Odilon Redon

Odilon Redon

Study of Man between Trees, 1860–80

24.8 × 19.1 cm

The Metropolitan Museum of Art

C24-466221

Odilon Redon

The Ford: Landscape with Horsemen, 1865

Etching on ivory wove paper

24.2 × 16 cm

Art Institute of Chicago

C24-1105707

Odilon Redon

Two Grotesque Figures, 1865/68

Graphite on ivory wove paper, discolored to cream

17.5 × 22.3 cm

Art Institute of Chicago

C24-1125155

Odilon Redon

Fear, 1866

etching

27.4 × 35.1 cm

Cleveland Museum of Art

C24-197844

Odilon Redon

Fear, 1866

Etching

25.4 × 32.6 cm

The Metropolitan Museum of Art

C24-341460

Odilon Redon

The Ford: Landscape with Horsemen, 1866

Etching on mounted cream China paper

17.5 × 13.4 cm

Art Institute of Chicago

C24-1105810

Odilon Redon

Landscape, 1868

Various charcoals, with black chalk and black Conté crayon, wiping, stumping and erasing on cream wove paper altered to a golden tone

53.6 × 75.5 cm

Art Institute of Chicago

C24-884153

Odilon Redon

Primitive Man, 1872

Various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone

39.3 × 33.8 cm

Art Institute of Chicago

C24-883551

Odilon Redon

Melancholy, 1876

Various charcoals and gouache, with pastel and black chalk, and touches of stumping and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone, laid down on gray wove paper

36.8 × 35.7 cm

Art Institute of Chicago

C24-203938

Odilon Redon

Guardian Spirit of the Waters, 1878

Various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone

46.6 × 37.6 cm

Art Institute of Chicago

C24-200009

Odilon Redon

Cauldron of the Sorceress, 1879

Various charcoals, with stumping, erasing, and incising, on pale-pink wove paper with red and blue fibers altered to a golden tone

40.8 × 37.1 cm

Art Institute of Chicago

C24-883477

Odilon Redon

Faust and Mephistopheles, 1880

Various charcoals, with wiping, stumping, erasing, and incising, on cream wove paper altered to a golden tone

40 × 32 cm

Art Institute of Chicago

C24-884400

Odilon Redon

Strange Flower (Little Sister of the Poor), 1880

Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone

40.4 × 33.2 cm

Art Institute of Chicago

C24-202635

Odilon Redon

Head Wearing a Phrygian Cap, on a Salver, 1881

Charcoal with black chalk, stumping, scraping and erasing, on pale pink wove paper with red/pink and blue fibers, discolored to buff

48.4 × 36.3 cm

Art Institute of Chicago

C24-884766

Odilon Redon

A Mask Sounds the Funeral Knell, plate three from To Edgar Poe, 1882

Lithograph in black on ivory China paper, laid down on white wove paper

26 × 19.3 cm

Art Institute of Chicago

C24-885588

Odilon Redon

Le souffle qui conduit les étres est aussi dans les sphères, 1882

Litografi. Trykt på påslået papir

27.2 × 21 cm

SMK – National Gallery of Denmark

C24-1127878

Odilon Redon

And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines", 1883

Lithograph in black on light gray China paper, laid down on white wove paper

28 × 21 cm

Art Institute of Chicago

C24-1114932

Odilon Redon

The Little Abbot Reading the Ramayana, 1883

Charcoal with black chalk, stumping, scraping and erasing, on dark cream wove paper, discolored to tan. Ruled in pale red-orange pastel. Offset impression of Tadpole, verso.

50.5 × 37.2 cm

Art Institute of Chicago

C24-885221

Odilon Redon

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from "Les Origines", 1883

Lithograph in black on light gray China paper, laid down on white wove paper

21.3 × 20 cm

Art Institute of Chicago

C24-885580

Odilon Redon

The Sphinx, 1883

Various charcoals, with touches of black chalk, stumping, wiping, and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone

52.6 × 37.7 cm

Art Institute of Chicago

C24-884671

Odilon Redon

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines", 1883

Lithograph in black on light gray chine laid down on white wove paper

22.5 × 17.7 cm

Art Institute of Chicago

C24-1139964

Odilon Redon

When Life Was Awakening in the Depths of Obscure Matter, 1883

lithograph on China paper laid on wove paper

27.5 × 20.2 cm

Cleveland Museum of Art

C24-245029

Odilon Redon

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines", 1883

Lithograph in black on ivory China paper, laid down on white wove paper

27.6 × 20.2 cm

Art Institute of Chicago

C24-1108703

Odilon Redon

The Beacon, 1883, reworked c. 1893

Pastel, with various charcoals and touches of black chalk, stumping and erasing, on pale-pink wove paper with red fibers altered to a golden tone, laid down on cardboard

51.5 × 37.2 cm

Art Institute of Chicago

C24-884769

Odilon Redon

A Madman in a Dismal Landscape, 1885

lithograph on China paper laid on wove paper

22.6 × 19.5 cm

Cleveland Museum of Art

C24-195867

Odilon Redon

A Madman in a Dismal Landscape, plate 3 of 6, 1885

Lithograph in black on ivory China paper laid down on ivory wove paper

22.3 × 19.3 cm

Art Institute of Chicago

C24-1105835

Odilon Redon

A Strange Juggler, 1885

lithograph on China paper laid on wove paper

19.9 × 19 cm

Cleveland Museum of Art

C24-195870

Odilon Redon

Cover, 1885

lithograph on China paper laid on wove paper

34.9 × 26 cm

Cleveland Museum of Art

C24-196643

Odilon Redon

Homage to Goya, 1885

six lithographs on China paper laid on wove paper

Cleveland Museum of Art

C24-197164

Odilon Redon

In My Dream I Saw in the Sky a Face of Mystery, 1885

lithograph on China paper laid on wove paper

29.1 × 23.9 cm

Cleveland Museum of Art

C24-195986

Odilon Redon

Le Fleur du marécage une tête humaine et triste, 1885

Litografi. Trykt på påslået papir

27.3 × 21 cm

SMK – National Gallery of Denmark

C24-1161105

Odilon Redon

The Marsh Flower, a Sad Human Head, 1885

lithograph on China paper laid on wove paper

27.5 × 20.5 cm

Cleveland Museum of Art

C24-194285

Odilon Redon

The Marsh Flower, a Sad Human Head, plate 2 of 6, 1885

Lithograph in black on ivory China paper laid down on ivory wove paper

27.2 × 20.2 cm

Art Institute of Chicago

C24-1127314

Odilon Redon

There Were Also Embryonic Beings, 1885

lithograph on China paper laid on wove paper

23.8 × 20 cm

Cleveland Museum of Art

C24-195852

Odilon Redon

Upon Awakening I Saw the Goddess of the Intelligible with Her Severe and Hard Profile, 1885

lithograph on China paper laid on wove paper

27 × 21.6 cm

Cleveland Museum of Art

C24-195910

Odilon Redon

And the Searcher was Engaged in an Infinite Search, 1886

lithograph on China paper on wove paper

27.6 × 18.1 cm

Cleveland Museum of Art

C24-545504

Odilon Redon

Cain and Abel, 1886

Etching

41 × 26.7 cm

The Metropolitan Museum of Art

C24-353434

Odilon Redon

The Chimera Gazed at All Things with Fear, 1886

lithograph on China paper laid on wove paper

24.9 × 18.5 cm

Cleveland Museum of Art

C24-232727

Odilon Redon

The Man Was Alone in a Night Landscape, 1886

lithograph on China paper laid on wove paper

29.3 × 22 cm

Cleveland Museum of Art

C24-240663

Odilon Redon

The Man was Alone in a Night Landscape, from Night, 1886

Lithograph in black on ivory China paper collé, laid down on white wove paper

29.5 × 22 cm

Art Institute of Chicago

C24-1105871

Odilon Redon

A Man of the People, a Savage, from The Juror, 1887

Lithograph on cream chine collé, laid down on white wove paper

18.3 × 13.7 cm

Art Institute of Chicago

C24-1114766

Odilon Redon

Christ, 1887

lithograph

42.9 × 36.1 cm

Cleveland Museum of Art

C24-201544

Odilon Redon

Christ, 1887

Lithograph in black on ivory China paper laid down on white wove paper

33 × 27 cm

Art Institute of Chicago

C24-1134618

Odilon Redon

In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7, 1887

Lithograph in black on ivory China paper laid down on white wove paper

15.4 × 9.8 cm

Art Institute of Chicago

C24-1125683

Odilon Redon

In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7, 1887

Lithograph in black on cream Japanese paper

15.3 × 9.9 cm

Art Institute of Chicago

C24-1125721

Odilon Redon

Through the Crack in the Wall, a Death's Head Was Projected, from The Juror, 1887

Lithograph in black on ivory China paper collé, laid down on white wove paper

18 × 15 cm

Art Institute of Chicago

C24-1127392

Odilon Redon

And a Large Bird, Descending from the Sky, Hurls Itself against the Topmost Point of Her Hair, 1888

lithograph

19 × 16 cm

Cleveland Museum of Art

C24-195169

Odilon Redon

And All Manner of Frightful Creatures Arise, 1888

lithograph

31.2 × 22.4 cm

Cleveland Museum of Art

C24-195251