Goya (Francisco de Goya y Lucientes)

Goya (Francisco de Goya y Lucientes)

Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger), 1811–12 (published 1863)

Etching, lavis, burin, burnisher

15.4 × 20.8 cm

The Metropolitan Museum of Art

C24-433769

Goya (Francisco de Goya y Lucientes)

Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!), 1811–12 (published 1863)

Etching, burnished aquatint, drypoint

15.5 × 20.5 cm

The Metropolitan Museum of Art

C24-456928

Goya (Francisco de Goya y Lucientes)

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta), 1811–12 (published 1863)

Etching, burnished aquatint

15.5 × 20 cm

The Metropolitan Museum of Art

C24-454677

Goya (Francisco de Goya y Lucientes)

Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo), 1811–12 (published 1863)

Etching, lavis, drypoint, burin

15.4 × 20.4 cm

The Metropolitan Museum of Art

C24-457492

Goya (Francisco de Goya y Lucientes)

Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio), 1811–12 (published 1863)

Etching, burnished aquatint, lavis, burin, burnisher

15.2 × 20.5 cm

The Metropolitan Museum of Art

C24-441064

Goya (Francisco de Goya y Lucientes)

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), 1811–12 (published 1863)

Etching, lavis, burin, burnisher

15.2 × 20.5 cm

The Metropolitan Museum of Art

C24-433767

Goya (Francisco de Goya y Lucientes)

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano), 1811–12 (published 1863)

Etching, lavis, burin, burnisher

15.2 × 20.5 cm

The Metropolitan Museum of Art

C24-433760

Goya (Francisco de Goya y Lucientes)

Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir), 1811–12 (published 1863)

Etching, lavis, burnisher

15.6 × 2 cm

The Metropolitan Museum of Art

C24-454678

Goya (Francisco de Goya y Lucientes)

Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio), 1811–12 (published 1863)

Etching, lavis, drypoint

15.5 × 20.5 cm

The Metropolitan Museum of Art

C24-420946

Goya (Francisco de Goya y Lucientes)

Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos), 1811–12 (published 1863)

Etching, burnished aquatint, burin, burnisher

15.6 × 20.6 cm

The Metropolitan Museum of Art

C24-433989

Goya (Francisco de Goya y Lucientes)

Plate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces), 1811–12 (published 1863)

Etching, burnished aquatint, burin, burnisher

15.5 × 20.5 cm

The Metropolitan Museum of Art

C24-433988

Goya (Francisco de Goya y Lucientes)

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?), 1811–12 (published 1863)

Etching, burnished aquatint, lavis

15.3 × 20.3 cm

The Metropolitan Museum of Art

C24-457496

Goya (Francisco de Goya y Lucientes)

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra), 1811–12 (published 1863)

Etching, burnished aquatint, burin, burnisher

14.9 × 20.5 cm

The Metropolitan Museum of Art

C24-433985

Goya (Francisco de Goya y Lucientes)

Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage), 1811–12 (published 1863)

Etching, lavis, drypoint, burin, burnisher

20.6 × 15.5 cm

The Metropolitan Museum of Art

C24-433992

Goya (Francisco de Goya y Lucientes)

Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte), 1811–12 (published 1863)

Etching, lavis, drypoint, burin, burnisher

17.4 × 21.8 cm

The Metropolitan Museum of Art

C24-433993

Goya (Francisco de Goya y Lucientes)

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos), 1811–12 (published 1863)

Etching, burnished aquatint

15 × 20.5 cm

The Metropolitan Museum of Art

C24-454394

Goya (Francisco de Goya y Lucientes)

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), 1811–12 (published 1863)

Etching, drypoint, burnished aquatint

15.2 × 20.5 cm

The Metropolitan Museum of Art

C24-443415

Goya (Francisco de Goya y Lucientes)

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?), 1814–15 (published 1863)

Etching, burnished aquatint and/or lavis, burin, burnisher

17.5 × 22 cm

The Metropolitan Museum of Art

C24-441063

Goya (Francisco de Goya y Lucientes)

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!), 1814–15 (published 1863)

Etching, burnished aquatint and/or lavis, burin, burnisher

17.4 × 21.8 cm

The Metropolitan Museum of Art

C24-440683

Goya (Francisco de Goya y Lucientes)

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos), 1814–15 (published 1863)

Etching, burnished aquatint, drypoint, burin and burnisher

17.2 × 22 cm

The Metropolitan Museum of Art

C24-441062

Goya (Francisco de Goya y Lucientes)

Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!), 1814–15 (published 1863)

Etching, lavis, burin

21.4 × 16.2 cm

The Metropolitan Museum of Art

C24-454393

Goya (Francisco de Goya y Lucientes)

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá), 1814–15 (published 1863)

Etching, burnished aquatint, lavis, drypoint, burin

15.3 × 19.9 cm

The Metropolitan Museum of Art

C24-441157

Goya (Francisco de Goya y Lucientes)

Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino), 1814–15 (published 1863)

Etching, drypoint, burin, burnisher

17.5 × 21.6 cm

The Metropolitan Museum of Art

C24-433990

Goya (Francisco de Goya y Lucientes)

Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general), 1814–15 (published 1863)

Etching, burnisher

17.5 × 22 cm

The Metropolitan Museum of Art

C24-451103

Goya (Francisco de Goya y Lucientes)

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas), 1814–15 (published 1863)

Etching

17.5 × 22 cm

The Metropolitan Museum of Art

C24-382590

Goya (Francisco de Goya y Lucientes)

Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima), 1814–15 (published 1863)

Etching, burin, burnisher

17.4 × 21.2 cm

The Metropolitan Museum of Art

C24-420945

Goya (Francisco de Goya y Lucientes)

Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!), 1814–15 (published 1863)

Etching, burnisher

17.6 × 21.6 cm

The Metropolitan Museum of Art

C24-451336

Goya (Francisco de Goya y Lucientes)

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes), 1814–15 (published 1863)

Etching, aquatint or lavis, drypoint and burin

17.2 × 22 cm

The Metropolitan Museum of Art

C24-440686

Goya (Francisco de Goya y Lucientes)

Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro), 1814–15 (published 1863)

Etching, drypoint(?), burin, burnisher

17.3 × 22 cm

The Metropolitan Museum of Art

C24-433614

Goya (Francisco de Goya y Lucientes)

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda), 1814–15 (published 1863)

Etching, burnished aquatint, drypoint

17.2 × 22 cm

The Metropolitan Museum of Art

C24-444384

Goya (Francisco de Goya y Lucientes)

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien), 1814–15 (published 1863)

Etching, drypoint, burin, burnisher

17.2 × 22 cm

The Metropolitan Museum of Art

C24-325202

Goya (Francisco de Goya y Lucientes)

Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad), 1814–15 (published 1863)

Etching and burnisher

17.3 × 21.8 cm

The Metropolitan Museum of Art

C24-442926

Goya (Francisco de Goya y Lucientes)

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?), 1814–15 (published 1863)

Etching, burnisher

17.2 × 21.8 cm

The Metropolitan Museum of Art

C24-451101

Goya (Francisco de Goya y Lucientes)

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?), 1814–15 (published 1863)

Etching, burnisher

17.5 × 22 cm

The Metropolitan Museum of Art

C24-451685

Goya (Francisco de Goya y Lucientes)

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", 1816

Etching, burnished aquatint, drypoint

24.5 × 35 cm

The Metropolitan Museum of Art

C24-455873

Goya (Francisco de Goya y Lucientes)

Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", 1816

Etching, burnished aquatint, drypoint, burin

25 × 35 cm

The Metropolitan Museum of Art

C24-348765

Goya (Francisco de Goya y Lucientes)

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816

Etching, aquatint, drypoint

24.8 × 35 cm

The Metropolitan Museum of Art

C24-442558

Goya (Francisco de Goya y Lucientes)

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, 1816

Etching, burnished aquatint, drypoint, burin

24.8 × 35 cm

The Metropolitan Museum of Art

C24-429549

Goya (Francisco de Goya y Lucientes)

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms, 1816

Etching, aquatint, drypoint

25 × 35 cm

The Metropolitan Museum of Art

C24-454331

Goya (Francisco de Goya y Lucientes)

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants, 1816

Etching, burnished aquatint, drypoint, burin

24.8 × 35.5 cm

The Metropolitan Museum of Art

C24-429555

Goya (Francisco de Goya y Lucientes)

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, 1816

Etching, aquatint, drypoint

24.7 × 35.2 cm

The Metropolitan Museum of Art

C24-454332

Goya (Francisco de Goya y Lucientes)

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, 1816

Etching, burnished aquatint, drypoint, burin

24.7 × 35.2 cm

The Metropolitan Museum of Art

C24-429546

Goya (Francisco de Goya y Lucientes)

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid, 1816

Etching, burnished aquatint, drypoint, burin

24.5 × 35.2 cm

The Metropolitan Museum of Art

C24-429551

Goya (Francisco de Goya y Lucientes)

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, 1816

Etching, burnished aquatint, drypoint, burin

24.3 × 35 cm

The Metropolitan Museum of Art

C24-431766

Goya (Francisco de Goya y Lucientes)

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza, 1816

Etching, burnished aquatint, drypoint

24.5 × 34.9 cm

The Metropolitan Museum of Art

C24-443304

Goya (Francisco de Goya y Lucientes)

Plate 19 of "La Tauromaquia": Another madness of his in the same ring, 1816

Etching, burnished aquatint, drypoint and burin

24.2 × 35 cm

The Metropolitan Museum of Art

C24-437004

Goya (Francisco de Goya y Lucientes)

Plate 2 from "La Tauromaquia": Another way of hunting on foot, 1816

Etching, burnished aquatint, drypoint, burin

24.3 × 35.2 cm

The Metropolitan Museum of Art

C24-429560

Goya (Francisco de Goya y Lucientes)

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid, 1816

Etching, aquatint

24.5 × 35.3 cm

The Metropolitan Museum of Art

C24-451120