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Artist in the Global Art Registry

Jan Erasmus Quellinus

1634–1715 · Spanish Netherlands

Born: 1634 · Antwerp
Died: 1715 · Mechelen

Every work carries a permanent Collect24 Art ID, the way a book has an ISBN.

Jan Erasmus Quellinus was a Flemish painter and draughtsman from the Quellinus family of artists. He was a prominent representative of the Flemish school of history and portrait painting in the 17th century.

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Jan Erasmus Quellinus (1634 in Antwerp – 11 March 1715 in Mechelen) was a Flemish painter and draughtsman and a member of the famous Quellinus family of artists. He was one of the last prominent representatives of the great Flemish school of history and portrait painting in the 17th century. His work displays the classicizing influences of his father Erasmus Quellinus the Younger and Paolo Veronese. Mainly active in his native Antwerp, he worked for some time in Vienna for the Habsburg court as a court painter to Emperor Leopold I.

Biography source: Wikipedia · CC BY-SA 4.0

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Registered works

In museum collections

In gallery collections

In private collections

Featured works

Selected registered works by Jan Erasmus Quellinus

Selected from 14 works by Jan Erasmus Quellinus in the Collect24 Registry.

Jan Erasmus Quellinus

Samuel Anointing the Young David (?), n.d.

Point of brush, gray and gray-black wash, heightened with white, over slight traces of black chalk

28.1 × 57.1 cm

The Metropolitan Museum of Art

C24-576975

Jan Erasmus Quellinus

Miracle of Saint Hugh of Lincoln, 1685

oil on canvas

254.8 × 194.5 cm

Royal Museum of Fine Arts Antwerp

C24-143094

Jan Erasmus Quellinus

The Nativity, 1689

oil on canvas

247.4 × 158.7 cm

Royal Museum of Fine Arts Antwerp

C24-143093

Jan Erasmus Quellinus

Aubertus van Eede, Bishop of Antwerp, 17th century

oil on canvas

122 × 101 cm

Royal Museum of Fine Arts Antwerp

C24-143090

Jan Erasmus Quellinus

Christ at the Meal of Simon the Pharisee in an Imaginary Architectural Setting, 1669-c.1705

Drawing

Victoria and Albert Museum

C24-643285

Jan Erasmus Quellinus

Christ and His Disciples on the Road to Emmaus Within an Imaginary Architectural Setting, 1676

Drawing

Victoria and Albert Museum

C24-643283

Jan Erasmus Quellinus

Ascension, 1662

oil paint

Nationalmuseum

C24-188489

Jan Erasmus Quellinus

Benedict of Nursia Orders the Destruction of the Temple of Apollo at Monte Cassino, mid-17th–early 18th century

Pen and brown and black ink, brush and gray and blue wash, over black chalk, heightened with white gouache

55.9 × 38 cm

The Metropolitan Museum of Art

C24-551352

Jan Erasmus Quellinus

Allegory of Redemption (Design for a Frontispiece), 17th-18th century

Gray ink and brown wash over graphite or black chalk, incised, with a framing line in brown ink, on cream antique laid paper

12.8 × 8.8 cm

Harvard Art Museums

C24-538923

Jan Erasmus Quellinus

The Distribution of the Franciscan Cords, 1667

Brush and black ink, gray wash, white, blue, and pink gouache, touches of red ink, over traces of black chalk, on brown paper. Traces of framing lines in pen and brown ink on three sides.

28 × 18.4 cm

The Metropolitan Museum of Art

C24-469737