Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar) by Goya (Francisco de Goya y Lucientes)

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar), 1799

Artist in the Global Art Registry

Goya (Francisco de Goya y Lucientes)

395 works in the Collect24 Registry

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395

Registered works

395

In museum collections

0

In gallery collections

0

In private collections

Featured works

Selected registered works by Goya (Francisco de Goya y Lucientes)

Selected from 395 works by Goya (Francisco de Goya y Lucientes) in the Collect24 Registry.

Goya (Francisco de Goya y Lucientes), Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

Goya (Francisco de Goya y Lucientes)

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar), 1799

Etching, burnished aquatint, burin

21.3 × 14.9 cm

The Metropolitan Museum of Art

C24-427631

Goya (Francisco de Goya y Lucientes), Carnival Folly, from "The Disparates" (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes)

Carnival Folly, from "The Disparates" (Follies / Irrationalities), ca. 1815–19 (published 1864)

Etching, aquatint

24.5 × 35 cm

The Metropolitan Museum of Art

C24-444409

Goya (Francisco de Goya y Lucientes), Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)

Goya (Francisco de Goya y Lucientes)

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda), 1814–15 (published 1863)

Etching, burnished aquatint, drypoint

17.2 × 22 cm

The Metropolitan Museum of Art

C24-444384

Goya (Francisco de Goya y Lucientes), Plate 28 from "Los Caprichos": Hush (Chiton)

Goya (Francisco de Goya y Lucientes)

Plate 28 from "Los Caprichos": Hush (Chiton), 1799

Etching, aquatint, burin

21.3 × 15.2 cm

The Metropolitan Museum of Art

C24-415755

Goya (Francisco de Goya y Lucientes), Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)

Goya (Francisco de Goya y Lucientes)

Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad), 1814–15 (published 1863)

Etching and burnisher

17.3 × 21.8 cm

The Metropolitan Museum of Art

C24-442926

Goya (Francisco de Goya y Lucientes), Portrait of the court dwarf El Primo, after Velázquez

Goya (Francisco de Goya y Lucientes)

Portrait of the court dwarf El Primo, after Velázquez, 1778

Etching

21.5 × 15.4 cm

The Metropolitan Museum of Art

C24-390919

Goya (Francisco de Goya y Lucientes), Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Goya (Francisco de Goya y Lucientes)

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799

Etching, aquatint

21.2 × 15.1 cm

The Metropolitan Museum of Art

C24-434592

Goya (Francisco de Goya y Lucientes), Self-Portrait in a Cocked Hat

Goya (Francisco de Goya y Lucientes)

Self-Portrait in a Cocked Hat, ca. 1790

Pen and brown (iron gall?) ink on paper

9.8 × 8.8 cm

The Metropolitan Museum of Art

C24-935240

Goya (Francisco de Goya y Lucientes), Unholy Union

Goya (Francisco de Goya y Lucientes)

Unholy Union, ca. 1801–3 or ca. 1813–19

Brush with Indian ink and wash and traces of pen and ink on laid paper

17.6 × 12.7 cm

The Metropolitan Museum of Art

C24-936637

Goya (Francisco de Goya y Lucientes), Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

Goya (Francisco de Goya y Lucientes)

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?), 1799

Etching, burnished aquatint

21.3 × 14.9 cm

The Metropolitan Museum of Art

C24-444660

Goya (Francisco de Goya y Lucientes), Plate 36 from "Los Caprichos": A bad night (Mala noche)

Goya (Francisco de Goya y Lucientes)

Plate 36 from "Los Caprichos": A bad night (Mala noche), 1799

Etching, burnished aquatint

21.4 × 15.1 cm

The Metropolitan Museum of Art

C24-444658

Goya (Francisco de Goya y Lucientes), Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Goya (Francisco de Goya y Lucientes)

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, 1816

Etching, burnished aquatint, drypoint

30.7 × 44.5 cm

The Metropolitan Museum of Art

C24-455845

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Where works by Goya (Francisco de Goya y Lucientes) are registered

Registry catalogue

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