Registry catalogue
James McNeill Whistler
All works
1,039 works in the Collect24 Registry — 1834–1903 · American
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James McNeill Whistler
En plein soleil, [1858] later printing
Etching, printed in black ink on buff chine on white wove paper (chine collé); third state of three (Glasgow)
9.8 × 13 cm
The Metropolitan Museum of Art
C24-213609
James McNeill Whistler
The Unsafe Tenement (The Old Farm), [1858] later printing
Etching; fourth state of four (Glasgow); Printed in black ink on on modern medium weight dark cream laid paper
15.7 × 22.3 cm
The Metropolitan Museum of Art
C24-212301
James McNeill Whistler
The Unsafe Tenement (The Old Farm), [1858] later printing
Etching; fourth state of four (Glasgow); printed in black ink on medium weight tan antique laid paper
15.8 × 22.6 cm
The Metropolitan Museum of Art
C24-212962
James McNeill Whistler
The Kitchen, [1858] republished 1885
Etching, printed in black ink on fine ivory laid paper; third state of three (Glasgow)
22.7 × 15.7 cm
The Metropolitan Museum of Art
C24-318802
James McNeill Whistler
The Kitchen, [1858] republished 1885
Etching with drypoint cancellation lines; from the cancelled plate (Glasgow); black ink on pale green laid paper with unread letters watermark
22.5 × 15.6 cm
The Metropolitan Museum of Art
C24-237295
James McNeill Whistler
The Kitchen, [1858] republished 1885
Etching; third state of three (Glasgow); black ink on buff laid paper
22.8 × 15.7 cm
The Metropolitan Museum of Art
C24-324763
James McNeill Whistler
Nude Woman Standing, [1873–75]
Drypoint; only state (Glasgow); printed in brown ink on ivory laid paper
21.3 × 12.5 cm
The Metropolitan Museum of Art
C24-420658
James McNeill Whistler
Florence Leyland, [1873]
Drypoint, printed in black ink on fine ivory Japan; eleventh state of eleven (Glasgow)
21.3 × 13.9 cm
The Metropolitan Museum of Art
C24-418575
James McNeill Whistler
Steamboat Fleet, [1875]
Drypoint; first state of two (Glasgow); printed in black ink on ivory laid paper
13.5 × 21.2 cm
The Metropolitan Museum of Art
C24-420680
James McNeill Whistler
The Tiny Pool, [1879]
Etching and drypoint, printed in black ink on ivory laid paper; third state of three (Glasgow)
9.8 × 6.5 cm
The Metropolitan Museum of Art
C24-424396
James McNeill Whistler
Alderney Street, [1880–81]
Electrotype copy of etching
17.8 × 11.2 cm
The Metropolitan Museum of Art
C24-428215
James McNeill Whistler
Alderney Street, from "Gazette des Beaux-Arts," 1881, [1880–81]
Etching, printed in black ink on ivory laid paper; first state of three (Glasgow)
18 × 11.3 cm
The Metropolitan Museum of Art
C24-420668
James McNeill Whistler
Drury Lane, [1880–81]
Etching, printed in brownish-black ink on cream laid paper; only state (Glasgow)
16.3 × 10.4 cm
The Metropolitan Museum of Art
C24-322018
James McNeill Whistler
Little Court, [1880–81]
Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow)
12.5 × 17.4 cm
The Metropolitan Museum of Art
C24-428533
James McNeill Whistler
Lobster Pots (Lobster Pots – Selsea Bill), [1880–81]
Etching, printed in black ink on medium weight ivory laid paper; second state of four (Glasgow)
11.7 × 20 cm
The Metropolitan Museum of Art
C24-428521
James McNeill Whistler
Temple (The Temple), [1880–81]
Etching; only state (Glasgow); printed in brownish-black ink on ivory laid paper
9.8 × 15.3 cm
The Metropolitan Museum of Art
C24-420675
James McNeill Whistler
Swan and Iris (Sketch after Cecil Lawson's "Swan and Iris"), [1883]
Etching, printed in brownish-black ink on medium weight ivory laid paper; third state of six (Glasgow)
14.2 × 8.4 cm
The Metropolitan Museum of Art
C24-324714
James McNeill Whistler
A Fragment of Piccadilly (Piccadilly), [1884–86]
Etching, printed in dark brown ink on ivory laid paper; only state (Glasgow)
10.8 × 6.7 cm
The Metropolitan Museum of Art
C24-420674
James McNeill Whistler
Booth at a Fair, [1884–86]
Etching and drypoint, printed in very dark brown ink on ivory laid paper; only state (Glasgow)
13.2 × 9.6 cm
The Metropolitan Museum of Art
C24-428537
James McNeill Whistler
Cottage Door, [1884–86]
Etching and drypoint, printed in dark brown ink on ivory laid paper; second state of two (Glasgow)
6.6 × 9.8 cm
The Metropolitan Museum of Art
C24-428498
James McNeill Whistler
Old-Clothes Shop, No. 2 (Rag Shop), [1884–86]
Etching and drypoint, printed in dark brown ink on ivory laid paper; third state of three (Glasgow)
9.3 × 16.3 cm
The Metropolitan Museum of Art
C24-428531
James McNeill Whistler
Sketch in St. James's Park, [1884–86]
Etching, printed in black ink on ivory laid paper; only state (Glasgow)
6.5 × 9.8 cm
The Metropolitan Museum of Art
C24-420670
James McNeill Whistler
Fruit Shop (Little Greengrocer's Shop, Chelsea), [1885–86]
Etching and drypoint, printed in dark brown ink on ivory laid paper; second state of two (Glasgow)
6.9 × 10.1 cm
The Metropolitan Museum of Art
C24-428529
James McNeill Whistler
Cutler Street, Houndsditch, [1886–88]
Etching, printed in dark brown ink on ivory laid paper; first state of two (Glasgow)
17.5 × 12.4 cm
The Metropolitan Museum of Art
C24-428507
James McNeill Whistler
The Barber's (The Barber's Shop, Chelsea), [1886–95]
Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow)
16.3 × 24 cm
The Metropolitan Museum of Art
C24-428496
James McNeill Whistler
Salvation Army, Sandwich, [1887]
Etching and drypoint, printed in black ink on ivory wove paper; impression from cancelled plate
8 × 17.5 cm
The Metropolitan Museum of Art
C24-424151
James McNeill Whistler
A Fire at Pomfret, 1849
Watercolor over graphite on paper
12.8 × 19.6 cm
National Museum of Asian Art
C24-125511
James McNeill Whistler
Gladiator (from Sketchbook), 1850–51
Brown ink on off-white wove paper
7.5 × 17.1 cm
The Metropolitan Museum of Art
C24-937831
James McNeill Whistler
The Lime-burner, 1851
etching
Cleveland Museum of Art
C24-278295
James McNeill Whistler
Design cover for West Point Song of the Graduates, 1852
Transfer lithograph in black on off-white wove paper
33.6 × 22.2 cm
Art Institute of Chicago
C24-197508
James McNeill Whistler
Oil Night (Recto); Several Sketches of Heads (Verso) (from Sketchbook), 1852
Graphite on light tan wove paper (recto); black chalk (verso)
15.4 × 14.1 cm
The Metropolitan Museum of Art
C24-942461
James McNeill Whistler
Sam Weller's Landlord in the Fleet, 1853-1855
Watercolor over graphite on paper
10.4 × 14.9 cm
National Museum of Asian Art
C24-126125
James McNeill Whistler
Half-length Figure in a Monk's Cowl (Possibly a Self-portrait) (from Sketchbook), 1854
Pen and ink on paper
26.8 × 19.7 cm
The Metropolitan Museum of Art
C24-942987
James McNeill Whistler
Last Page of Handwritten Journal (from Sketchbook), 1854
Pen and ink on paper
26.8 × 19.7 cm
The Metropolitan Museum of Art
C24-937567
James McNeill Whistler
Three Men (Sketch in Lower Right Hand Corner of Handwritten Journal (from Sketchbook), 1854
Pen and ink on paper
26.8 × 19.7 cm
The Metropolitan Museum of Art
C24-937695
James McNeill Whistler
Two Sketches of Old Man with Books (from Sketchbook), 1854
Pen and ink on paper
26.8 × 19.7 cm
The Metropolitan Museum of Art
C24-937693
James McNeill Whistler
(from Sketchbook), 1854–55
Drawings in pen and ink, graphite, gouache, and black chalk on off-white and toned wove and laid paper
10.2 × 8.9 cm
The Metropolitan Museum of Art
C24-937453
James McNeill Whistler
(from Sketchbook), 1854–55
Drawings in pen and ink, graphite, gouache, and black chalk on off-white and toned wove and laid paper
9.4 × 6 cm
The Metropolitan Museum of Art
C24-937454
James McNeill Whistler
(from Sketchbook), 1854–55
Drawings in pen and ink, graphite, gouache, and black chalk on off-white and toned wove and laid paper
9.7 × 5.7 cm
The Metropolitan Museum of Art
C24-937452
James McNeill Whistler
40 and 50 (Man and Woman Seated) (from Sketchbook), 1854–55
Black ink and graphite on off-white wove paper
7.6 × 9 cm
The Metropolitan Museum of Art
C24-941981
James McNeill Whistler
After Dinner (Possibly Ross Winans) (from Sketchbook), 1854–55
Brown ink on blue wove paper
7.6 × 8.1 cm
The Metropolitan Museum of Art
C24-937564
James McNeill Whistler
Album, 1854–55
Drawings in pen and ink, graphite, gouache, and black chalk on off-white and toned wove and laid paper; cover missing
The Metropolitan Museum of Art
C24-934857
James McNeill Whistler
Architectual (?) Sketches (from Sketchbook), 1854–55
Graphite on off-white wove paper
19.2 × 12.7 cm
The Metropolitan Museum of Art
C24-937834
James McNeill Whistler
Artist's Studio (from Sketchbook), 1854–55
Black ink on off-white wove paper
10.8 × 12.7 cm
The Metropolitan Museum of Art
C24-937842
James McNeill Whistler
Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate), 1854–55
Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
2.1 × 2.3 cm
The Metropolitan Museum of Art
C24-439987
James McNeill Whistler
Bust of a Young Woman with Hat, Wine Glass (from Sketchbook), 1854–55
Black ink and graphite on off-white wove paper
11.6 × 14.1 cm
The Metropolitan Museum of Art
C24-941991
James McNeill Whistler
Bust of Man (from Sketchbook), 1854–55
Brown ink on off-white wove paper
6.4 × 7 cm
The Metropolitan Museum of Art
C24-937826
James McNeill Whistler
Cavalier (from Sketchbook), 1854–55
Brownish-black ink on blue laid paper
10.2 × 6.5 cm
The Metropolitan Museum of Art
C24-937841