Registry catalogue

Odilon Redon

All works

213 works in the Collect24 Registry — 1840–1916 · French

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Odilon Redon, The Wing

Odilon Redon

The Wing, 1893

lithograph

31.9 × 24.5 cm

Cleveland Museum of Art

C24-234657

Odilon Redon, Haunting

Odilon Redon

Haunting, 1893–94

Lithograph; fifth (final) state

47.7 × 34.7 cm

The Metropolitan Museum of Art

C24-442794

Odilon Redon, Brunnhilde (The Twilight of the Gods)

Odilon Redon

Brunnhilde (The Twilight of the Gods), 1894

Lithograph

37.7 × 29.5 cm

The Metropolitan Museum of Art

C24-445608

Odilon Redon, Brünnhilde in Twilight of the Gods

Odilon Redon

Brünnhilde in Twilight of the Gods, 1894

lithograph

38 × 29.2 cm

Cleveland Museum of Art

C24-192829

Odilon Redon, Obsession

Odilon Redon

Obsession, 1894

lithograph on China paper laid down on wove paper

36.1 × 22.9 cm

Cleveland Museum of Art

C24-219097

Odilon Redon, The Celestial Art

Odilon Redon

The Celestial Art, 1894

Lithograph

43 × 35.2 cm

The Metropolitan Museum of Art

C24-445478

Odilon Redon, The Charger

Odilon Redon

The Charger, 1894

Lithograph

48.5 × 34.8 cm

The Metropolitan Museum of Art

C24-445480

Odilon Redon, Head of a Young Girl in Profile

Odilon Redon

Head of a Young Girl in Profile, 1895

Fabricated red chalk, on gray prepared paper

44.5 × 30.9 cm

J. Paul Getty Museum

C24-201907

Odilon Redon, The Buddha

Odilon Redon

The Buddha, 1895

lithograph on China paper laid on wove paper

31.4 × 24.7 cm

Cleveland Museum of Art

C24-230847

Odilon Redon, And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24

Odilon Redon

And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

31.1 × 22.6 cm

Art Institute of Chicago

C24-1127348

Odilon Redon, Below, I saw the vaporous contours of a human form

Odilon Redon

Below, I saw the vaporous contours of a human form, 1896

Lithograph

44.6 × 31.4 cm

The Metropolitan Museum of Art

C24-447268

Odilon Redon, Below, I Saw the Vaporous Contours of a Human Form

Odilon Redon

Below, I Saw the Vaporous Contours of a Human Form, 1896

lithograph on China paper laid on wove paper

25.3 × 18.1 cm

Cleveland Museum of Art

C24-195178

Odilon Redon, Cover

Odilon Redon

Cover, 1896

lithograph on wove paper

45.9 × 32.7 cm

Cleveland Museum of Art

C24-538620

Odilon Redon, Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24

Odilon Redon

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24, 1896

Lithograph in black on cream China paper laid down on ivory wove paper

26.5 × 16.2 cm

Art Institute of Chicago

C24-1134945

Odilon Redon, Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24

Odilon Redon

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

26.8 × 16.1 cm

Art Institute of Chicago

C24-1135154

Odilon Redon, Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24

Odilon Redon

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24, 1896

Lithograph in black on off-white China paper laid down on cream wove paper

26.5 × 16.2 cm

Art Institute of Chicago

C24-1134946

Odilon Redon, Flowers Fall and the Head of a Python Appears

Odilon Redon

Flowers Fall and the Head of a Python Appears, 1896

lithograph on China paper laid on Arches wove paper

43.8 × 33.3 cm

Cleveland Museum of Art

C24-551994

Odilon Redon, Flowers Fall and the Head of a Python Appears, plate 5 of 24

Odilon Redon

Flowers Fall and the Head of a Python Appears, plate 5 of 24, 1896

Lithograph in black on ivory China paper laid down on ivory wove paper

26.1 × 19.8 cm

Art Institute of Chicago

C24-1127393

Odilon Redon, He Falls Head Foremost Into the Abyss, plate 17 of 24

Odilon Redon

He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896

Lithograph in black on cream China paper laid down on ivory wove paper

27.5 × 21.2 cm

Art Institute of Chicago

C24-1127421

Odilon Redon, He Falls Head Foremost Into the Abyss, plate 17 of 24

Odilon Redon

He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896

Lithograph in black on light gray loose chine

27.9 × 21.4 cm

Art Institute of Chicago

C24-1127387

Odilon Redon, He fixed his eyes on me with an expression that was so strange

Odilon Redon

He fixed his eyes on me with an expression that was so strange, 1896

Lithograph

44.6 × 31.6 cm

The Metropolitan Museum of Art

C24-447632

Odilon Redon, He Fixed His Eyes on Me with an Expression That Was So Strange

Odilon Redon

He Fixed His Eyes on Me with an Expression That Was So Strange, 1896

lithograph on China paper laid on wove paper

22.8 × 15.3 cm

Cleveland Museum of Art

C24-195124

Odilon Redon, Hideous Larvae

Odilon Redon

Hideous Larvae, 1896

lithograph on China paper laid on wove paper

17.9 × 17 cm

Cleveland Museum of Art

C24-195187

Odilon Redon, Hideous Larvae

Odilon Redon

Hideous Larvae, 1896

Lithograph

45 × 31.3 cm

The Metropolitan Museum of Art

C24-445477

Odilon Redon, I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Offspring is the Sun!, plate 16 of 24

Odilon Redon

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Offspring is the Sun!, plate 16 of 24, 1896

Lithograph in black on cream China paper laid down on ivory wove paper

28.1 × 20.4 cm

Art Institute of Chicago

C24-1108722

Odilon Redon, I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24

Odilon Redon

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

28.1 × 20.4 cm

Art Institute of Chicago

C24-1108702

Odilon Redon, I Continued to Gaze on the Chair, and Fancied I saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6

Odilon Redon

I Continued to Gaze on the Chair, and Fancied I saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6, 1896

Lithograph in black on ivory China paper laid down on ivory wove paper

25.2 × 18 cm

Art Institute of Chicago

C24-1125778

Odilon Redon, I Continued to Gaze on the Chair, and Fancied I Saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6

Odilon Redon

I Continued to Gaze on the Chair, and Fancied I Saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6, 1896

Lithograph in black on ivory China paper laid down on ivory wove paper

25.2 × 18 cm

Art Institute of Chicago

C24-1125775

Odilon Redon, I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24

Odilon Redon

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

29.9 × 22.6 cm

Art Institute of Chicago

C24-1147074

Odilon Redon, I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24

Odilon Redon

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

30 × 22.7 cm

Art Institute of Chicago

C24-1146929

Odilon Redon, I saw a flash of light, large and pale

Odilon Redon

I saw a flash of light, large and pale, 1896

Lithograph

44.8 × 31.8 cm

The Metropolitan Museum of Art

C24-445890

Odilon Redon, I Saw a Flash of Light, Large and Pale

Odilon Redon

I Saw a Flash of Light, Large and Pale, 1896

lithograph on China paper laid on wove paper

23 × 17 cm

Cleveland Museum of Art

C24-538208

Odilon Redon, Oannes: "I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms," plate 14 from The Temptation of Saint Anthony (3rd series)

Odilon Redon

Oannes: "I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms," plate 14 from The Temptation of Saint Anthony (3rd series), 1896

Lithograph in black on ivory China paper laid down on ivory wove paper

27.8 × 21.7 cm

Art Institute of Chicago

C24-1128970

Odilon Redon, Oannes: "I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms," plate 14 from The Temptation of Saint Anthony (3rd series)

Odilon Redon

Oannes: "I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms," plate 14 from The Temptation of Saint Anthony (3rd series), 1896

Lithograph in black on ivory China paper laid down on ivory wove paper

27.8 × 21.7 cm

Art Institute of Chicago

C24-1129015

Odilon Redon, Saint Anthony: "Help Me, O My God!", plate 2 of 24

Odilon Redon

Saint Anthony: "Help Me, O My God!", plate 2 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

21.7 × 13.2 cm

Art Institute of Chicago

C24-1128891

Odilon Redon, The breadth and flatness of the frontal bone

Odilon Redon

The breadth and flatness of the frontal bone, 1896

Lithograph

45 × 31.4 cm

The Metropolitan Museum of Art

C24-446075

Odilon Redon, The Breadth and Flatness of the Frontal Bone

Odilon Redon

The Breadth and Flatness of the Frontal Bone, 1896

lithograph on China paper laid on wove paper

14 × 9 cm

Cleveland Museum of Art

C24-195232

Odilon Redon, The Haunted House

Odilon Redon

The Haunted House, 1896

six lithographs

Cleveland Museum of Art

C24-198639

Odilon Redon, The Old Knight

Odilon Redon

The Old Knight, 1896

Lithograph on chine collé

30 × 23.5 cm

The Metropolitan Museum of Art

C24-331222

Odilon Redon, The Old Woman: "What are you afraid of? A wide black hole! It is empty, perhaps?", plate 19 of 24

Odilon Redon

The Old Woman: "What are you afraid of? A wide black hole! It is empty, perhaps?", plate 19 of 24, 1896

Lithograph in black on light-gray China paper laid down on ivory wove paper

16.2 × 10.7 cm

Art Institute of Chicago

C24-1111976

Odilon Redon, The Old Woman: What Are You Afraid Of? A Wide Black Hole! It is Empty Perhaps?", plate 19 of 24

Odilon Redon

The Old Woman: What Are You Afraid Of? A Wide Black Hole! It is Empty Perhaps?", plate 19 of 24, 1896

Lithograph in black on light gray China paper laid down on ivory wove paper

16.3 × 10.7 cm

Art Institute of Chicago

C24-1111990

Odilon Redon, Title page to the series, The Haunted House (La Maison Hantée)

Odilon Redon

Title page to the series, The Haunted House (La Maison Hantée), 1896

Lithograph on china paper

45 × 31.8 cm

The Metropolitan Museum of Art

C24-427588

Odilon Redon, Title Plate

Odilon Redon

Title Plate, 1896

lithograph on wove paper

44.9 × 31.9 cm

Cleveland Museum of Art

C24-195856

Odilon Redon, To all appearances, it was a hand of flesh and blood just like my own

Odilon Redon

To all appearances, it was a hand of flesh and blood just like my own, 1896

Lithograph

44.9 × 31.4 cm

The Metropolitan Museum of Art

C24-447631

Odilon Redon, To All Appearances, It Was a Hand of Flesh and Blood Just Like My Own

Odilon Redon

To All Appearances, It Was a Hand of Flesh and Blood Just Like My Own, 1896

lithograph on China paper laid on wove paper

24.5 × 17.8 cm

Cleveland Museum of Art

C24-195171

Odilon Redon, Beatrice

Odilon Redon

Beatrice, 1897

color lithograph on China paper laid on wove paper

33.6 × 29.6 cm

Cleveland Museum of Art

C24-190210

Odilon Redon, Child's Head With Flowers

Odilon Redon

Child's Head With Flowers, 1897

Lithograph in black on light gray loose chine

29 × 24.6 cm

Art Institute of Chicago

C24-1117525

Odilon Redon, Child's Head With Flowers

Odilon Redon

Child's Head With Flowers, 1897

Lithograph in black on green wove paper

29.2 × 24.7 cm

Art Institute of Chicago

C24-1117317