Massacre of the Innocents, about 1510–1520
Artist in the Global Art Registry
Amico Aspertini
1475–1552 · Lordship of Bologna
- Born
- 1475 · Bologna
- Died
- 1552 · Bologna
8 works in the Collect24 Registry
Every work carries a permanent Collect24 Art ID, the way a book has an ISBN.
Amico Aspertini, also called Amerigo Aspertini, was an Italian Renaissance painter and sculptor. His complex, eccentric, and eclectic style anticipates Mannerism, and he is considered a leading exponent of the Bolognese School of painting.
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Amico Aspertini, also called Amerigo Aspertini (ca 1474 – 1552), was an Italian Renaissance painter and sculptor whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered one of the leading exponents of the Bolognese School of painting.
Biography source: Wikipedia · CC BY-SA 4.0
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8
Registered works
8
In museum collections
0
In gallery collections
0
In private collections
Featured works
Selected registered works by Amico Aspertini
Selected from 8 works by Amico Aspertini in the Collect24 Registry.
Amico Aspertini
Massacre of the Innocents, about 1510–1520
Red and black chalk, with traces of brown ink, heightened with white heightening
27.9 × 42.7 cm
J. Paul Getty Museum
C24-208813
Amico Aspertini
Studies after the Antique: The Fall of Phaëthon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso), 1474–1552
Black chalk, pen and brown ink (recto); pen and brown ink over traces of black chalk (verso)
37.2 × 26 cm
The Metropolitan Museum of Art
C24-591217
Amico Aspertini
Bacchanalian Scene, 1520–35
Black chalk, highlighted with white, on brown-washed paper
27.6 × 42.5 cm
The Metropolitan Museum of Art
C24-564242
Amico Aspertini
Weibliches Bildnis, 1502
45.5 × 35.5 cm
Kunsthistorisches Museum
C24-436512
Amico Aspertini
Saint Sebastian, c. 1505
oil on panel
114.9 × 66 cm
National Gallery of Art
C24-100257
Amico Aspertini
Two Candelabra; verso: Slight Sketch of a Horn-Shaped Object, 15th-16th century
Brown ink and black chalk on dark cream antique laid paper; verso: brown ink
25.7 × 17.7 cm
Harvard Art Museums
C24-484614
Amico Aspertini
Fragment of an Ornamented Roman Pedestal, 15th-16th century
Brown ink over black chalk on cream antique laid paper
22 × 11.2 cm
Harvard Art Museums
C24-483863
Amico Aspertini
Myth of Diana and Actaeon; verso: Three Putti with Two Arches Behind, c. 1500-1510
Brown ink and brown wash on dark cream [discolored] antique laid paper, framing line in black ink, laid down on dark cream laid paper; verso: brown ink
25.2 × 16.5 cm
Harvard Art Museums
C24-529870
Amico Aspertini
The Adoration of the Shepherds, 1496
paint
115.5 × 81 cm
Gemäldegalerie Berlin
C24-463045
Amico Aspertini
Nude Male Figure Seated on the Ground, ca. 1535–40
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper
24.8 × 36.4 cm
The Metropolitan Museum of Art
C24-467675
Amico Aspertini
Five Dancing Putti, n.d.
Engraving
11.1 × 19.8 cm
The Metropolitan Museum of Art
C24-354360
Museums and collections
Where works by Amico Aspertini are registered
- The Metropolitan Museum of Art
New York, United States
4 works
- Gemäldegalerie Berlin
Germany
1 work
- J. Paul Getty Museum
Los Angeles, United States
1 work
- Kunsthistorisches Museum
Austria
1 work
- National Gallery of Art
Washington, D.C., United States
1 work
Registry catalogue
Search all 8 works by Amico Aspertini
The complete catalogue lets you search by title, year, collection, medium or Collect24 Art ID, and filter by period, medium and collection.
Open the full catalogue →Artists from the same period
Artists born around the same time
- Francesco Francia
1450–1517
22 works