Gallery

max goelitz

Max Goelitz was founded in March 2020 in Munich, Germany, and presents an international and contemporary program. At the core of the gallery’s commitment are its ongoing relationships with artists and a fundamental support for artistic freedom.

547
Registered works
53
Artists represented
Munich, Germany
Location
Gallery
Type

Unclaimed gallery profile

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Registry relationships

Artists represented

53 artists have works from this collection registered on Collect24. The most represented are shown here.

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547 registered works

Showing 60 of 547

Ju Young Kim, Ju Young Kim, Almost like Whale Watching, 2024

Ju Young Kim

Ju Young Kim, Almost like Whale Watching, 2024, 2024

Aircraft fairing, stained glass, rivets and LED

max goelitz

C24-156311

artist: michael venezia, Michael Venezia, Untitled, 1966

artist: michael venezia

Michael Venezia, Untitled, 1966, 1966

Acrylic pigments on linen

max goelitz

C24-156310

Troika, Troika, High Sierra, 2024

Troika

Troika, High Sierra, 2024, 2024

Dye sublimation print on aluminum

max goelitz

C24-156309

artist: natacha donzé, Natacha Donzé, Murmuration, the guardians, 2022

artist: natacha donzé

Natacha Donzé, Murmuration, the guardians, 2022, 2022

Acrylic on canvas

max goelitz

C24-156308

Lukas Heerich, Lukas Heerich, Home, 2026

Lukas Heerich

Lukas Heerich, Home, 2026, 2026

Wax

max goelitz

C24-156307

Lukas Heerich, Lukas Heerich, Glocke, 2020 (2022)

Lukas Heerich

Lukas Heerich, Glocke, 2020 (2022), 2020

Rubber

max goelitz

C24-156305

artist: lou jaworski, Lou Jaworski, GEMINI, 2021

artist: lou jaworski

Lou Jaworski, GEMINI, 2021, 2021

Ferrite magnets

max goelitz

C24-156304

Niko Abramidis &NE, Niko Abramidis &NE, Cryptic Machine Prototype C2 (Bergkristall Update), 2021

Niko Abramidis &NE

Niko Abramidis &NE, Cryptic Machine Prototype C2 (Bergkristall Update), 2021, 2021

Steel, pinpad, LED tubes, LCD screen and video loop (1:33 min)

max goelitz

C24-156303

artist: troika, Troika, High Sierra, 2024

artist: troika

Troika, High Sierra, 2024, 2024

Dye sublimation print on aluminum

max goelitz

C24-156302

artist: rindon johnson, Rindon Johnson, This canon fodder is no bother, 2023

artist: rindon johnson

Rindon Johnson, This canon fodder is no bother, 2023, 2023

Leather and crayon

max goelitz

C24-156301

Michael Venezia, Michael Venezia | MVNY #862, 1971 | max goelitz

Michael Venezia

Michael Venezia | MVNY #862, 1971 | max goelitz, 1971

Carbon black and metalized bronze powders on paper

max goelitz

C24-156300

artist: niko abramidis &ne, Niko Abramidis &NE, 3EYE, 2023

artist: niko abramidis &ne

Niko Abramidis &NE, 3EYE, 2023, 2023

Canvas, spraypaint and embroidery

max goelitz

C24-156298

artist: justin urbach, Justin Urbach, Fractal Breeze WIP T2_009, 2023

artist: justin urbach

Justin Urbach, Fractal Breeze WIP T2_009, 2023, 2023

Silicon wafer with laser engraving

max goelitz

C24-156297

artist: troika, Troika, Cartography of Control, 2015

artist: troika

Troika, Cartography of Control, 2015, 2015

Electric charge on paper

max goelitz

C24-156296

artist: troika, Troika, Ultraflora, 2025

artist: troika

Troika, Ultraflora, 2025, 2025

Fused metal deposition

max goelitz

C24-156295

Niko Abramidis &NE, Niko Abramidis &NE, Green Hydra, 2020

Niko Abramidis &NE

Niko Abramidis &NE, Green Hydra, 2020, 2020

Canvas, spraypaint and embroidery

max goelitz

C24-156294

Troika, Troika, Borrowed Light, 2020

Troika

Troika, Borrowed Light, 2020, 2020

Perspex, photographic film

max goelitz

C24-156291

artist: gary kuehn, Gary Kuehn, Untitled (Gesture Project), 1989

artist: gary kuehn

Gary Kuehn, Untitled (Gesture Project), 1989, 1989

Oil and graphite on canvas

max goelitz

C24-156290

artist: jürgen partenheimer, Jürgen Partenheimer, Kalliope III, #6, 2011

artist: jürgen partenheimer

Jürgen Partenheimer, Kalliope III, #6, 2011, 2011

Porcelain painted in polychrome enamels

max goelitz

C24-156289

artist: jürgen partenheimer, Jürgen Partenheimer, Shoji (Ex), 2024

artist: jürgen partenheimer

Jürgen Partenheimer, Shoji (Ex), 2024, 2024

Wood and iron

max goelitz

C24-156288

artist: haroon mirza, Haroon Mirza, Sugar Face, 2017

artist: haroon mirza

Haroon Mirza, Sugar Face, 2017, 2017

Refined sugar electroetching on copper PCB blank

max goelitz

C24-156287

artist: rindon johnson, Rindon Johnson, Fruit of the poisonous tree, Higher and more free! The music must always play, All the conventions conspire to make this fort assume the furniture of home; Lest we should see where we are, higher and more free! Lost in a haunted wood, What are the consequences of two different forms interacting? Ice on a bed of mint leaves. That’s what I thought in the early morning. Higher and more free! Breeze engine. If no is what it is then that’s what it is. Breeze Engine. Paint dries on walls. Bells chime at noon. Rivers flow through canyons. Enough. Enough. Enough. Enough. Enough., 2023

artist: rindon johnson

Rindon Johnson, Fruit of the poisonous tree, Higher and more free! The music must always play, All the conventions conspire to make this fort assume the furniture of home; Lest we should see where we are, higher and more free! Lost in a haunted wood, What are the consequences of two different forms interacting? Ice on a bed of mint leaves. That’s what I thought in the early morning. Higher and more free! Breeze engine. If no is what it is then that’s what it is. Breeze Engine. Paint dries on walls. Bells chime at noon. Rivers flow through canyons. Enough. Enough. Enough. Enough. Enough., 2023, 2023

Ash wood

max goelitz

C24-156286

artist: lou jaworski, Lou Jaworski, STRATOS 003, 2023

artist: lou jaworski

Lou Jaworski, STRATOS 003, 2023, 2023

UV pigment print on Striato Olimpico marble

max goelitz

C24-156285

artist: jürgen partenheimer, Jürgen Partenheimer, Maze VIII, 2024

artist: jürgen partenheimer

Jürgen Partenheimer, Maze VIII, 2024, 2024

Bronze oxidized

max goelitz

C24-156284

artist: justin urbach, Justin Urbach, Frozen Goods I, 2025

artist: justin urbach

Justin Urbach, Frozen Goods I, 2025, 2025

Laser engraving on paper, Fabriano Watercolor Paper, oxide crude steel and 35mm analog photography transfer

max goelitz

C24-156283

artist: troika, Troika, Reality Is Not Always Probable, 2025

artist: troika

Troika, Reality Is Not Always Probable, 2025, 2025

7mm 3.977 colored dice

max goelitz

C24-156282

Keith Sonnier, Keith Sonnier, Palm Blatt, 2000

Keith Sonnier

Keith Sonnier, Palm Blatt, 2000, 2000

Neon and transformer

max goelitz

C24-156281

artist: natacha donzé, Natacha Donzé, Gatekeeper I, 2023

artist: natacha donzé

Natacha Donzé, Gatekeeper I, 2023, 2023

Acrylic on canvas

max goelitz

C24-156280

artist: michael venezia, Michael Venezia, Untitled, 1966

artist: michael venezia

Michael Venezia, Untitled, 1966, 1966

Acrylic on canvas

max goelitz

C24-156279

Jürgen Partenheimer, Jürgen Partenheimer, Kalliope III, #5, 2012

Jürgen Partenheimer

Jürgen Partenheimer, Kalliope III, #5, 2012, 2012

Porcelain painted in polychrome enamels, one of a kind, in cooperation with Porzellan Manufaktur Nymphenburg, Munich

max goelitz

C24-156278

artist: cécile b. evans, Cécile B. Evans, Prop for a Future Adaptation (microbial fuel cell prototype for giselle) II, 2021

artist: cécile b. evans

Cécile B. Evans, Prop for a Future Adaptation (microbial fuel cell prototype for giselle) II, 2021, 2021

Acrylic case, water, Bristol BioEnergy Lab microbial fuel cell, preserved plants, MacConkey agar, petri dishes, bacteria, epoxy, voltmeter part, wires, birch wood and sealant tape

max goelitz

C24-156277

artist: michael venezia, Michael Venezia, MV NY #713, 1970

artist: michael venezia

Michael Venezia, MV NY #713, 1970, 1970

Aluminum powder on paper

max goelitz

C24-156276

Haroon Mirza, take me to | group show | 2 April - 27 Juni 2020

Haroon Mirza

take me to | group show | 2 April - 27 Juni 2020, 2012

Mixed media

max goelitz

C24-156275

Lukas Heerich, Lukas Heerich, Paar, 2026

Lukas Heerich

Lukas Heerich, Paar, 2026, 2026

Wood, fireproof plaster

max goelitz

C24-156274

Neïl Beloufa, Neïl Beloufa, O.T., 2015

Neïl Beloufa

Neïl Beloufa, O.T., 2015, 2015

Aluminum, chewing gum and epoxy resin

max goelitz

C24-156273

Liz Deschenes, Liz Deschenes, 1898 - 1928, 2019

Liz Deschenes

Liz Deschenes, 1898 - 1928, 2019, 2019

Silver toned photogram mounted on aluminum

max goelitz

C24-156272

artist: troika, Troika, Out of Place, Out of Time (Lands End), 2025

artist: troika

Troika, Out of Place, Out of Time (Lands End), 2025, 2025

Palladium platinum print on tosa washi paper

max goelitz

C24-156271

artist: rindon johnson, Rindon Johnson, Examples: laughter in the morning and tears in the afternoon. A dreadful boar.—His burning, bloodshot eyes seemed coals of living fire, and his roughneck was knotted with stiff muscles, and thick-set with bristles like sharp spikes. A seething froth dripped on his shoulders, and his tusks were like the spoils. Discordant roars reverberated from his hideous jaws; and lightning—belched forth from his horrid throat— scorched the green fields. If the wind blows, I can’t control that. I did not expect you. So was it just your husband who went fishing. Of course it was just him. Fundament. The trash clouds moved over the town. Progress. Hundreds of thousands. You don’t see it? It is said that in their country gold is carried down by the mountain torrents, and that the barbarians obtain it by means of perforated troughs and fleecy skins. It represents royal power. It represents the flayed skin of Krios, companion of Phrixus. It represents a book on alchemy. It represents a technique of writing in gold on parchment.. It represents a form of placer mining practiced in Georgia, for example. It represents the forgiveness of the Gods. It represents a rain cloud. It represents a land of golden grain. It represents the spring-hero. It represents the sea reflecting the sun. It represents the gilded prow of Phrixus

artist: rindon johnson

Rindon Johnson, Examples: laughter in the morning and tears in the afternoon. A dreadful boar.—His burning, bloodshot eyes seemed coals of living fire, and his roughneck was knotted with stiff muscles, and thick-set with bristles like sharp spikes. A seething froth dripped on his shoulders, and his tusks were like the spoils. Discordant roars reverberated from his hideous jaws; and lightning—belched forth from his horrid throat— scorched the green fields. If the wind blows, I can’t control that. I did not expect you. So was it just your husband who went fishing. Of course it was just him. Fundament. The trash clouds moved over the town. Progress. Hundreds of thousands. You don’t see it? It is said that in their country gold is carried down by the mountain torrents, and that the barbarians obtain it by means of perforated troughs and fleecy skins. It represents royal power. It represents the flayed skin of Krios, companion of Phrixus. It represents a book on alchemy. It represents a technique of writing in gold on parchment.. It represents a form of placer mining practiced in Georgia, for example. It represents the forgiveness of the Gods. It represents a rain cloud. It represents a land of golden grain. It represents the spring-hero. It represents the sea reflecting the sun. It represents the gilded prow of Phrixus, 2023

Ash wood

max goelitz

C24-156270

Lou Jaworski, Lou Jaworski, JUNE, 2020

Lou Jaworski

Lou Jaworski, JUNE, 2020, 2020

Ink on newspaper, mounted on Aludibond, framed behind museum glass (offset printing in halftone screen)

max goelitz

C24-156269

artist: rindon johnson, Rindon Johnson, Lyn Says #1: As for we who "love to be astonished," money makes money, luck makes luck. Moves forward, drives on. Class background not landscape--still here and there in 1969 I could feel the scope of collectivity. It was the present time for a little while, and not so new as we thought then, the present always after war. Ever since it has been hard for me to share my time. yellow of that sad room was again the yellow of naps, where she waited, restless, faithless, for more days. They say that the alternative for the bourgeoisie was gullibility. Call it water and dogs. Reason looks for two, then arranges it from there. But can one imagine a madman in love. Goodbye; enough that was good. There was a pause, a rose, something on paper. I may balk but I won

artist: rindon johnson

Rindon Johnson, Lyn Says #1: As for we who "love to be astonished," money makes money, luck makes luck. Moves forward, drives on. Class background not landscape--still here and there in 1969 I could feel the scope of collectivity. It was the present time for a little while, and not so new as we thought then, the present always after war. Ever since it has been hard for me to share my time. yellow of that sad room was again the yellow of naps, where she waited, restless, faithless, for more days. They say that the alternative for the bourgeoisie was gullibility. Call it water and dogs. Reason looks for two, then arranges it from there. But can one imagine a madman in love. Goodbye; enough that was good. There was a pause, a rose, something on paper. I may balk but I won, 2023

Leather, oil, acrylic and wax

max goelitz

C24-156268

Natacha Donzé, Natacha Donzé, Chaotic patterns, 2021

Natacha Donzé

Natacha Donzé, Chaotic patterns, 2021, 2021

Acrylic on canvas

max goelitz

C24-156267

Ju Young Kim, Ju Young Kim, In the night I wish you a good day, 2024

Ju Young Kim

Ju Young Kim, In the night I wish you a good day, 2024, 2024

Aircraft tray table, stained glass, tin and stainless steel

max goelitz

C24-156266

artist: justin urbach, Justin Urbach, FIBER II, 2024

artist: justin urbach

Justin Urbach, FIBER II, 2024, 2024

Oxide crude steel, Hahnemühle Watercolor Paper, 35mm format, laser engraving, laser cutting and UV print

max goelitz

C24-156265

Brigitte Kowanz, Brigitte Kowanz, World Wide Web 12.03.1989 06.08.1991, 2017

Brigitte Kowanz

Brigitte Kowanz, World Wide Web 12.03.1989 06.08.1991, 2017, 2017

Neon and mirror

max goelitz

C24-156264

artist: niko abramidis &ne, Niko Abramidis &NE, Big Roll 1000 Yen, 2025

artist: niko abramidis &ne

Niko Abramidis &NE, Big Roll 1000 Yen, 2025, 2025

Textile printing, foam and styrofoam

max goelitz

C24-156263

Gabriel Rico, take me to | group show | 2 April - 27 Juni 2020

Gabriel Rico

take me to | group show | 2 April - 27 Juni 2020, 2018

Natural sponge, deer rib, porcupine spine, handmade rope, branch, neon, glass coke, volcanic stone and feather

max goelitz

C24-156262

Troika, Troika, Hierophany, 2019

Troika

Troika, Hierophany, 2019, 2019

11077 dice, 10 mm, black & white

max goelitz

C24-156261

Niko Abramidis & NE, viewing room: take me to | group exhibition | max goelitz

Niko Abramidis & NE

viewing room: take me to | group exhibition | max goelitz, 2018

Steel, pinpad, LED tubes, LCD screen and video loop (12 min)

max goelitz

C24-156260

Brigitte Kowanz, Brigitte Kowanz, f, 2020

Brigitte Kowanz

Brigitte Kowanz, f, 2020, 2020

Reflecting foil, aluminum and lacquer

max goelitz

C24-156259

Julius von Bismarck, Julius von Bismarck, We Were All Naked (Red Elephant Ear), 2023

Julius von Bismarck

Julius von Bismarck, We Were All Naked (Red Elephant Ear), 2023, 2023

Archival pigment print on Hahnemühle Photo Rag Baryta

max goelitz

C24-156258

artist: haroon mirza, Haroon Mirza, Light Work II remix, 2025

artist: haroon mirza

Haroon Mirza, Light Work II remix, 2025, 2025

LED strip, wire and fixings

max goelitz

C24-156257

artist: troika, Troika, Yosemite, 2024

artist: troika

Troika, Yosemite, 2024, 2024

Dye sublimation print on aluminum

max goelitz

C24-156256

artist: haroon mirza, Haroon Mirza, The Chromatic Energy of Bear Market Potential (LED Circuit Composition 35), 2025

artist: haroon mirza

Haroon Mirza, The Chromatic Energy of Bear Market Potential (LED Circuit Composition 35), 2025, 2025

Aluminum, aluminum tape, COB LED tape, electrical wire, magnet wire and meteorite stone

max goelitz

C24-156255

Jürgen Partenheimer, Jürgen Partenheimer, Kalliope II, AP 1, 2011

Jürgen Partenheimer

Jürgen Partenheimer, Kalliope II, AP 1, 2011, 2011

Porcelain painted in polychrome enamels, one of a kind, in cooperation with Porzellan Manufaktur Nymphenburg, Munich

max goelitz

C24-156254

artist: jürgen partenheimer, Jürgen Partenheimer, Spectral Void Reframed I (Houston), 2024

artist: jürgen partenheimer

Jürgen Partenheimer, Spectral Void Reframed I (Houston), 2024, 2024

Watercolor and pencil on paper

max goelitz

C24-156253

Jürgen Partenheimer, Jürgen Partenheimer, Kalliope II, #7, 2012

Jürgen Partenheimer

Jürgen Partenheimer, Kalliope II, #7, 2012, 2012

Porcelain painted in polychrome enamels, one of a kind, in cooperation with Porzellan Manufaktur Nymphenburg, Munich

max goelitz

C24-156252

Lukas Heerich, Lukas Heerich, Untitled (Peel), 2024

Lukas Heerich

Lukas Heerich, Untitled (Peel), 2024, 2024

Inkjet print

max goelitz

C24-156251

Marie Matusz, Marie Matusz, Coated in Compassion, 2022

Marie Matusz

Marie Matusz, Coated in Compassion, 2022, 2022

Dried giant lily pads (Victoria amazonica), thistles, organza, polyurethane foam, copperleaf, wood, steel, aluminum and tinted glass

max goelitz

C24-156250

Rindon Johnson, Rindon Johnson, Cambrian slippery wetness, I’ve never looked at anything so long, and in which of us people does the common matter rise?, 2021

Rindon Johnson

Rindon Johnson, Cambrian slippery wetness, I’ve never looked at anything so long, and in which of us people does the common matter rise?, 2021, 2021

Leather, bleach, crayon, polyurethane and mica

max goelitz

C24-156249

Niko Abramidis &NE, Niko Abramidis &NE, Cryptic Machine Prototype N5, 2020

Niko Abramidis &NE

Niko Abramidis &NE, Cryptic Machine Prototype N5, 2020, 2020

Steel and LED tubes

max goelitz

C24-156248