Registry catalogue
James McNeill Whistler
All works
1,039 works in the Collect24 Registry — 1834–1903 · American
← Back to the James McNeill Whistler artist pageShowing 145–192 of 1,039
James McNeill Whistler
La Vielle aux Loques, 1858
Etching and drypoint, printed in black ink on gray chine on off-white wove paper (chine collé); third state of four (Glasgow)
20.8 × 14.8 cm
The Metropolitan Museum of Art
C24-235971
James McNeill Whistler
La Vielle aux Loques, 1858
Etching and drypoint, printed in black ink on cream Japan paper; fourth state of four (Glasgow)
20.9 × 14.7 cm
The Metropolitan Museum of Art
C24-324201
James McNeill Whistler
Little Arthur, 1858
Etching, printed in black ink on off-white chine mounted on off-white wove paper; fourth state of four (Glasgow)
5.9 × 4.9 cm
The Metropolitan Museum of Art
C24-325776
James McNeill Whistler
Liverdun, 1858
Etching, printed in black ink on gray chine on off-white wove paper (chine collé); third state of three (Glasgow)
10.6 × 15.4 cm
The Metropolitan Museum of Art
C24-294790
James McNeill Whistler
Liverdun, 1858
Etching on tan chine on off-white wove paper (chine collé); third state of three (Glasgow)
10.6 × 15.4 cm
The Metropolitan Museum of Art
C24-359882
James McNeill Whistler
Liverdun, 1858
Etching; third state of three (Glasgow); printed in black ink on fine antique gray laid paper
10.7 × 15.3 cm
The Metropolitan Museum of Art
C24-433811
James McNeill Whistler
Liverdun, 1858
Etching, printed in black ink on tan chine on off-white wove paper (chine collé); third state of three (Glasgow)
10.6 × 15.4 cm
The Metropolitan Museum of Art
C24-294794
James McNeill Whistler
Reading in Bed (The Slipper), 1858
Etching and drypoint, printed in black ink on fine laid paper; second state of two (Glasgow)
11.9 × 7.9 cm
The Metropolitan Museum of Art
C24-428488
James McNeill Whistler
Street at Saverne, 1858
Etching and open bite or sandpaper ground; fourth state of four (Glasgow); printed in black ink on buff colored Japan paper
20.7 × 15.9 cm
The Metropolitan Museum of Art
C24-437804
James McNeill Whistler
Street at Saverne, 1858
Etching; fourth state of four (Glasgow), printed in black ink on machine-made cream laid paper
20.8 × 16 cm
The Metropolitan Museum of Art
C24-433207
James McNeill Whistler
Street at Saverne, 1858
etching
Cleveland Museum of Art
C24-661668
James McNeill Whistler
Street at Saverne, 1858
Etching and open bite or sandpaper ground, printed in black ink on blue chine on off-white wove paper (chine collé); third state of four (Glasgow)
20.8 × 15.9 cm
The Metropolitan Museum of Art
C24-294884
James McNeill Whistler
Street at Saverne, 1858
Etching, printed in black ink on heavy pale gray textured paper with (faded) blue fibers; third state of four (Glasgow)
20.6 × 15.6 cm
The Metropolitan Museum of Art
C24-436142
James McNeill Whistler
Street at Saverne, 1858
Etching and open bite or sandpaper ground, printed on ivory chine on off-white wove paper (chine collé); third state of four (Glasgow)
20.8 × 15.8 cm
The Metropolitan Museum of Art
C24-236758
James McNeill Whistler
The Dog on the Kennel, 1858
Etching, printed in black ink on coarse fibrous wove paper; second state of two (Glasgow)
7.1 × 8.9 cm
The Metropolitan Museum of Art
C24-427549
James McNeill Whistler
The Kitchen, 1858
Watercolor over and under graphite on paper
30.4 × 19.7 cm
National Museum of Asian Art
C24-126356
James McNeill Whistler
The Kitchen, 1858
etching
Cleveland Museum of Art
C24-765361
James McNeill Whistler
The Kitchen, 1858
etching
Cleveland Museum of Art
C24-245702
James McNeill Whistler
The Kitchen, 1858
Etching, printed in dark brown ink on buff chine on off-white wove paper (chine collé); second state of three (Glasgow)
22.7 × 15.6 cm
The Metropolitan Museum of Art
C24-229593
James McNeill Whistler
The Kitchen, 1858
Watercolor over and under graphite on paper
31.5 × 22.3 cm
National Museum of Asian Art
C24-124690
James McNeill Whistler
The Mother Gerard, 1858
etching
Cleveland Museum of Art
C24-270409
James McNeill Whistler
The Old Rag Woman, No. 10, 1858
etching with chine collé
27.3 × 20.8 cm
Cleveland Museum of Art
C24-203092
James McNeill Whistler
The Rag Gatherers (Rag Pickers, Quartier Mouffetard, Paris), 1858
Etching and drypoint, printed in black ink on ivory laid paper; fifth state of five (Glasgow); removed from a book
15.2 × 8.9 cm
The Metropolitan Museum of Art
C24-293597
James McNeill Whistler
The Rag Gatherers (Rag Pickers, Quartier Mouffetard, Paris), 1858
Etching and drypoint, printed in black ink on extremely fine Japan paper; fifth state of five (Glasgow)
14.9 × 8.9 cm
The Metropolitan Museum of Art
C24-428484
James McNeill Whistler
The Title to the French Set, 1858
Etching, printed in black ink on tan chine on off-white wove paper (chine collé); only state (Glasgow)
11.1 × 14.6 cm
The Metropolitan Museum of Art
C24-292750
James McNeill Whistler
The Unsafe Tenement, 1858
etching
Cleveland Museum of Art
C24-550090
James McNeill Whistler
The Unsafe Tenement (The Old Farm), 1858
Etching, printed in black ink on gray chine on white wove paper (chine collé); third state of four (Glasgow)
15.6 × 22.5 cm
The Metropolitan Museum of Art
C24-233982
James McNeill Whistler
The Unsafe Tenement (The Old Farm), 1858
Etching on tan chine on white wove paper (chine collé); third state of four (Glasgow)
15.6 × 22.6 cm
The Metropolitan Museum of Art
C24-325818
James McNeill Whistler
The Unsafe Tenement (The Old Farm), 1858
Etching, printed in black ink on tan (darkened) chine on white wove paper (chine collé); third state of four (Glasgow)
15.6 × 22.5 cm
The Metropolitan Museum of Art
C24-235975
James McNeill Whistler
The Wine Glass, 1858
etching
21.4 × 17.3 cm
Cleveland Museum of Art
C24-250515
James McNeill Whistler
The Wine Glass, 1858
Etching, printed in dark brownish-black ink on fibrous laid Japan; second state of two (Glasgow)
8.2 × 5.5 cm
The Metropolitan Museum of Art
C24-455176
James McNeill Whistler
Title Page from the "French Set" (Douze Eaux-Fortes d'Après Nature), 1858
Etching on tan chine on off-white wove paper (chine collé); only state (Glasgow)
11 × 14.6 cm
The Metropolitan Museum of Art
C24-365686
James McNeill Whistler
Title to the French Set, 1858
Etching, printed in black ink on gray chine on off-white wove paper (chine collé); only state (Glasgow)
11.1 × 14.6 cm
The Metropolitan Museum of Art
C24-292746
James McNeill Whistler
Twelve Etchings from Nature, 1858
etching
Cleveland Museum of Art
C24-293584
James McNeill Whistler
Twelve Etchings from Nature: Annie, 1858
etching
Cleveland Museum of Art
C24-308799
James McNeill Whistler
Twelve Etchings from Nature: En Plein Soleil, 1858
etching on chine collé
Cleveland Museum of Art
C24-220012
James McNeill Whistler
Twelve Etchings from Nature: Fumette, 1858
etching
Cleveland Museum of Art
C24-301357
James McNeill Whistler
Twelve Etchings from Nature: La Marchande de Moutarde, 1858
etching
Cleveland Museum of Art
C24-291409
James McNeill Whistler
Twelve Etchings from Nature: La Mère Gérard, 1858
etching
Cleveland Museum of Art
C24-302020
James McNeill Whistler
Twelve Etchings from Nature: La Rétameuse, 1858
etching
Cleveland Museum of Art
C24-765360
James McNeill Whistler
Twelve Etchings from Nature: La Veille aux Loques, 1858
etching
Cleveland Museum of Art
C24-556005
James McNeill Whistler
Twelve Etchings from Nature: Little Arthur, 1858
etching
Cleveland Museum of Art
C24-556003
James McNeill Whistler
Twelve Etchings from Nature: Liverdun, 1858
etching
Cleveland Museum of Art
C24-308803
James McNeill Whistler
Twelve Etchings from Nature: Street in Saverne, 1858
etching
Cleveland Museum of Art
C24-273109
James McNeill Whistler
Twelve Etchings from Nature: The Unsafe Tenement, 1858
etching
Cleveland Museum of Art
C24-293510
James McNeill Whistler
Twelve Etchings from Nature: Title Page - Delauney Sketching, 1858
etching
Cleveland Museum of Art
C24-563538
James McNeill Whistler
Annie Seated, 1858–59
Etching and drypoint; third state of three (Glasgow); black ink on off-white modern wove paper
13 × 9.7 cm
The Metropolitan Museum of Art
C24-441882
James McNeill Whistler
Annie Seated, 1858–59
Etching and drypoint; third state of three (Glasgow); black ink on extremely fine laid Japan paper
12.7 × 9.7 cm
The Metropolitan Museum of Art
C24-441879