-1264768

Rosso Fiorentino

Madonna and Child with Saint John the Evangelist, 1512/13

Oil on canvas, laid down on wood

The Metropolitan Museum of Art

C24-1231274

Thomas Couture

Branch of ivy (recto); Study of an urn for "Damocles" (verso), ca. 1866

Black fabricated chalk and white chalk on blue paper

The Metropolitan Museum of Art

C24-1165836

Thomas B. Worth

The Great American Tanner, 1868

Lithograph

The Metropolitan Museum of Art

C24-1150768

Marcantonio Raimondi

Julius Caesar, from The Twelve Caesars, from "Speculum Romanae Magnificentiae", ca. 1500–1534

Engraving; third state of three

The Metropolitan Museum of Art

C24-1150767

H. Sewell

Dreadful Wreck of the Mexico on Hempstead Beach, January 2nd, 1837 – As Now Exhibiting at Hanington Dioramas–Perished in All–115 Souls., ca. 1837

Lithograph

The Metropolitan Museum of Art

C24-1150766

Simeon Solomon

The Infant Moses, from "Dalziels' Bible Gallery", 1863–81

Wood engraving on India paper, mounted on thin card

The Metropolitan Museum of Art

C24-1150765

Piercy Roberts

Mr. Grimaldi as "Joey" the Clown, July 13, 1822

Etching, hand-colored

The Metropolitan Museum of Art

C24-1150740

Robert Dighton the Elder

I've Got de Monish, [1792] reissue 1793 or later

Mezzotint; a reissue

The Metropolitan Museum of Art

C24-1150739

Joseph B. Smith

Clipper Ship "Great Republic", 1855

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150738

James E. Buttersworth

Clipper Ship "Nightingale" getting under weigh off the Battery, New York, 1854

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150737

Thomas Rowlandson

Painting, 1784 (?)

Stipple engraving

The Metropolitan Museum of Art

C24-1150736

James Abbott Pasquier

A Quest for a Cousin, from "Illustrated London News", December 19, 1874

Wood engraving

The Metropolitan Museum of Art

C24-1150735

Sir Lawrence Alma-Tadema

The First Course–The Dinner, 1881

Etching on chine collé; remarque proof

The Metropolitan Museum of Art

C24-1150734

James E. Buttersworth

Clipper Ship "Great Republic", 1853

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150733

James E. Buttersworth

Clipper Ship "Flying Cloud", 1852

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150732

Peter Perez Burdett

Two Boys Blowing a Bladder by Candle-light, 1773

Aquatint printed in red and brown inks

The Metropolitan Museum of Art

C24-1150731

Charles Parsons

Clipper Ship "Comet" of New York in a Hurricane off Bermuda on her Voyage from New York to San Francisco, October 1852, 1855

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150730

Philip Dawe

The Patriotick Barber of New York, or the Captain in the Suds, February 14, 1775

Mezzotint

The Metropolitan Museum of Art

C24-1150729

John Flaxman

Ulysses at the Table of Circe (The Odyssey of Homer), 1805

Line engraving

The Metropolitan Museum of Art

C24-1150728

James E. Buttersworth

Clipper Ship "Dreadnought" off Sandy Hook, February 23, 1854, nineteen days from Liverpool, 1854

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150727

James E. Buttersworth

Clipper Ship "Sweepstakes", 1853

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150726

James E. Buttersworth

Clipper Ship "Racer", 1854

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150725

Winslow Homer

The War – Making Havelocks for the Volunteers (from "Harper's Weekly," Vol. 5, no. 235, cover), June 29, 1861

Wood engraving

The Metropolitan Museum of Art

C24-1150724

Erskine Nicol

Outward Bound (Dublin), ca. 1860

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150723

Erskine Nicol

Homeward Bound (New York), ca. 1860

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150722

Nathaniel Currier

Burning of the Henry Clay Near Yonkers–While on Her Trip From Albany to New York on Wednesday Afternoon July 28th, 1852.–The rapid spread of the flames forced the passengers into the water. Mothers and children, husbands and wives, brothers and sisters were drowned together, whilst trying to save e…, 1852

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150721

Currier & Ives

Terrific Combat Between the "Monitor" 2 Guns & "Merrimac" 11 Guns – In Hampton Roads March 9th, 1862 – In which the little "Monitor" whipped the "Merrimac" and the whole "School" of Rebel Steamers, 1862

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150720

Nathaniel Currier

Washington Taking Leave of the Officers of His Army at Fraunces Tavern, Broad Street, New York, December 4th, 1783: "With a heart full of love and gratitude, I now take leave of you. I most devoutly wish that your latter days may be as prosperous and happy, as your former ones have been glorious an…, 1848

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150719

James Stow

Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, from "Boydell's Shakespeare Gallery", 1797

Etching and engraving

The Metropolitan Museum of Art

C24-1150694

Charles Parsons

Discharging the Pilot, 1856

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150693

Sir Edwin Henry Landseer

The Lion-Dog of Malta—The Last of His Tribe, 1844

Mixed method engraving on chine collé; proof before letters

The Metropolitan Museum of Art

C24-1150692

Anonymous, British, late 18th–early 19th century

A Duet, 1785 (?)

Hand-colored etching

The Metropolitan Museum of Art

C24-1150691

Matthias Darly

Ganymede, March 1, 1771

Etching

The Metropolitan Museum of Art

C24-1150690

William Keesey Hewitt

Awful Conflagration of the Steam Boat Lexington in Long Island Sound on Monday Eve, January 13th, 1840, by which melancholy occurrence, over 100 Persons Perished, 1840

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150689

Currier & Ives

The Great Mississippi Steamboat Race–From New Orleans to St. Louis, July 1870–Between the R.E. Lee, Captain John W. Cannon and Natchez Captain Leathers–Won by the R.E. Lee, Time: 3 Days 18 Hours and 30 Minutes; Distance 1210 Miles., 1870

Hand-colored lithograph, with gum arabic

The Metropolitan Museum of Art

C24-1150688

Nathaniel Currier

The Chinese Junk Keying [commanded by] Captain Kellett, as she appeared in New York harbour July 13th, 1847–-212 days from Canton.–-720 tons burthen, 1847

Lithograph

The Metropolitan Museum of Art

C24-1150687

Nathaniel Currier

The Chinese Junk "Keying" [commanded by] Captain Kellett, as she appeared in New York harbour July 13th, 1847–-212 days from Canton.-–720 tons burthen, 1847

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150686

Currier & Ives

Washington Crossing the Delaware – Evening Previous to the Battle of Trenton, December [2]5th, 1776, 1857–71

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150685

Nathaniel Currier

Washington Crossing the Delaware–Evening Previous to the Battle of Trenton, December 25th, 1776, 1847

Lithograph, with blue hand-coloring

The Metropolitan Museum of Art

C24-1150684

Nathaniel Currier

Washington Crossing the Delaware: Evening Previous to the Battle of Trenton, December 25th, 1776, 1847

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150683

Currier & Ives

Washington, Crossing the Delaware–On the Evening of Dec. 25th 1776, previous to the Battle of Trenton., 1876

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150682

Currier & Ives

The Inauguration of Washington as First President of the United States, April 30th 1789 – At the Old City Hall, New York – The oath of office was administered by Chancellor Livingston of the State of New York – Mr. Otis the Secretary of the Senate holding up the Bible on a crimson cushion, 1876

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150681

Nathaniel Currier

U.S. Frigate Constitution, 1838-1856

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150680

Nathaniel Currier

Washington at Valley Forge–December 1777–8, 1846–56

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150679

Nathaniel Currier

Washington's Reception by the Ladies on Passing the Bridge at Trenton, N.J., April 1789, on His Way to New York to be Inaugurated First President of the United States, 1845

Hand-colored lithograph

The Metropolitan Museum of Art

C24-1150678

W. Duke, Sons & Co.

Agnes Folsom as a Woman of Guimperle, from the set Actors and Actresses, Second Series (N71) for Duke brand cigarettes, 1888–90

Commercial color lithograph

The Metropolitan Museum of Art

C24-1150652

W. Duke, Sons & Co.

Agnes Miller Dressed as a Lady of France of 1794-1800, from the set Actors and Actresses, Second Series (N71) for Duke brand cigarettes, 1888–90

Commercial color lithograph

The Metropolitan Museum of Art

C24-1150651

W. Duke, Sons & Co.

Grace Henderson Dressed as Persian Peasant, from the set Actors and Actresses, Second Series (N71) for Duke brand cigarettes, 1888–90

Commercial color lithograph

The Metropolitan Museum of Art

C24-1150650

W. Duke, Sons & Co.

Mollie Fuller as a Water Carrier of Tunis, from the set Actors and Actresses, Second Series (N71) for Duke brand cigarettes, 1888–90

Commercial color lithograph

The Metropolitan Museum of Art

C24-1150649