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Odilon Redon

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213 works in the Collect24 Registry — 1840–1916 · French

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Odilon Redon, And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series)

Odilon Redon

And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series), 1888

Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé)

28.5 × 23 cm

Art Institute of Chicago

C24-1128932

Odilon Redon, And In the Very Disk of the Sun Shines the Face of Jesus Christ

Odilon Redon

And In the Very Disk of the Sun Shines the Face of Jesus Christ, 1888

lithograph

28.2 × 23 cm

Cleveland Museum of Art

C24-195259

Odilon Redon, Cover

Odilon Redon

Cover, 1888

lithograph

20 × 14 cm

Cleveland Museum of Art

C24-195276

Odilon Redon, Cover from The Temptation of Saint Anthony (1st series)

Odilon Redon

Cover from The Temptation of Saint Anthony (1st series), 1888

Lithograph in black on white wove paper

19.7 × 14 cm

Art Institute of Chicago

C24-1128838

Odilon Redon, Des Esseintes

Odilon Redon

Des Esseintes, 1888

Lithograph on chine laid down on cream wove paper

14.9 × 9.6 cm

Art Institute of Chicago

C24-206698

Odilon Redon, Everywhere Eyeballs are Aflame

Odilon Redon

Everywhere Eyeballs are Aflame, 1888

lithograph

20.4 × 15.8 cm

Cleveland Museum of Art

C24-538209

Odilon Redon, Everywhere eyeballs are aflame, plate 9 from The Temptation of Saint Anthony (1st series)

Odilon Redon

Everywhere eyeballs are aflame, plate 9 from The Temptation of Saint Anthony (1st series), 1888

Lithograph in black on ivory China paper, laid down on ivory wove paper

20.5 × 15.9 cm

Art Institute of Chicago

C24-1128781

Odilon Redon, First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series)

Odilon Redon

First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series), 1888

Lithograph in black on ivory China paper laid down on ivory wove paper

29 × 20.6 cm

Art Institute of Chicago

C24-1128982

Odilon Redon, First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses

Odilon Redon

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses, 1888

lithograph

29.1 × 20.8 cm

Cleveland Museum of Art

C24-195149

Odilon Redon, He Raises the Bronze Urn

Odilon Redon

He Raises the Bronze Urn, 1888

lithograph

27.4 × 19.6 cm

Cleveland Museum of Art

C24-195842

Odilon Redon, It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness

Odilon Redon

It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness, 1888

lithograph

29.6 × 21.3 cm

Cleveland Museum of Art

C24-195226

Odilon Redon, It Is the Devil, Bearing Beneath His Two Wings the Seven Deadly Sins

Odilon Redon

It Is the Devil, Bearing Beneath His Two Wings the Seven Deadly Sins, 1888

lithograph

25.4 × 20 cm

Cleveland Museum of Art

C24-195220

Odilon Redon, It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series)

Odilon Redon

It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series), 1888

Lithograph in black on ivory China paper laid down on ivory wove paper

25.3 × 19.9 cm

Art Institute of Chicago

C24-1128921

Odilon Redon, Portfolio Cover for A Gustave Flaubert (Tentation de Saint-Antoine)

Odilon Redon

Portfolio Cover for A Gustave Flaubert (Tentation de Saint-Antoine), 1888

Bi-fold portfolio cover with lithographed text, in black on green wove paper

56.9 × 39 cm

Art Institute of Chicago

C24-1128920

Odilon Redon, The Chimera with Green Eyes Turns, Bays

Odilon Redon

The Chimera with Green Eyes Turns, Bays, 1888

lithograph

Cleveland Museum of Art

C24-195261

Odilon Redon, The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series)

Odilon Redon

The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series), 1888

Lithograph in black on ivory China paper laid down on white wove paper

27.5 × 16 cm

Art Institute of Chicago

C24-1128937

Odilon Redon, The Temptation of Saint Anthony (First Series)

Odilon Redon

The Temptation of Saint Anthony (First Series), 1888

ten lithographs

19.8 × 14 cm

Cleveland Museum of Art

C24-200321

Odilon Redon, Then There Appears a Singular Being, Having the Head of a Man on the Body of a Fish

Odilon Redon

Then There Appears a Singular Being, Having the Head of a Man on the Body of a Fish, 1888

lithograph

27.5 × 17 cm

Cleveland Museum of Art

C24-195112

Odilon Redon, Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10

Odilon Redon

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10, 1888

Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé)

27.6 × 17.1 cm

Art Institute of Chicago

C24-1114895

Odilon Redon, Death: "My irony surpasses all others!", plate 3 of 6

Odilon Redon

Death: "My irony surpasses all others!", plate 3 of 6, 1889

Lithograph in black on ivory China paper laid down on ivory wove paper

20 × 26 cm

Art Institute of Chicago

C24-885381

Odilon Redon, Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6

Odilon Redon

Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6, 1889

Lithograph in black on ivory China paper laid down on ivory wove paper

28.8 × 23.1 cm

Art Institute of Chicago

C24-1128936

Odilon Redon, Saint Anthony: "Somewhere there must be primordial shapes whose bodies are only images, plate 4 of 6

Odilon Redon

Saint Anthony: "Somewhere there must be primordial shapes whose bodies are only images, plate 4 of 6, 1889

Lithograph in black on ivory China paper laid down on ivory wove paper

17 × 12.3 cm

Art Institute of Chicago

C24-1128967

Odilon Redon, The Skiapods: "The head as low as possible, that is the secret of happiness!", plate 6 of 6

Odilon Redon

The Skiapods: "The head as low as possible, that is the secret of happiness!", plate 6 of 6, 1889

Lithograph in black on ivory China paper laid down on ivory wove paper

27.7 × 21 cm

Art Institute of Chicago

C24-1127420

Odilon Redon, Ceaselessly by my side the demon stirs, plate 7 from Charles Baudelaire's Flowers of Evil

Odilon Redon

Ceaselessly by my side the demon stirs, plate 7 from Charles Baudelaire's Flowers of Evil, 1890

Photogravure made from an original drawing (Evely process), in black on ivory wove paper

25.6 × 20.7 cm

Art Institute of Chicago

C24-1140046

Odilon Redon, Closed Eyes

Odilon Redon

Closed Eyes, 1890

lithograph on China paper laid on wove paper

31.2 × 24.2 cm

Cleveland Museum of Art

C24-190270

Odilon Redon, Eyes Closed

Odilon Redon

Eyes Closed, 1890

Lithograph

21.7 × 18.4 cm

The Metropolitan Museum of Art

C24-445457

Odilon Redon, I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9

Odilon Redon

I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9, 1890

Photogravure made from an original drawing, in black on ivory wove paper

28 × 20.9 cm

Art Institute of Chicago

C24-1111975

Odilon Redon, Sometimes One Finds an Old Reminiscing Flask, Whence Issues in Full Life a Returning Soul, plate 3 of 9

Odilon Redon

Sometimes One Finds an Old Reminiscing Flask, Whence Issues in Full Life a Returning Soul, plate 3 of 9, 1890

Photogravure made from an original drawing, in black on ivory wove paper

27.8 × 19.8 cm

Art Institute of Chicago

C24-1108956

Odilon Redon, Sketch of Trees

Odilon Redon

Sketch of Trees, 1890/99

Charcoal and black chalk with black pastel, stumping, scraping and erasing, and traces of brown charcoal(?), on ivory wove paper, discolored to cream

31.8 × 21.5 cm

Art Institute of Chicago

C24-1142850

Odilon Redon, A Veil, a Printed Image

Odilon Redon

A Veil, a Printed Image, 1891

Lithograph

44.8 × 31.3 cm

The Metropolitan Museum of Art

C24-444116

Odilon Redon, And over there, the Astral Idol, the Apotheosis

Odilon Redon

And over there, the Astral Idol, the Apotheosis, 1891

Lithograph

44.6 × 31.6 cm

The Metropolitan Museum of Art

C24-447630

Odilon Redon, Armor

Odilon Redon

Armor, 1891

Charcoal and conté crayon

50.7 × 36.8 cm

The Metropolitan Museum of Art

C24-464844

Odilon Redon, Day (Le Jour), from the series, Dreams (Songes), plate VI

Odilon Redon

Day (Le Jour), from the series, Dreams (Songes), plate VI, 1891

Lithograph on chine collé; only state

21 × 15.6 cm

The Metropolitan Museum of Art

C24-380320

Odilon Redon, Druidesse

Odilon Redon

Druidesse, 1891

Transfer lithograph

23 × 20.2 cm

The Metropolitan Museum of Art

C24-346858

Odilon Redon, Female Saint and Thistle

Odilon Redon

Female Saint and Thistle, 1891

Lithograph in black on white China paper laid down on ivory wove paper

28.6 × 20.7 cm

Art Institute of Chicago

C24-1128740

Odilon Redon, In the shadow of the wing, the black creature bit

Odilon Redon

In the shadow of the wing, the black creature bit, 1891

Lithograph

44.6 × 31.5 cm

The Metropolitan Museum of Art

C24-447629

Odilon Redon, Perversity

Odilon Redon

Perversity, 1891

Etching

32.9 × 25.5 cm

The Metropolitan Museum of Art

C24-341147

Odilon Redon, Pilgrim from a sublunar world

Odilon Redon

Pilgrim from a sublunar world, 1891

Lithograph

45 × 31.5 cm

The Metropolitan Museum of Art

C24-446205

Odilon Redon, Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6

Odilon Redon

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6, 1891

Lithograph on light gray chine

27.4 × 22.6 cm

Art Institute of Chicago

C24-1127357

Odilon Redon, Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6

Odilon Redon

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6, 1891

Lithograph in black on ivory China paper laid down on ivory wove paper

27.4 × 20.8 cm

Art Institute of Chicago

C24-1127424

Odilon Redon, The vague glimmer of a head suspended in space

Odilon Redon

The vague glimmer of a head suspended in space, 1891

Lithograph

44.8 × 31.4 cm

The Metropolitan Museum of Art

C24-447633

Odilon Redon, Passage of a Soul

Odilon Redon

Passage of a Soul, 1891 (printed 1920)

etching and drypoint

32.8 × 24.8 cm

Cleveland Museum of Art

C24-194315

Odilon Redon, Parsifal

Odilon Redon

Parsifal, 1892

lithograph

32.2 × 24.2 cm

Cleveland Museum of Art

C24-190266

Odilon Redon, Princess Maleine (The Little Madonna)

Odilon Redon

Princess Maleine (The Little Madonna), 1892

etching and drypoint on wove paper

8.6 × 6.3 cm

Cleveland Museum of Art

C24-195942

Odilon Redon, Tree

Odilon Redon

Tree, 1892

Lithograph in black on cream China paper laid down on ivory wove paper

40.1 × 31.9 cm

Art Institute of Chicago

C24-1146846

Odilon Redon, Tree

Odilon Redon

Tree, 1892

Lithograph on cream China paper, laid down with chine collé on ivory wove paper

40.1 × 31.9 cm

Art Institute of Chicago

C24-1146851

Odilon Redon, Light

Odilon Redon

Light, 1893

lithograph on China paper laid down on wove paper

31.9 × 24.5 cm

Cleveland Museum of Art

C24-194258

Odilon Redon, My Child

Odilon Redon

My Child, 1893

Lithograph in black on ivory China paper laid down on heavy ivory wove paper

22.8 × 21.3 cm

Art Institute of Chicago

C24-1117316