Registry catalogue
James McNeill Whistler
All works
1,039 works in the Collect24 Registry — 1834–1903 · American
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James McNeill Whistler
Two Profile Studies; One Sketch of a Head (from Sketchbook), 1854–55
Brown ink on off-white wove paper
14.9 × 18.4 cm
The Metropolitan Museum of Art
C24-938131
James McNeill Whistler
View of a Coast Line (from Sketches on the Coast Survey Plate), 1854–55
Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
1.6 × 10.8 cm
The Metropolitan Museum of Art
C24-439981
![James McNeill Whistler, Vives Les Debardeures [sic]!! (from Sketchbook)](https://images.metmuseum.org/CRDImages/ad/original/199561.jpg)
James McNeill Whistler
Vives Les Debardeures [sic]!! (from Sketchbook), 1854–55
Black ink and graphite off-white wove paper
12.4 × 5.7 cm
The Metropolitan Museum of Art
C24-942095
James McNeill Whistler
Well Sir! (from Sketchbook), 1854–55
Black ink and graphite on light buff wove paper
7.9 × 4.4 cm
The Metropolitan Museum of Art
C24-941811
James McNeill Whistler
Woman Carrying Basket (from Sketchbook), 1854–55
Ink on off-white laid paper
10.8 × 5.4 cm
The Metropolitan Museum of Art
C24-937832
James McNeill Whistler
Woman with Young Man Resting at Her Feet (from Sketchbook), 1854–55
Brown ink on off-white wove paper
9.8 × 11 cm
The Metropolitan Museum of Art
C24-938129
James McNeill Whistler
U.S. Coast Survey...Reconnaissance of Smith's or Blunt's Island, Washington / U.S. Coast Survey...Sketch of Anacapa Island in Santa Barbara Channel, 1854–57
Transfer lithograph
29.8 × 23.7 cm
The Metropolitan Museum of Art
C24-407922
James McNeill Whistler
U.S. Coast Survey...Sketch of Anapaca Island in Santa Barbara Channel, 1854–57
Transfer lithograph
20.3 × 29.1 cm
The Metropolitan Museum of Art
C24-406966
James McNeill Whistler
Jack Shepard [sic], Edgeworth Bess and Pol (from Sketchbook), 1855
Black ink and graphite on off-white wove paper
19.2 × 12.7 cm
The Metropolitan Museum of Art
C24-941987
James McNeill Whistler
May 18th (55) (from Sketchbook), 1855
Black ink and graphite on paper
7.9 × 13 cm
The Metropolitan Museum of Art
C24-937565
James McNeill Whistler
Scene from Bohemian Life, 1855/57
Pen and black ink and black watercolor over graphite, with touches of white opaque paint (discolored), on tan laid paper laid down on cream board
22.4 × 24 cm
Art Institute of Chicago
C24-192236
James McNeill Whistler
Portrait of Whistler with a Hat, 1857-1859
Oil on canvas
46.3 × 38.1 cm
National Museum of Asian Art
C24-127682
James McNeill Whistler
Annie, 1857–58
etching
Cleveland Museum of Art
C24-545028
James McNeill Whistler
Little Arthur, 1857–58
Etching on tan (darkened) chine on white wove paper (chine collé); fourth state of four (Glasgow)
5.9 × 4.9 cm
The Metropolitan Museum of Art
C24-322132
James McNeill Whistler
Little Arthur, 1857–58
Etching; fourth state of four (Glasgow); printed in dark brown ink
5.8 × 5 cm
The Metropolitan Museum of Art
C24-442960
James McNeill Whistler
Seymour Haden Jr., Seated, 1857–58
etching
20.2 × 18.3 cm
Cleveland Museum of Art
C24-286189
James McNeill Whistler
Seymour Seated, 1857–58
Etching, printed in black ink on fine buff Japan; third state of three (Glasgow)
13.5 × 9.7 cm
The Metropolitan Museum of Art
C24-453635
James McNeill Whistler
Seymour Seated (Seymour Haden, Jr., Seated), 1857–58
Etching, printed in black ink on fine dark cream laid Japan paper; third state of three (Glasgow)
13.7 × 9.7 cm
The Metropolitan Museum of Art
C24-428543
James McNeill Whistler
A Street at Saverne, 1858
Watercolor and graphite on paper
29.8 × 23.3 cm
National Museum of Asian Art
C24-124734
James McNeill Whistler
An Unsafe Tenement, 1858
etching
Cleveland Museum of Art
C24-243008
James McNeill Whistler
Annie, 1858
Etching on tan (darkened) chine mounted on white wove paper (chine collé); fourth state of seven (Glasgow)
11.8 × 7.9 cm
The Metropolitan Museum of Art
C24-337295
James McNeill Whistler
Annie, 1858
Etching, printed in black ink on tan chine on off-white wove paper (chine collé); fourth state of seven (Glasgow)
11.7 × 7.9 cm
The Metropolitan Museum of Art
C24-235966
James McNeill Whistler
Annie, 1858
Etching, printed in black ink on fibrous ivory laid paper; sixth state of seven (Glasgow)
11.7 × 7.9 cm
The Metropolitan Museum of Art
C24-324203
James McNeill Whistler
Boutique de Boucher–Saverne, 1858
Watercolor over and under graphite on blue paper
21.7 × 14.4 cm
National Museum of Asian Art
C24-126432
James McNeill Whistler
En plein soleil, 1858
Etching, printed in black ink on gray chine on white wove paper (chine collé); third state of three (Glasgow)
10 × 13.5 cm
The Metropolitan Museum of Art
C24-292148
James McNeill Whistler
En plein soleil, 1858
Etching on tan chine on white wove paper (chine collé); third state of three (Glasgow)
10 × 13.4 cm
The Metropolitan Museum of Art
C24-338660
James McNeill Whistler
Fumette, 1858
Etching, printed in black ink on gray chine on off-white wove paper (chine collé); fifth state of five (Glasgow)
16.3 × 10.9 cm
The Metropolitan Museum of Art
C24-239318
James McNeill Whistler
Fumette, 1858
Etching; fifth state of five (Glasgow); printed in black ink on thin cream laid Japan paper
16.2 × 10.9 cm
The Metropolitan Museum of Art
C24-444525
James McNeill Whistler
Fumette, 1858
Etching, printed in black ink on fine ivory laid paper; fifth state of five (Glasgow)
16.4 × 11 cm
The Metropolitan Museum of Art
C24-326339
James McNeill Whistler
Fummette, 1858
etching
Cleveland Museum of Art
C24-302740
James McNeill Whistler
La Marchande de moutarde, 1858
Etching, printed in black ink on gray chine on white wove paper (chine collé); third state of five (Glasgow)
15.7 × 8.9 cm
The Metropolitan Museum of Art
C24-233986
James McNeill Whistler
La Marchande de moutarde, 1858
Etching on tan chine on white wove paper (chine collé); third state of five (Glasgow)
15.8 × 8.8 cm
The Metropolitan Museum of Art
C24-325806
James McNeill Whistler
La Marchande de moutarde, 1858
Etching, printed in black ink on cream laid paper; fifth state of five (Glasgow)
15.6 × 8.9 cm
The Metropolitan Museum of Art
C24-322014
James McNeill Whistler
La Marchande de Moutarde, 1858
etching
Cleveland Museum of Art
C24-294874
James McNeill Whistler
La Marchande de Moutards, 1858
etching
Cleveland Museum of Art
C24-253414
James McNeill Whistler
La Mère Gérard, 1858
Etching, printed in black ink on antique cream laid paper; fourth state of four (Glasgow)
12.7 × 8.9 cm
The Metropolitan Museum of Art
C24-433208
James McNeill Whistler
La Mère Gérard, 1858
Etching, printed in black ink on brownish-gray chine on off-white wove paper (chine collé); fourth state of four (Glasgow)
12.7 × 9 cm
The Metropolitan Museum of Art
C24-294193
James McNeill Whistler
La Mère Gérard, 1858
Etching on tan chine on off-white wove paper (chine collé); fourth state of four (Glasgow)
12.7 × 8.9 cm
The Metropolitan Museum of Art
C24-338659
James McNeill Whistler
La Rétameuse, 1858
Etching on tan chine on off-white wove paper (chine collé); second state of two (Glasgow)
11 × 8.9 cm
The Metropolitan Museum of Art
C24-1139880
James McNeill Whistler
La Rétameuse, 1858
Etching, printed in black ink on buff (darkened) chine on off-white wove (chine collé); second state of two (Glasgow)
11.1 × 8.9 cm
The Metropolitan Museum of Art
C24-329258
James McNeill Whistler
La Rétameuse, 1858
Etching, printed in black ink on gray chine on off-white wove paper (chine collé); second state of two (Glasgow)
11.1 × 8.9 cm
The Metropolitan Museum of Art
C24-239315
James McNeill Whistler
La Vieille aux loques, 1858
Etching and drypoint; third state of four (Glasgow); printed in black ink on fibrous cream laid Japan paper
21 × 14.8 cm
The Metropolitan Museum of Art
C24-324210
James McNeill Whistler
La Vieille aux Loques, 1858
Etching and drypoint; fourth state of four (Glasgow); late impression printed in black ink on cream wove paper
20.8 × 14.8 cm
The Metropolitan Museum of Art
C24-324211
James McNeill Whistler
La Vieille aux Loques (The Old Woman with Rags), 1858
Etching and drypoint in brown ink on ivory laid paper
20.8 × 14.7 cm
Art Institute of Chicago
C24-1111772
James McNeill Whistler
La Vieille aux Loques (The Old Woman with Rags), 1858
Etching and drypoint with foul biting in black ink on cream Japanese paper
21 × 14.9 cm
Art Institute of Chicago
C24-1111989
James McNeill Whistler
La Vieille aux Loques (The Old Woman with Rags), 1858
Etching and drypoint with foul biting in black ink on light gray China paper
20.7 × 14.7 cm
Art Institute of Chicago
C24-1111629
James McNeill Whistler
La Vielle aux loques, 1858
Etching and drypoint; fourth state of four (Glasgow); printed in black ink
21 × 14.8 cm
The Metropolitan Museum of Art
C24-444036
James McNeill Whistler
La Vielle aux Loques, 1858
Etching and drypoint, printed in black ink on gray chine on off-white wove paper (chine collé); third state of four (Glasgow)
20.8 × 14.8 cm
The Metropolitan Museum of Art
C24-235971