Registry catalogue
Jan Erasmus Quellinus
All works
14 works in the Collect24 Registry — 1634–1715 · Spanish Netherlands
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Jan Erasmus Quellinus
Ascension, 1662
oil paint
Nationalmuseum
C24-188489

Jan Erasmus Quellinus
The Distribution of the Franciscan Cords, 1667
Brush and black ink, gray wash, white, blue, and pink gouache, touches of red ink, over traces of black chalk, on brown paper. Traces of framing lines in pen and brown ink on three sides.
28 × 18.4 cm
The Metropolitan Museum of Art
C24-469737
Jan Erasmus Quellinus
Christ at the Meal of Simon the Pharisee in an Imaginary Architectural Setting, 1669-c.1705
Drawing
Victoria and Albert Museum
C24-643285

Jan Erasmus Quellinus
The Seizure of the Wedding Guest Without a Wedding Garment in an Imaginary Architectural Setting, 1674
Drawing
Victoria and Albert Museum
C24-335137
Jan Erasmus Quellinus
Christ and His Disciples on the Road to Emmaus Within an Imaginary Architectural Setting, 1676
Drawing
Victoria and Albert Museum
C24-643283

Jan Erasmus Quellinus
The Martyrdom of Saint Agatha, 1684
oil on canvas
116.5 × 190.5 cm
Royal Museum of Fine Arts Antwerp
C24-143092
Jan Erasmus Quellinus
Miracle of Saint Hugh of Lincoln, 1685
oil on canvas
254.8 × 194.5 cm
Royal Museum of Fine Arts Antwerp
C24-143094
Jan Erasmus Quellinus
The Nativity, 1689
oil on canvas
247.4 × 158.7 cm
Royal Museum of Fine Arts Antwerp
C24-143093

Jan Erasmus Quellinus
Meal in Bethany at the House of Simon the Leper, 1692
oil on canvas
405 × 252 cm
Royal Museum of Fine Arts Antwerp
C24-143091

Jan Erasmus Quellinus
The Martyrs of Gorkum, 1712-1714
oil on canvas
525 × 455 cm
Royal Museum of Fine Arts Antwerp
C24-143089
Jan Erasmus Quellinus
Aubertus van Eede, Bishop of Antwerp, 17th century
oil on canvas
122 × 101 cm
Royal Museum of Fine Arts Antwerp
C24-143090

Jan Erasmus Quellinus
De bron van Bethesda, 17th century
oil
804 × 60.5 cm
Royal Museum of Fine Arts Antwerp
C24-143088

Jan Erasmus Quellinus
Benedict of Nursia Orders the Destruction of the Temple of Apollo at Monte Cassino, mid-17th–early 18th century
Pen and brown and black ink, brush and gray and blue wash, over black chalk, heightened with white gouache
55.9 × 38 cm
The Metropolitan Museum of Art
C24-551352
Jan Erasmus Quellinus
Samuel Anointing the Young David (?), n.d.
Point of brush, gray and gray-black wash, heightened with white, over slight traces of black chalk
28.1 × 57.1 cm
The Metropolitan Museum of Art
C24-576975

