Registry catalogue

Goya (Francisco de Goya y Lucientes)

All works

395 works in the Collect24 Registry

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Goya (Francisco de Goya y Lucientes), Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)

Goya (Francisco de Goya y Lucientes)

Plate 64 from "Los Caprichos": Bon voyage (Buen Viage), 1799

Etching, burnished aquatint, burin

21.5 × 15.3 cm

The Metropolitan Museum of Art

C24-431333

Goya (Francisco de Goya y Lucientes), Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)

Goya (Francisco de Goya y Lucientes)

Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage), 1799

Etching, burnished aquatint, burin

21.5 × 15.7 cm

The Metropolitan Museum of Art

C24-426337

Goya (Francisco de Goya y Lucientes), Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

Goya (Francisco de Goya y Lucientes)

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?), 1799

Etching, aquatint, drypoint

20.6 × 16.4 cm

The Metropolitan Museum of Art

C24-452585

Goya (Francisco de Goya y Lucientes), Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

Goya (Francisco de Goya y Lucientes)

Plate 66 from "Los Caprichos": There it goes (Allá vá eso), 1799

Etching, aquatint, drypoint

20.5 × 16.4 cm

The Metropolitan Museum of Art

C24-452545

Goya (Francisco de Goya y Lucientes), Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)

Goya (Francisco de Goya y Lucientes)

Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten), 1799

Etching, burnished aquatint, drypoint

21.4 × 15 cm

The Metropolitan Museum of Art

C24-455419

Goya (Francisco de Goya y Lucientes), Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)

Goya (Francisco de Goya y Lucientes)

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!), 1799

Etching, burnished aquatint, drypoint

20.9 × 14.8 cm

The Metropolitan Museum of Art

C24-445499

Goya (Francisco de Goya y Lucientes), Plate 69 from "Los Caprichos": Blow (Sopla)

Goya (Francisco de Goya y Lucientes)

Plate 69 from "Los Caprichos": Blow (Sopla), 1799

Etching, aquatint, drypoint, burin

20.9 × 14.6 cm

The Metropolitan Museum of Art

C24-427622

Goya (Francisco de Goya y Lucientes), Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

Goya (Francisco de Goya y Lucientes)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue), 1799

Etching, aquatint, drypoint

19.6 × 14.8 cm

The Metropolitan Museum of Art

C24-454333

Goya (Francisco de Goya y Lucientes), Plate 70 from "Los Caprichos": Devout Profession (Devota profesion)

Goya (Francisco de Goya y Lucientes)

Plate 70 from "Los Caprichos": Devout Profession (Devota profesion), 1799

Etching, aquatint, drypoint

20.5 × 16.4 cm

The Metropolitan Museum of Art

C24-452556

Goya (Francisco de Goya y Lucientes), Plate 70: Devout Profession (Devota Profesion), from "Los Caprichos"

Goya (Francisco de Goya y Lucientes)

Plate 70: Devout Profession (Devota Profesion), from "Los Caprichos", 1799

Etching, aquatint, drypoint

31.9 × 21.8 cm

The Metropolitan Museum of Art

C24-453358

Goya (Francisco de Goya y Lucientes), Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)

Goya (Francisco de Goya y Lucientes)

Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos), 1799

Etching, burnished aquatint, burin

19.6 × 14.9 cm

The Metropolitan Museum of Art

C24-427625

Goya (Francisco de Goya y Lucientes), Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)

Goya (Francisco de Goya y Lucientes)

Plate 72 from "Los Caprichos": You will not escape (No te escaparàs), 1799

Etching, burnished aquatint

21.2 × 14.9 cm

The Metropolitan Museum of Art

C24-452583

Goya (Francisco de Goya y Lucientes), Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

Goya (Francisco de Goya y Lucientes)

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar), 1799

Etching, burnished aquatint, burin

21.3 × 14.9 cm

The Metropolitan Museum of Art

C24-427631

Goya (Francisco de Goya y Lucientes), Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)

Goya (Francisco de Goya y Lucientes)

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta), 1799

Etching, burnished aquatint

21.2 × 14.9 cm

The Metropolitan Museum of Art

C24-452582

Goya (Francisco de Goya y Lucientes), Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

Goya (Francisco de Goya y Lucientes)

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?), 1799

Etching, burnished aquatint

21.3 × 14.9 cm

The Metropolitan Museum of Art

C24-444660

Goya (Francisco de Goya y Lucientes), Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...)

Goya (Francisco de Goya y Lucientes)

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...), 1799

Etching, burnished aquatint

21.2 × 15 cm

The Metropolitan Museum of Art

C24-452804

Goya (Francisco de Goya y Lucientes), Plate 77 from "Los Caprichos": What one does to another (Unos á otros)

Goya (Francisco de Goya y Lucientes)

Plate 77 from "Los Caprichos": What one does to another (Unos á otros), 1799

Etching, burnished aquatint, drypoint, burin

21.3 × 15 cm

The Metropolitan Museum of Art

C24-427633

Goya (Francisco de Goya y Lucientes), Plate 78  from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

Goya (Francisco de Goya y Lucientes)

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), 1799

Etching, burnished aquatint

21.4 × 15 cm

The Metropolitan Museum of Art

C24-453371

Goya (Francisco de Goya y Lucientes), Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)

Goya (Francisco de Goya y Lucientes)

Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan), 1799

Etching, burnished aquatint

21.4 × 15 cm

The Metropolitan Museum of Art

C24-452560

Goya (Francisco de Goya y Lucientes), Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

Goya (Francisco de Goya y Lucientes)

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto), 1799

Etching, burnished aquatint, burin

21.2 × 14.9 cm

The Metropolitan Museum of Art

C24-427627

Goya (Francisco de Goya y Lucientes), Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)

Goya (Francisco de Goya y Lucientes)

Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!), 1799

Etching, burnished aquatint

21.4 × 15 cm

The Metropolitan Museum of Art

C24-454071

Goya (Francisco de Goya y Lucientes), Plate 80 from "Los Caprichos": It is time (Ya es hora)

Goya (Francisco de Goya y Lucientes)

Plate 80 from "Los Caprichos": It is time (Ya es hora), 1799

Etching, burnished aquatint, drypoint, burin

21.5 × 15.1 cm

The Metropolitan Museum of Art

C24-432680

Goya (Francisco de Goya y Lucientes), Plate 9 from "Los Caprichos": Tantalus (Tantalo)

Goya (Francisco de Goya y Lucientes)

Plate 9 from "Los Caprichos": Tantalus (Tantalo), 1799

Etching, burnished aquatint

20.5 × 14.9 cm

The Metropolitan Museum of Art

C24-453308

Goya (Francisco de Goya y Lucientes), Pllate 60 from "Los Caprichos": Trials (Ensayos)

Goya (Francisco de Goya y Lucientes)

Pllate 60 from "Los Caprichos": Trials (Ensayos), 1799

Etching, aquatint, burin

20.6 × 16.4 cm

The Metropolitan Museum of Art

C24-415756

Goya (Francisco de Goya y Lucientes), Self-Portrait; Plate 1 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes)

Self-Portrait; Plate 1 from "Los Caprichos", 1799

Etching, aquatint, drypoint, burin

21.7 × 15 cm

The Metropolitan Museum of Art

C24-320376

Goya (Francisco de Goya y Lucientes), Tantalus (Tantalo), plate 9 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes)

Tantalus (Tantalo), plate 9 from "Los Caprichos", 1799

Etching, burnished aquatint

20.8 × 15 cm

The Metropolitan Museum of Art

C24-452392

Goya (Francisco de Goya y Lucientes), The Caprices (Los Caprichos), plates 1-80

Goya (Francisco de Goya y Lucientes)

The Caprices (Los Caprichos), plates 1-80, 1799

Etching, aquatint, drypoint, and burin

The Metropolitan Museum of Art

C24-426339

Goya (Francisco de Goya y Lucientes), Plate 1 from "Los Caprichos": Self-portrait

Goya (Francisco de Goya y Lucientes)

Plate 1 from "Los Caprichos": Self-portrait, 1799 (published 1881–86)

Etching, aquatint, drypoint and burin

21.8 × 15.1 cm

The Metropolitan Museum of Art

C24-433763

Goya (Francisco de Goya y Lucientes), Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Goya (Francisco de Goya y Lucientes)

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799 (published 1908–12)

Etching, aquatint on wove paper

21.6 × 15.2 cm

The Metropolitan Museum of Art

C24-433779

Goya (Francisco de Goya y Lucientes), Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)

Goya (Francisco de Goya y Lucientes)

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!), 1799, posthumous impression

Etching, burnished aquatint

21.6 × 15.2 cm

The Metropolitan Museum of Art

C24-453084

Goya (Francisco de Goya y Lucientes), 'Barbarous Entertainment', a blind guitarist on the horns of a bull

Goya (Francisco de Goya y Lucientes)

'Barbarous Entertainment', a blind guitarist on the horns of a bull, 1800–1804 (published 1828–67)

Etching, aquatint, drypoint on laid paper

17.7 × 21.9 cm

The Metropolitan Museum of Art

C24-295474

Goya (Francisco de Goya y Lucientes), Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers

Goya (Francisco de Goya y Lucientes)

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804

Oil on canvas

104.1 × 83.2 cm

The Metropolitan Museum of Art

C24-103101

Goya (Francisco de Goya y Lucientes), Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)

Goya (Francisco de Goya y Lucientes)

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), 1804

Oil on canvas

104.1 × 82.2 cm

The Metropolitan Museum of Art

C24-103100

Goya (Francisco de Goya y Lucientes), Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)

Goya (Francisco de Goya y Lucientes)

Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra), 1810

Etching, burnished aquatint, drypoint

15.3 × 20.4 cm

The Metropolitan Museum of Art

C24-444175

Goya (Francisco de Goya y Lucientes), Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)

Goya (Francisco de Goya y Lucientes)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco), 1810

Etching, burin (proof impression before addition of caption)

15 × 21.6 cm

The Metropolitan Museum of Art

C24-437218

Goya (Francisco de Goya y Lucientes), Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

Goya (Francisco de Goya y Lucientes)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas), 1810

Etching, lavis, drypoint, burin

16.1 × 21.2 cm

The Metropolitan Museum of Art

C24-455847

Goya (Francisco de Goya y Lucientes), Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)

Goya (Francisco de Goya y Lucientes)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido), 1810

Etching, drypoint, burin (working proof)

16.1 × 23.6 cm

The Metropolitan Museum of Art

C24-430419

Goya (Francisco de Goya y Lucientes), Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Goya (Francisco de Goya y Lucientes)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), 1810

Etching, burin

14.1 × 17 cm

The Metropolitan Museum of Art

C24-442716

Goya (Francisco de Goya y Lucientes), Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

Goya (Francisco de Goya y Lucientes)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), 1810

Etching, drypoint, burin, burnisher

14 × 16.7 cm

The Metropolitan Museum of Art

C24-309686

Goya (Francisco de Goya y Lucientes), Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)

Goya (Francisco de Goya y Lucientes)

Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810

Etching, drypoint (proof impression)

16 × 23.5 cm

The Metropolitan Museum of Art

C24-455846

Goya (Francisco de Goya y Lucientes), Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)

Goya (Francisco de Goya y Lucientes)

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), 1810

Etching, lavis, burin, burnisher (proof impression)

16 × 23.5 cm

The Metropolitan Museum of Art

C24-438365

Goya (Francisco de Goya y Lucientes), Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

Goya (Francisco de Goya y Lucientes)

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas), 1810

Etching, burin (proof impression)

16 × 25.2 cm

The Metropolitan Museum of Art

C24-430420

Goya (Francisco de Goya y Lucientes), Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

Goya (Francisco de Goya y Lucientes)

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir), 1810

Etching (proof impression)

16.1 × 25.6 cm

The Metropolitan Museum of Art

C24-453369

Goya (Francisco de Goya y Lucientes), Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

Goya (Francisco de Goya y Lucientes)

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), 1810

Etching, drypoint, and burin (proof impressions)

16.3 × 23.3 cm

The Metropolitan Museum of Art

C24-437217

Goya (Francisco de Goya y Lucientes), Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

Goya (Francisco de Goya y Lucientes)

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad), 1810

Etching, drypoint, burin (proof impression)

16.3 × 23.2 cm

The Metropolitan Museum of Art

C24-430424

Goya (Francisco de Goya y Lucientes), Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

Goya (Francisco de Goya y Lucientes)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra), 1810

Etching, drypoint, burin, burnisher

14 × 17 cm

The Metropolitan Museum of Art

C24-363621

Goya (Francisco de Goya y Lucientes), Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)

Goya (Francisco de Goya y Lucientes)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), 1810

Etching, burin (proof impression)

15.9 × 23.3 cm

The Metropolitan Museum of Art

C24-352093

Goya (Francisco de Goya y Lucientes), Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

Goya (Francisco de Goya y Lucientes)

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi), 1810

Etching, drypoint, burin

15.8 × 23.4 cm

The Metropolitan Museum of Art

C24-443923