Registry catalogue

Wenceslaus Hollar

All works

603 works in the Collect24 Registry

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Wenceslaus Hollar, Tomb of Henry VII (from Francis Sandford, "Genealogical History of the Kings of England,"1677)

Wenceslaus Hollar

Tomb of Henry VII (from Francis Sandford, "Genealogical History of the Kings of England,"1677), 1665

Etching; first state of three

28.4 × 35.7 cm

The Metropolitan Museum of Art

C24-341830

Wenceslaus Hollar, Warship in the trough of a wave

Wenceslaus Hollar

Warship in the trough of a wave, 1665

Etching and engraving; second state of three

12.4 × 27.4 cm

The Metropolitan Museum of Art

C24-459038

Wenceslaus Hollar, Warship in the Trough of a Wave

Wenceslaus Hollar

Warship in the Trough of a Wave, 1665

Etching, third state of three

11.5 × 26.6 cm

The Metropolitan Museum of Art

C24-429092

Wenceslaus Hollar, Bust of a man with a small turned-up nose and very high upper lip, wearing hood, in profile to the left

Wenceslaus Hollar

Bust of a man with a small turned-up nose and very high upper lip, wearing hood, in profile to the left, 1666

Etching; only state

6.7 × 4.9 cm

The Metropolitan Museum of Art

C24-419989

Wenceslaus Hollar, Elias Allen

Wenceslaus Hollar

Elias Allen, 1666

Etching, only state

23.9 × 16.4 cm

The Metropolitan Museum of Art

C24-458010

Wenceslaus Hollar, Prospects of London Before and After the Great Fire

Wenceslaus Hollar

Prospects of London Before and After the Great Fire, 1666

Etching; second state of five

11.1 × 67.5 cm

The Metropolitan Museum of Art

C24-425759

Wenceslaus Hollar, The Dog in the Manger (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)

Wenceslaus Hollar

The Dog in the Manger (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668), 1666

Etching; first state of two

25 × 19.5 cm

The Metropolitan Museum of Art

C24-433051

Wenceslaus Hollar, The soldier kissing the woman's hand (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)

Wenceslaus Hollar

The soldier kissing the woman's hand (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668), 1666

Etching, second state of two

14.3 × 9.5 cm

The Metropolitan Museum of Art

C24-433050

Wenceslaus Hollar, London before the Great Fire

Wenceslaus Hollar

London before the Great Fire, 1666–77

Etching; second state of two

10.8 × 17 cm

The Metropolitan Museum of Art

C24-429080

Wenceslaus Hollar, Frontispiece from Thomas Sprat's "The History of the Royal Society of London"

Wenceslaus Hollar

Frontispiece from Thomas Sprat's "The History of the Royal Society of London", 1667

Etching, only state

20.3 × 16.2 cm

The Metropolitan Museum of Art

C24-457463

Wenceslaus Hollar, Title page: The Causes of the Decay of Christian Piety

Wenceslaus Hollar

Title page: The Causes of the Decay of Christian Piety, 1667

Etching; first state of three

16.3 × 10.6 cm

The Metropolitan Museum of Art

C24-428263

Wenceslaus Hollar, The West Side of Yorke Castle

Wenceslaus Hollar

The West Side of Yorke Castle, 1669

Etching; first state of two

12.4 × 21.6 cm

The Metropolitan Museum of Art

C24-430824

Wenceslaus Hollar, Prospect of the inner part of Tangier, with the upper Castle, from South-East, from "Views of Tangier"

Wenceslaus Hollar

Prospect of the inner part of Tangier, with the upper Castle, from South-East, from "Views of Tangier", 1669–73

Etching; second state of two

12.6 × 21.8 cm

The Metropolitan Museum of Art

C24-432180

Wenceslaus Hollar, Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier"

Wenceslaus Hollar

Prospect of ye lower part of Tangier, from the hill West of White-hall, from "Views of Tangier", 1669–73

Etching; first state of two

12.2 × 21.3 cm

The Metropolitan Museum of Art

C24-433048

Wenceslaus Hollar, South East Corner of Tangier

Wenceslaus Hollar

South East Corner of Tangier, 1669–73

Etching; third state of three

20.2 × 21.4 cm

The Metropolitan Museum of Art

C24-427413

Wenceslaus Hollar, South East Corner of Tangier, from "Views of Tangier"

Wenceslaus Hollar

South East Corner of Tangier, from "Views of Tangier", 1669–73

Etching; second state of three

12.5 × 21.7 cm

The Metropolitan Museum of Art

C24-432178

Wenceslaus Hollar, Part of Tangier from aboue, without the Water-gate, from "Views of Tangier"

Wenceslaus Hollar

Part of Tangier from aboue, without the Water-gate, from "Views of Tangier", 1670

Etching; second state of three

12.3 × 21.8 cm

The Metropolitan Museum of Art

C24-432177

Wenceslaus Hollar, Part of Tangier from above

Wenceslaus Hollar

Part of Tangier from above, 1670

Etching; third state of three

12.5 × 21.3 cm

The Metropolitan Museum of Art

C24-427365

Wenceslaus Hollar, Part of Tangier from above, without the Water-gate

Wenceslaus Hollar

Part of Tangier from above, without the Water-gate, 1670

Etching; third state of three

12.1 × 21.6 cm

The Metropolitan Museum of Art

C24-430821

Wenceslaus Hollar, Title Page: The Causes of Decay of Christian Piety, with vignette of St. Paul's Burning, (Lex ignea)

Wenceslaus Hollar

Title Page: The Causes of Decay of Christian Piety, with vignette of St. Paul's Burning, (Lex ignea), 1671 or after

Etching; post third state of three with the image of St. Paul's in flames replacing the image of the burning ship.

18.5 × 11.2 cm

The Metropolitan Museum of Art

C24-442532

Wenceslaus Hollar, Prospect of ye North side of Tangier regarding the mayne Sea from the hill as you come from Whitby or the West, toward the Towne, from "Views of Tangier"

Wenceslaus Hollar

Prospect of ye North side of Tangier regarding the mayne Sea from the hill as you come from Whitby or the West, toward the Towne, from "Views of Tangier", 1673

Etching; first state of two

13.1 × 21.8 cm

The Metropolitan Museum of Art

C24-433402

Wenceslaus Hollar, Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins"

Wenceslaus Hollar

Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins", 1673

Etching; first state of three

7 × 10.7 cm

The Metropolitan Museum of Art

C24-430637

Wenceslaus Hollar, The lower inner part of Tangier

Wenceslaus Hollar

The lower inner part of Tangier, 1673

Etching, only state

12.5 × 21.3 cm

The Metropolitan Museum of Art

C24-415281

Wenceslaus Hollar, Moated Town Gate

Wenceslaus Hollar

Moated Town Gate, 1676

etching

5.8 × 13.5 cm

Cleveland Museum of Art

C24-289684

Wenceslaus Hollar, Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)

Wenceslaus Hollar

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

Etching

19.5 × 15.7 cm

The Metropolitan Museum of Art

C24-1139252

Wenceslaus Hollar, Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)

Wenceslaus Hollar

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

Etching

19.5 × 16 cm

The Metropolitan Museum of Art

C24-1139253

Wenceslaus Hollar, Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)

Wenceslaus Hollar

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

Etching

19.5 × 16 cm

The Metropolitan Museum of Art

C24-1139256

Wenceslaus Hollar, Baths of Diocletian, Rome, from "Roman Ruins"

Wenceslaus Hollar

Baths of Diocletian, Rome, from "Roman Ruins", 17th century

Etching, second state of two

6.9 × 10.7 cm

The Metropolitan Museum of Art

C24-200216

Wenceslaus Hollar, Four boys, a young satyr and a goat (copy in reverse)

Wenceslaus Hollar

Four boys, a young satyr and a goat (copy in reverse), 17th century

Etching and engraving

12.8 × 20 cm

The Metropolitan Museum of Art

C24-452273

Wenceslaus Hollar, Ruins of St Croix de Jerusalem, from "Roman Ruins"

Wenceslaus Hollar

Ruins of St Croix de Jerusalem, from "Roman Ruins", 17th century

Etching, first state of two

6.6 × 10.6 cm

The Metropolitan Museum of Art

C24-200217

Wenceslaus Hollar, Self-Portrait, from "Image de divers hommes: The true effigies of the most eminent Painters"

Wenceslaus Hollar

Self-Portrait, from "Image de divers hommes: The true effigies of the most eminent Painters", 17th century

Etching; third state of five

15.8 × 11 cm

The Metropolitan Museum of Art

C24-1054614

Wenceslaus Hollar, Arundel House from the North (copy)

Wenceslaus Hollar

Arundel House from the North (copy), 17th century (?)

Etching

The Metropolitan Museum of Art

C24-356657

Wenceslaus Hollar, Muff, white kerchief and mask

Wenceslaus Hollar

Muff, white kerchief and mask, 20th century

Reproduction

The Metropolitan Museum of Art

C24-274964

Wenceslaus Hollar, Henrietta Maria

Wenceslaus Hollar

Henrietta Maria, after 1641

Etching and engraving

9.8 × 7.6 cm

The Metropolitan Museum of Art

C24-1054616

Wenceslaus Hollar, A Moth, Butterflies, and Bees, from Diversae Insectorum...Figurae

Wenceslaus Hollar

A Moth, Butterflies, and Bees, from Diversae Insectorum...Figurae, after 1644

Etching on ivory laid paper

11.6 × 18.1 cm

Art Institute of Chicago

C24-205949

Wenceslaus Hollar, Six Insects, a Caterpillar, and a Snail, from Diversae Insectorum...Figurae

Wenceslaus Hollar

Six Insects, a Caterpillar, and a Snail, from Diversae Insectorum...Figurae, after 1644

Etching on ivory laid paper

11.6 × 18.2 cm

Art Institute of Chicago

C24-885012

Wenceslaus Hollar, Title Page from Diversae Insectorum...Figurae

Wenceslaus Hollar

Title Page from Diversae Insectorum...Figurae, after 1644

Etching on ivory laid paper

11.6 × 18.1 cm

Art Institute of Chicago

C24-885857

Wenceslaus Hollar, Paedopaegnion: Third Title Page (copy in reverse)

Wenceslaus Hollar

Paedopaegnion: Third Title Page (copy in reverse), after 1651

Etching

The Metropolitan Museum of Art

C24-1128012

Wenceslaus Hollar, The Several Habits of English Women, from the Nobility to the Country Women as they are in these times:  The Woman with Scissors

Wenceslaus Hollar

The Several Habits of English Women, from the Nobility to the Country Women as they are in these times: The Woman with Scissors, c, 1640

etching

Cleveland Museum of Art

C24-496423

Wenceslaus Hollar, Shells:  Hippopus maculatus Lam

Wenceslaus Hollar

Shells: Hippopus maculatus Lam, c. 1640s

etching and engraving

Cleveland Museum of Art

C24-230913

Wenceslaus Hollar, Shells:  Mitra papalis L

Wenceslaus Hollar

Shells: Mitra papalis L, c. 1640s

etching and engraving

Cleveland Museum of Art

C24-230910

Wenceslaus Hollar, Albury with Tree-Stump in Foreground

Wenceslaus Hollar

Albury with Tree-Stump in Foreground, c. 1645

Etching on ivory laid paper

8.9 × 15.8 cm

Art Institute of Chicago

C24-1147029

Wenceslaus Hollar, Rex et Regina de Tunis. After Leonardo da Vinci.

Wenceslaus Hollar

Rex et Regina de Tunis. After Leonardo da Vinci., c. 1645 - c. 1665

Print

Victoria and Albert Museum

C24-648933

Wenceslaus Hollar, Schiff-math (Boat Yard), from "Small Views"

Wenceslaus Hollar

Schiff-math (Boat Yard), from "Small Views", ca. 1629

Etching, only state

6.5 × 10.2 cm

The Metropolitan Museum of Art

C24-417669

Wenceslaus Hollar, Zu Bonn, from "European Views"

Wenceslaus Hollar

Zu Bonn, from "European Views", ca. 1635

Etching; second state of three

8.4 × 12.9 cm

The Metropolitan Museum of Art

C24-430642

Wenceslaus Hollar, View of Lahnstein on the River Rhine

Wenceslaus Hollar

View of Lahnstein on the River Rhine, ca. 1636

Pen and brown ink over black and red chalk

9.8 × 23.8 cm

The Metropolitan Museum of Art

C24-932112

Wenceslaus Hollar, Infant Hercules asleep

Wenceslaus Hollar

Infant Hercules asleep, ca. 1639

Etching; third state of four, the plate is reduced in size in this state

14.9 × 11.9 cm

The Metropolitan Museum of Art

C24-441685

Wenceslaus Hollar, Beÿ Brüssels (Brussels), from "European Views"

Wenceslaus Hollar

Beÿ Brüssels (Brussels), from "European Views", ca. 1643

Etching, first state of two

10.8 × 12.7 cm

The Metropolitan Museum of Art

C24-432176