Registry catalogue
Goya (Francisco de Goya y Lucientes)
All works
395 works in the Collect24 Registry
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Goya (Francisco de Goya y Lucientes)
A False Bacchus Crowning Drunkards, 1778
Etching
32 × 43.5 cm
The Metropolitan Museum of Art
C24-302696
Goya (Francisco de Goya y Lucientes)
Aesop, after Velázquez, 1778
Etching
29.5 × 21.5 cm
The Metropolitan Museum of Art
C24-390924
Goya (Francisco de Goya y Lucientes)
Baltasar Carlos on horseback, 1778
Etching and drypoint printed in black ink
34.5 × 22 cm
The Metropolitan Museum of Art
C24-451728
Goya (Francisco de Goya y Lucientes)
Don Baltasar Carlos on horseback, after Velázquez, 1778
Etching, drypoint
34.8 × 22 cm
The Metropolitan Museum of Art
C24-407293
Goya (Francisco de Goya y Lucientes)
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, 1778
Etching
37.2 × 31.4 cm
The Metropolitan Museum of Art
C24-403686
Goya (Francisco de Goya y Lucientes)
Isabel de Bourbon on horseback, after Velázquez, 1778
Etching and drypoint
37 × 31.1 cm
The Metropolitan Museum of Art
C24-342623
Goya (Francisco de Goya y Lucientes)
Isabel of Bourbon, Queen of Spain on horseback, after Veláquez, 1778
Etching
37.2 × 31.5 cm
The Metropolitan Museum of Art
C24-389197
Goya (Francisco de Goya y Lucientes)
Margaret of Austria on horseback, after Velázquez, 1778
Etching and drypoint
37.2 × 31.1 cm
The Metropolitan Museum of Art
C24-418959
Goya (Francisco de Goya y Lucientes)
Menippus, after Velázquez, 1778
Etching
30.6 × 22 cm
The Metropolitan Museum of Art
C24-383407
Goya (Francisco de Goya y Lucientes)
Philip III, King of Spain on horseback, after Velázquez, 1778
Etching and drypoint
41.2 × 34.1 cm
The Metropolitan Museum of Art
C24-418957
Goya (Francisco de Goya y Lucientes)
Philip IV on horseback, after Velázquez, 1778
Etching
36.8 × 31 cm
The Metropolitan Museum of Art
C24-325830
Goya (Francisco de Goya y Lucientes)
Portrait of the court dwarf El Primo, after Velázquez, 1778
Etching
21.5 × 15.4 cm
The Metropolitan Museum of Art
C24-390919
Goya (Francisco de Goya y Lucientes)
Portrait of the court dwarf known as el Primo, after Velázquez, 1778
Etching
20.8 × 14.9 cm
The Metropolitan Museum of Art
C24-403365
Goya (Francisco de Goya y Lucientes)
Condesa de Altamira and Her Daughter, María Agustina, 1787–88
Oil on canvas
195 × 115 cm
The Metropolitan Museum of Art
C24-103304
Goya (Francisco de Goya y Lucientes)
Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88
Oil on canvas
127 × 101.6 cm
The Metropolitan Museum of Art
C24-103816
Goya (Francisco de Goya y Lucientes)
Sebastián Martínez y Pérez (1747–1800), 1792
Oil on canvas
93 × 67.6 cm
The Metropolitan Museum of Art
C24-103091
Goya (Francisco de Goya y Lucientes)
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", 1795–97
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-574437
Goya (Francisco de Goya y Lucientes)
Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B", 1795–97
Brush and point of brush, carbon black washes
23.5 × 14.5 cm
The Metropolitan Museum of Art
C24-556082
Goya (Francisco de Goya y Lucientes)
Maja and an officer; folio 22 (verso) from the Madrid Album "B", 1795–97
Brush and point of brush, carbon black washes
23.5 × 14.5 cm
The Metropolitan Museum of Art
C24-568898
Goya (Francisco de Goya y Lucientes)
Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B", 1795–97
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-586417
Goya (Francisco de Goya y Lucientes)
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", 1795–97
Brush and point of brush, carbon black washes
23.5 × 14.7 cm
The Metropolitan Museum of Art
C24-556539
Goya (Francisco de Goya y Lucientes)
Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B", 1795–97
Brush and point of brush, carbon black washes, black chalk
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-491568
Goya (Francisco de Goya y Lucientes)
A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B", 1796–97
Brush and point of brush, carbon black washes
23.5 × 14.5 cm
The Metropolitan Museum of Art
C24-575852
Goya (Francisco de Goya y Lucientes)
Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B", 1796–97
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-584335
Goya (Francisco de Goya y Lucientes)
A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the Madrid Album "B", 1796–98
Brush and point of brush, scraper, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-532954
Goya (Francisco de Goya y Lucientes)
Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B", 1796–98
Brush and point of brush, carbon black washes, touches of pen and brown ink
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-564245
Goya (Francisco de Goya y Lucientes)
They are getting drunk; folio 67 (recto) from the Madrid Album "B", 1796–98
Brush and point of brush, scraper, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-481558
Goya (Francisco de Goya y Lucientes)
Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B", 1796–98
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-558685
Goya (Francisco de Goya y Lucientes)
Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B", 1796–98
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-575855
Goya (Francisco de Goya y Lucientes)
Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B", 1796–98
Brush and point of brush, carbon black washes, touches of pen and brown ink
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-586347
Goya (Francisco de Goya y Lucientes)
Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B", 1796–98 (possibly later)
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-573979
Goya (Francisco de Goya y Lucientes)
Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B", 1796–98 (possibly later)
Brush and point of brush, carbon black washes
23.5 × 14.6 cm
The Metropolitan Museum of Art
C24-558683
Goya (Francisco de Goya y Lucientes)
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), 1797–98
Etching, aquatint, drypoint
20 × 15 cm
The Metropolitan Museum of Art
C24-453585
Goya (Francisco de Goya y Lucientes)
A bad night (Mala noche), plate 36 from "Los Caprichos", 1799
Etching, burnished aquatint
21.5 × 15 cm
The Metropolitan Museum of Art
C24-453372
Goya (Francisco de Goya y Lucientes)
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos", 1799
Etching, burnished aquatint, burin
21.6 × 15.1 cm
The Metropolitan Museum of Art
C24-430428
Goya (Francisco de Goya y Lucientes)
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", 1799
Etching, aquatint, drypoint
19.7 × 14.8 cm
The Metropolitan Museum of Art
C24-453370
Goya (Francisco de Goya y Lucientes)
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", 1799
Etching, burnished aquatint, burin
25 × 15 cm
The Metropolitan Museum of Art
C24-430427
Goya (Francisco de Goya y Lucientes)
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos", 1799
Etching, burnished aquatint, burin
21.8 × 14.9 cm
The Metropolitan Museum of Art
C24-430426
Goya (Francisco de Goya y Lucientes)
Plate 1 from "Los Caprichos": Self-portrait, 1799
Etching, aquatint, drypoint and burin
21.8 × 15.2 cm
The Metropolitan Museum of Art
C24-427590
Goya (Francisco de Goya y Lucientes)
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte), 1799
Etching, burnished aquatint, burin
21.3 × 15.2 cm
The Metropolitan Museum of Art
C24-429580
Goya (Francisco de Goya y Lucientes)
Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío), 1799
Etching, burnished aquatint, burin
21.4 × 15.2 cm
The Metropolitan Museum of Art
C24-427605
Goya (Francisco de Goya y Lucientes)
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), 1799
Etching, burnished aquatint, burin
21.6 × 15 cm
The Metropolitan Museum of Art
C24-323115
Goya (Francisco de Goya y Lucientes)
Plate 13 from "Los Caprichos": They are hot (Estan calientes), 1799
Etching, burnished aquatint
21.4 × 15.1 cm
The Metropolitan Museum of Art
C24-452549
Goya (Francisco de Goya y Lucientes)
Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!), 1799
Etching, burnished aquatint, drypoint
19.8 × 14.8 cm
The Metropolitan Museum of Art
C24-455416
Goya (Francisco de Goya y Lucientes)
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos), 1799
Etching, burnished aquatint, burin
21.5 × 15.1 cm
The Metropolitan Museum of Art
C24-429690
Goya (Francisco de Goya y Lucientes)
Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos", 1799
Etching, aquatint, burin, touches of pen and ink
21.8 × 15.3 cm
The Metropolitan Museum of Art
C24-326871
Goya (Francisco de Goya y Lucientes)
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), 1799
Etching, burnished aquatint, drypoint
19.7 × 15 cm
The Metropolitan Museum of Art
C24-443643
Goya (Francisco de Goya y Lucientes)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está), 1799
Etching, burnished aquatint, burin
21.4 × 15 cm
The Metropolitan Museum of Art
C24-427601