Thomas Rowlandson

Thomas Rowlandson

Special Pleaders in the Court of Requests, May 28, 1802

Hand-colored etching and letterpress

21.3 × 25 cm

The Metropolitan Museum of Art

C24-424064

Thomas Rowlandson

Philosophy Run Mad or a Stupendous Monument of Human Wisdom, May 29, 1792

Etching

27.2 × 37.4 cm

The Metropolitan Museum of Art

C24-340858

Thomas Rowlandson

Six Stages of Marring a Face, May 29, 1792

Hand-colored etching

25.8 × 36.1 cm

The Metropolitan Museum of Art

C24-326335

Thomas Rowlandson

Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer, May 29, 1792

Etching

28.4 × 40.6 cm

The Metropolitan Museum of Art

C24-300301

Thomas Rowlandson

Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer, May 29, 1792

Hand-colored etching

27.4 × 38.4 cm

The Metropolitan Museum of Art

C24-309658

Thomas Rowlandson

Comedy in the Country, Tragedy in London, May 29, 1807

Hand-colored etching

35.4 × 25.6 cm

The Metropolitan Museum of Art

C24-413593

Thomas Rowlandson

Comedy in the Country, Tragedy in London, May 29, 1807

Hand-colored etching

36.3 × 26.2 cm

The Metropolitan Museum of Art

C24-413591

Thomas Rowlandson

Chatting (Picturesque Beauties of Boswell, Part the First), May 30, 1786

Etching

25.9 × 30.7 cm

The Metropolitan Museum of Art

C24-343623

Thomas Rowlandson

Scottifying the Palate (Picturesque Beauties of Boswell, Part the First), May 30, 1786

Etching

26.9 × 29.1 cm

The Metropolitan Museum of Art

C24-346441

Thomas Rowlandson

Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), May 30, 1786

Etching

25.8 × 30.2 cm

The Metropolitan Museum of Art

C24-343624

Thomas Rowlandson

Veronica, a Breakfast Conversation (Picturesque Beauties of Boswell, Part the First), May 30, 1786

Etching

26.8 × 29.2 cm

The Metropolitan Museum of Art

C24-346445

Thomas Rowlandson

Platonic Love, May 30, 1807

Hand-colored etching

27.7 × 20.9 cm

The Metropolitan Museum of Art

C24-338643

Thomas Rowlandson

A Table D'Hote or French Ordinary in Paris, May 30, 1810

Hand-colored etching

25.8 × 36.6 cm

The Metropolitan Museum of Art

C24-415381

Thomas Rowlandson

A Table D'Hote or French Ordinary in Paris, May 30, 1810

Hand-colored etching

24.5 × 34.6 cm

The Metropolitan Museum of Art

C24-415382

Thomas Rowlandson

Italian Picture Dealers Humbugging My Lord Anglaise, May 30, 1812

Hand-colored etching

34.8 × 24.8 cm

The Metropolitan Museum of Art

C24-320896

Thomas Rowlandson

Italian Picture Dealers Humbugging My Lord Anglaise, May 30, 1812

Hand-colored etching

32.1 × 23.4 cm

The Metropolitan Museum of Art

C24-320894

Thomas Rowlandson

A Diving Machine on a New Construction, May 31, 1806

Hand-colored etching

24.5 × 34.7 cm

The Metropolitan Museum of Art

C24-409372

Thomas Rowlandson

La politesse Françoise, or the English ladies petition to His Excellency the Mushroom Ambassador, May 4, 1789

Etching

19.2 × 24.6 cm

The Metropolitan Museum of Art

C24-339103

Thomas Rowlandson

La politesse Françoise, or The English Ladies Petition to His Excellency the Mushroom Ambassador, May 4, 1789

Etching

19.2 × 24.6 cm

The Metropolitan Museum of Art

C24-342186

Thomas Rowlandson

A Maiden Aunt Smelling Fire, May 4, 1806

Hand-colored etching

37 × 25.4 cm

The Metropolitan Museum of Art

C24-412062

Thomas Rowlandson

Dan-l. Lambert the Wonderful Great Pumpkin of Little Brittain [sic], May 4, 1806

Hand-colored etching

22.1 × 32.6 cm

The Metropolitan Museum of Art

C24-412182

Thomas Rowlandson

Who's Mistress Now?, May 4, 1811

Hand-colored etching

33.2 × 24.4 cm

The Metropolitan Museum of Art

C24-409437

Thomas Rowlandson

A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark, May 5, 1810

Hand-colored etching

34.5 × 24.5 cm

The Metropolitan Museum of Art

C24-415704

Thomas Rowlandson

More of Werther–The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence, May 6, 1786

Etching

26.1 × 35.2 cm

The Metropolitan Museum of Art

C24-342187

Thomas Rowlandson

The Holy Friar, May 6, 1807

Hand-colored etching

29.3 × 24.5 cm

The Metropolitan Museum of Art

C24-412050

Thomas Rowlandson

The Holy Friar, May 6, 1807

Hand-colored etching

21.5 × 20.2 cm

The Metropolitan Museum of Art

C24-337289

Thomas Rowlandson

Sir Cecil Wray in the Pillory, May 7, 1784

Etching

23.1 × 33.3 cm

The Metropolitan Museum of Art

C24-338215

Thomas Rowlandson

Walking Sticks and Round-A-Bouts for the Year 1801, May 8, 1801

Hand-colored etching

28.7 × 35.3 cm

The Metropolitan Museum of Art

C24-420976

Thomas Rowlandson

Ale House, n.d.

Pen and red and brown ink with brush and watercolor, on ivory wove paper

11.3 × 18 cm

Art Institute of Chicago

C24-194499

Thomas Rowlandson

At an Old English Eating House, n.d.

Pen and red ink with brush and watercolor over graphite, on cream wove paper

15.1 × 26.4 cm

Art Institute of Chicago

C24-191613

Thomas Rowlandson

Captain Squander Bang Up to the Mark, n.d.

Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, tipped onto cream wove paper

14.7 × 23.7 cm

Art Institute of Chicago

C24-200154

Thomas Rowlandson

Doctor Syntax on the Road, n.d.

Pen and gray ink with brush and gray wash and watercolor, over traces of graphite, on tan wove paper, laid down on card

15.7 × 22.8 cm

Art Institute of Chicago

C24-192899

Thomas Rowlandson

Interior of an Inn, n.d.

Pen and brown ink with brush and watercolor, over traces of graphite, on cream wove paper

14.8 × 23.8 cm

Art Institute of Chicago

C24-190679

Thomas Rowlandson

Landscape with Wayside Cross and Cottages, n.d.

Pen and brown ink with brush and brown wash and watercolor, over traces of graphite, on cream wove paper, laid down on ivory wove paper

24 × 37.5 cm

Art Institute of Chicago

C24-1105405

Thomas Rowlandson

St. Cullum's, Cornwall, n.d.

Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, laid down on board

18.8 × 27.6 cm

Art Institute of Chicago

C24-192364

Thomas Rowlandson

New Invented Elastic Breeches, November 1, 1784

Etching

24.7 × 34.8 cm

The Metropolitan Museum of Art

C24-451748

Thomas Rowlandson

New Invented Elastic Breeches, November 1, 1784

Hand-colored etching

24.3 × 34.4 cm

The Metropolitan Museum of Art

C24-456964

Thomas Rowlandson

The Effects of British Valour on the French Directory, November 1, 1798

Hand-colored etching and aquatint

32.6 × 40.5 cm

The Metropolitan Museum of Art

C24-459235

Thomas Rowlandson

Good Morning To You, November 1, 1799

Hand-colored etching

28.7 × 23 cm

The Metropolitan Museum of Art

C24-429903

Thomas Rowlandson

Good Night, November 1, 1799

Hand-colored etching

28.7 × 23 cm

The Metropolitan Museum of Art

C24-416033

Thomas Rowlandson

How Do You Do, November 1, 1799

Hand-colored etching

28.7 × 22.6 cm

The Metropolitan Museum of Art

C24-429904

Thomas Rowlandson

Sailors Riding For A Turn From Shields to Newcastle, November 1, 1804

Hand-colored etching

26.6 × 38.7 cm

The Metropolitan Museum of Art

C24-430795

Thomas Rowlandson

Magdalen College, Oxford, November 1, 1809

Hand-colored etching and aquatint

22.6 × 31.7 cm

The Metropolitan Museum of Art

C24-455924

Thomas Rowlandson

View of Merton College Oxford, November 1, 1809

Hand-colored etching and aquatint

22.8 × 31.7 cm

The Metropolitan Museum of Art

C24-455925

Thomas Rowlandson

Kitchin Stuff, November 1, 1810

Hand-colored etching

32.1 × 22.4 cm

The Metropolitan Museum of Art

C24-413607

Thomas Rowlandson

Kitchin Stuff, November 1, 1810

Hand-colored etching

34.9 × 24.5 cm

The Metropolitan Museum of Art

C24-413891

Thomas Rowlandson

Quae Genus at Oxford, November 1, 1821

Hand-colored etching and aquatint

13.3 × 22.3 cm

The Metropolitan Museum of Art

C24-457064

Thomas Rowlandson

Quae Genus Committed, with a Riotous Dancing Party, to the Watch-House, November 1, 1821

Hand-colored etching and aquatint

13.7 × 21.9 cm

The Metropolitan Museum of Art

C24-457951