Amico Aspertini, Massacre of the Innocents
The J. Paul Getty Museum, Los Angeles · Digital image courtesy of Getty's Open Content ProgramView original →
Amico Aspertini

Massacre of the Innocents

about 1510–1520

Current Collection

J. Paul Getty Museum

Los Angeles, United States

Medium
Red and black chalk, with traces of brown ink, heightened with white heightening
Dimensions
27.9 × 42.7 cm
Status
In Museum Collection
Collect24 Art ID
C24-208813

On learning of the birth of Christ, whom the Magi called "the King of the Jews," King Herod felt his throne was in jeopardy. Knowing only that the baby was somewhere in Bethlehem, the king ordered Jewish boys around Bethlehem under two years old to be murdered. Alerted by angels, Christ's parents fled to Egypt and saved him. For this drawing, Amico Aspertini borrowed from the ancient Roman sculpture that he had seen in Rome five or ten years before. The intertwining figures at right parallel those on ancient Roman sarcophagi. Aspertini's art also included unidealized shapes and awkward bodies. Original and unconventional for the date, his figures look like local peasants rather than ideal types. Aspertini's draftsmanship characteristically included encrusted white highlights, squat figures, and manic energy. Between about 1510 and 1520, he often used this colorful combination of red and black chalk with white bodycolor. His extreme white heightening lends the drawing a feeling of near three-dimensionality.

Provenance

The J. Paul Getty Museum, Los Angeles

Registry history

  • about 1510–1520 — Recorded in the collection of J. Paul Getty Museum — drawings

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