Registry catalogue
Wenceslaus Hollar
All works
603 works in the Collect24 Registry
← Back to the Wenceslaus Hollar artist pageShowing 433–480 of 603
Wenceslaus Hollar
To geder på en gangbro, den ene hopper over den anden, 1649
Radering
9.9 × 7.6 cm
SMK – National Gallery of Denmark
C24-599147
Wenceslaus Hollar
Weceslaus Hollar, 1649
Etching; second state of five
16 × 11.4 cm
The Metropolitan Museum of Art
C24-431478
Wenceslaus Hollar
White dog, 1649
Etching; only state
7.8 × 12.1 cm
The Metropolitan Museum of Art
C24-449351
Wenceslaus Hollar
Woman of Bern, 1649
Etching on gray China paper
9.3 × 5.7 cm
Art Institute of Chicago
C24-1112435
Wenceslaus Hollar
Young Zurich Woman, 1649
Etching on gray Asian paper
9.2 × 5.7 cm
Art Institute of Chicago
C24-1112436
Wenceslaus Hollar
Zürich Woman in Wedding Dress, 1649
Etching on gray Asian paper
9.1 × 5.7 cm
Art Institute of Chicago
C24-1111621
Wenceslaus Hollar
Nobilis Mulier Brabantica, (Noblewoman from Brabant), 1649 (reprinted 1816)
Etching; second state of two
9.1 × 5.7 cm
The Metropolitan Museum of Art
C24-416363
Wenceslaus Hollar
Edward VI, 1650
Etching, only state
25.2 × 17.8 cm
The Metropolitan Museum of Art
C24-457996
Wenceslaus Hollar
Fem satyrer og to nymfer, 1650
Radering
7.4 × 10.2 cm
SMK – National Gallery of Denmark
C24-598552
Wenceslaus Hollar
Five satyrs and two nymphs, 1650
Etching, only state
7.1 × 10 cm
The Metropolitan Museum of Art
C24-417637
Wenceslaus Hollar
Frances Stuart, Countess of Portland, 1650
Etching; first state of three (New Hollstein)
27.6 × 19.1 cm
The Metropolitan Museum of Art
C24-433215
Wenceslaus Hollar
Title to the Entry into Hemissem, 1650
Etching; only state
25.5 × 42.1 cm
The Metropolitan Museum of Art
C24-306936
Wenceslaus Hollar
Tongerloo (Tungerloa), 1650
Etching; first state of two
The Metropolitan Museum of Art
C24-464888
Wenceslaus Hollar
Visit to A. Roelants, 1650
Etching; only state
24.8 × 41.2 cm
The Metropolitan Museum of Art
C24-413051
Wenceslaus Hollar
Fire jomfruer som de fire årstider, 1650-1670
Ætsning og kobberstik
39.5 × 49.6 cm
SMK – National Gallery of Denmark
C24-594107
Wenceslaus Hollar
Democritus and Heraclitus, 1650–60
Etching; not by Hollar
24.3 × 32 cm
The Metropolitan Museum of Art
C24-1143893
Wenceslaus Hollar
Going to Church, 1651
Etching; only state
24.2 × 40.7 cm
The Metropolitan Museum of Art
C24-414121
Wenceslaus Hollar
James, Duke of York, 1651
Etching, only state
28.3 × 19.2 cm
The Metropolitan Museum of Art
C24-418951
Wenceslaus Hollar
Paedopaegnion: Third Title Page: Petrus vanden Avont Belga Antuerpianus pictor, 1651
Etching; missing the portrait in the center
13.7 × 19.8 cm
The Metropolitan Museum of Art
C24-438326
Wenceslaus Hollar
Raphael, 1651
Etching, second state of two (NH)
24.7 × 17.2 cm
The Metropolitan Museum of Art
C24-1144059
Wenceslaus Hollar
Sectioned skull in profile to left with the left side of the cranium removed, 1651
Etching; only state
6.8 × 7.5 cm
The Metropolitan Museum of Art
C24-448735
Wenceslaus Hollar
Sectioned skull in profile to left with the left side of the cranium removed, 1651
Etching: only state
6.7 × 7.5 cm
The Metropolitan Museum of Art
C24-456459
Wenceslaus Hollar
The Child and Death, 1651
Etching on ivory wove paper
7.3 × 5.2 cm
Art Institute of Chicago
C24-1117416
Wenceslaus Hollar
The Fall of Man, 1651
Victoria and Albert Museum
C24-551989
Wenceslaus Hollar
The Hunter, from Landscapes, 1651
Etching on cream laid paper
14.6 × 22.1 cm
Art Institute of Chicago
C24-1106136
Wenceslaus Hollar
The Old Man and Death, 1651
Etching on ivory wove paper
7.2 × 5.3 cm
Art Institute of Chicago
C24-1114759
Wenceslaus Hollar
The Old Woman and Death, 1651
Etching on ivory wove paper
7.2 × 5.3 cm
Art Institute of Chicago
C24-1111762
Wenceslaus Hollar
The Rich Man and Death, 1651
Etching on ivory wove paper
7.3 × 5.2 cm
Art Institute of Chicago
C24-1114790
Wenceslaus Hollar
The Three Windmills, 1651
Etching
13.6 × 21.1 cm
The Metropolitan Museum of Art
C24-451901
Wenceslaus Hollar
Cupid and the swan, 1652
Etching, only state
11.1 × 14.3 cm
The Metropolitan Museum of Art
C24-456364
Wenceslaus Hollar
Cupid on a lion, 1652
Etching; only state
11.1 × 15.2 cm
The Metropolitan Museum of Art
C24-418912
Wenceslaus Hollar
Cupid on a tiger, 1652
Etching, only state
11 × 14.7 cm
The Metropolitan Museum of Art
C24-456366
Wenceslaus Hollar
Jesus served by angels, 1652
Etching; only state
9.2 × 17.6 cm
The Metropolitan Museum of Art
C24-417633
Wenceslaus Hollar
Katherine of Aragon (1485-1536), 1652
vellum
7.2 × 5.7 cm
Royal Collection
C24-280116
Wenceslaus Hollar
Romulus and Remus, 1652
Etching; only state
10.9 × 14.6 cm
The Metropolitan Museum of Art
C24-456367
Wenceslaus Hollar
Sphinx with Two Bodies, 1652
Etching, only state
10.3 × 15.3 cm
The Metropolitan Museum of Art
C24-456365
Wenceslaus Hollar
Deutz and Cologne, from "German Views", 1652–77
Etching; third state of three
6 × 14 cm
The Metropolitan Museum of Art
C24-426757
Wenceslaus Hollar
Drachenfels and Lowenburg, from "German Views", 1652–77
Etching, second state of two
5.7 × 13.7 cm
The Metropolitan Museum of Art
C24-426759
Wenceslaus Hollar
Nonnenwerdt, from "German Views", 1652–77
Etching
6.2 × 14 cm
The Metropolitan Museum of Art
C24-392622
Wenceslaus Hollar
Passau, from "German Views", 1652–77
Etching, only state
3.5 × 13.7 cm
The Metropolitan Museum of Art
C24-417936
Wenceslaus Hollar
Passau, from "German Views", 1652–77
Etching; second state of two
6 × 14 cm
The Metropolitan Museum of Art
C24-430640
Wenceslaus Hollar
Pevensey Castle, from "English Views", 1652–77
Etching, third state of three
6.2 × 13.7 cm
The Metropolitan Museum of Art
C24-430636
Wenceslaus Hollar
Prague, from "German Views", 1652–77
Etching; second state of two
6.2 × 14.8 cm
The Metropolitan Museum of Art
C24-430638
Wenceslaus Hollar
Regensburg, 1652–77
Etching, only state
4.6 × 12.2 cm
The Metropolitan Museum of Art
C24-417940
Wenceslaus Hollar
Hawks and owls, 1654–58
Etching; only state
13.4 × 19.5 cm
The Metropolitan Museum of Art
C24-417403
Wenceslaus Hollar
Inigo Jones (from Inigo Jones's "The most notable Antiquity of Great Britain vulgarly called Stone-heng on Salisbury Plain," 1655), 1655
Etching, first state of two (New Hollstein)
20.5 × 13.5 cm
The Metropolitan Museum of Art
C24-458552
Wenceslaus Hollar
The most notable antiquity of Great Britain, vulgarly called Stone-Heng on Salisbury plain, 1655
Victoria and Albert Museum
C24-509849
Wenceslaus Hollar
Old Saint Paul's Cathedral from the North, 1656
Etching in black on ivory laid paper
26.4 × 34.9 cm
Art Institute of Chicago
C24-1129247