Registry catalogue

Thomas Rowlandson

All works

2,081 works in the Collect24 Registry

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Thomas Rowlandson, Expedition, or Military Fly

Thomas Rowlandson

Expedition, or Military Fly, May 16, 1798

Hand-colored etching and aquatint

28.5 × 43 cm

The Metropolitan Museum of Art

C24-459330

Thomas Rowlandson, Expedition, or Military Fly

Thomas Rowlandson

Expedition, or Military Fly, May 16, 1798

Hand-colored etching and aquatint

26.8 × 42.3 cm

The Metropolitan Museum of Art

C24-457698

Thomas Rowlandson, The Bassoon with a French Horn Accompaniment

Thomas Rowlandson

The Bassoon with a French Horn Accompaniment, May 16, 1811

Hand-colored etching

25 × 34.4 cm

The Metropolitan Museum of Art

C24-319343

Thomas Rowlandson, The Bassoon with a French Horn Accompaniment

Thomas Rowlandson

The Bassoon with a French Horn Accompaniment, May 16, 1811

Hand-colored etching

22 × 31.8 cm

The Metropolitan Museum of Art

C24-319338

Thomas Rowlandson, The Bassoon with a French Horn Accompaniment

Thomas Rowlandson

The Bassoon with a French Horn Accompaniment, May 16, 1811

Hand-colored etching

24.5 × 34.7 cm

The Metropolitan Museum of Art

C24-319340

Thomas Rowlandson, The Old Man of the Sea, Sticking to the Shoulders of Sinbad the Sailor

Thomas Rowlandson

The Old Man of the Sea, Sticking to the Shoulders of Sinbad the Sailor, May 17, 1807

Hand-colored etching

38 × 26.3 cm

The Metropolitan Museum of Art

C24-418270

Thomas Rowlandson, A Box Lobby Hero, The Branded Bully, or The Ass Stripp'd of the Lion's Skin.

Thomas Rowlandson

A Box Lobby Hero, The Branded Bully, or The Ass Stripp'd of the Lion's Skin., May 1786

Hand-colored etching

27.7 × 34.5 cm

The Metropolitan Museum of Art

C24-416055

Thomas Rowlandson, A Theatrical Chymist

Thomas Rowlandson

A Theatrical Chymist, May 1786

Etching

24.1 × 31.8 cm

The Metropolitan Museum of Art

C24-335285

Thomas Rowlandson, Preceptor and Pupil

Thomas Rowlandson

Preceptor and Pupil, May 18, 1784

Etching

23.8 × 33.2 cm

The Metropolitan Museum of Art

C24-340856

Thomas Rowlandson, Secret Influence Directing The New P-l-t [Parliament]

Thomas Rowlandson

Secret Influence Directing The New P-l-t [Parliament], May 18, 1784

Etching with touches of hand-coloring

24.2 × 33.9 cm

The Metropolitan Museum of Art

C24-433815

Thomas Rowlandson, Secret Influence Directing The New P-l-t [Parliament]

Thomas Rowlandson

Secret Influence Directing The New P-l-t [Parliament], May 18, 1784

Hand-colored etching

29.4 × 41.8 cm

The Metropolitan Museum of Art

C24-418225

Thomas Rowlandson, The Westminster Deserter Drum'd Out of The Regiment

Thomas Rowlandson

The Westminster Deserter Drum'd Out of The Regiment, May 18, 1784

Etching

24.7 × 34.8 cm

The Metropolitan Museum of Art

C24-338657

Thomas Rowlandson, The Westminster Deserter Drum'd Out of The Regiment

Thomas Rowlandson

The Westminster Deserter Drum'd Out of The Regiment, May 18, 1784

Hand-colored etching

29.2 × 40 cm

The Metropolitan Museum of Art

C24-414155

Thomas Rowlandson, A Little Bigger

Thomas Rowlandson

A Little Bigger, May 18, 1791

Hand-colored etching

39.7 × 32.5 cm

The Metropolitan Museum of Art

C24-416080

Thomas Rowlandson, A Little Tighter

Thomas Rowlandson

A Little Tighter, May 18, 1791

Hand-colored etching

38.3 × 31.1 cm

The Metropolitan Museum of Art

C24-429736

Thomas Rowlandson, Rehearsal of a French Invasion as Performed before the Invalids at the Islands of St Marcou on the Morning of the 7th of May 1798

Thomas Rowlandson

Rehearsal of a French Invasion as Performed before the Invalids at the Islands of St Marcou on the Morning of the 7th of May 1798, May 18, 1798

Etching and aquatint

32.1 × 39 cm

The Metropolitan Museum of Art

C24-450857

Thomas Rowlandson, Rehearsal of a French Invasion as Performed before the Invalids at the Islands of St Marcou on the Morning of the 7th of May 1798

Thomas Rowlandson

Rehearsal of a French Invasion as Performed before the Invalids at the Islands of St Marcou on the Morning of the 7th of May 1798, May 18, 1798

Hand-colored etching and aquatint

30.4 × 37.4 cm

The Metropolitan Museum of Art

C24-455342

Thomas Rowlandson, A Little Bigger

Thomas Rowlandson

A Little Bigger, May 18, 1819

Hand-colored etching

39.4 × 31.4 cm

The Metropolitan Museum of Art

C24-412948

Thomas Rowlandson, Recruiting on a Broab [sic] Bottom'd Principle

Thomas Rowlandson

Recruiting on a Broab [sic] Bottom'd Principle, May 1806

Hand-colored etching

29 × 41.6 cm

The Metropolitan Museum of Art

C24-415370

Thomas Rowlandson, A Connoisseur

Thomas Rowlandson

A Connoisseur, May 1817

Hand-colored etching and aquatint

14.8 × 23.5 cm

The Metropolitan Museum of Art

C24-456331

Thomas Rowlandson, The Gross of Green Spectacles, from "The Vicar of Wakefield"

Thomas Rowlandson

The Gross of Green Spectacles, from "The Vicar of Wakefield", May 1817

Hand-colored etching and aquatint

14.3 × 23.5 cm

The Metropolitan Museum of Art

C24-456706

Thomas Rowlandson, The Vicar Selling his Horse

Thomas Rowlandson

The Vicar Selling his Horse, May 1817

Hand-colored etching and aquatint

14.6 × 23.3 cm

The Metropolitan Museum of Art

C24-456330

Thomas Rowlandson, Borders for Rooms, Extravaganzas Plate 6

Thomas Rowlandson

Borders for Rooms, Extravaganzas Plate 6, May 2, 1799

Hand-colored etching

34.8 × 48.1 cm

The Metropolitan Museum of Art

C24-418303

Thomas Rowlandson, For The Benefit of The Champion

Thomas Rowlandson

For The Benefit of The Champion, May 20, 1784

Hand-colored etching

24.6 × 35.1 cm

The Metropolitan Museum of Art

C24-417026

Thomas Rowlandson, A Skipping Academy

Thomas Rowlandson

A Skipping Academy, May 20, 1800

Hand-colored etching

29.5 × 47.3 cm

The Metropolitan Museum of Art

C24-418268

Thomas Rowlandson, The Sailor's Journal

Thomas Rowlandson

The Sailor's Journal, May 20, 1802

Hand-colored etching

44.2 × 28.4 cm

The Metropolitan Museum of Art

C24-409639

Thomas Rowlandson, Peter Plumb's Diary

Thomas Rowlandson

Peter Plumb's Diary, May 20, 1810

Hand-colored etching

24.8 × 34.6 cm

The Metropolitan Museum of Art

C24-415701

Thomas Rowlandson, Peter Plumb's Diary

Thomas Rowlandson

Peter Plumb's Diary, May 20, 1810

Hand-colored etching

23.5 × 32.9 cm

The Metropolitan Museum of Art

C24-415700

Thomas Rowlandson, Landscape with a Figure Carrying a Bundle of Branches, a Copice Behind, Two Cows in a Field at Left

Thomas Rowlandson

Landscape with a Figure Carrying a Bundle of Branches, a Copice Behind, Two Cows in a Field at Left, May 21, 1789

Etching, soft-ground etching and aquatint, printed in brown ink

30.2 × 37.8 cm

The Metropolitan Museum of Art

C24-456955

Thomas Rowlandson, Landscape with a Figure Herding Cattle to Water

Thomas Rowlandson

Landscape with a Figure Herding Cattle to Water, May 21, 1789

Etching, soft-ground etching and aquatint, printed in brown ink

25.5 × 32.5 cm

The Metropolitan Museum of Art

C24-456003

Thomas Rowlandson, Landscape with Figures Binding a Bundle of Wood

Thomas Rowlandson

Landscape with Figures Binding a Bundle of Wood, May 21, 1789

Etching, soft-ground etching and aquatint, printed in brown ink

28.8 × 36.5 cm

The Metropolitan Museum of Art

C24-456488

Thomas Rowlandson, Landscape with Figures Binding a Bundle of Wood

Thomas Rowlandson

Landscape with Figures Binding a Bundle of Wood, May 21, 1789

Etching, soft-ground etching and aquatint, printed in brown ink

29.8 × 37.8 cm

The Metropolitan Museum of Art

C24-454750

Thomas Rowlandson, Landscape with Figures Collecting Wood Beneath Gnarled Trees, or, Cattle, River side

Thomas Rowlandson

Landscape with Figures Collecting Wood Beneath Gnarled Trees, or, Cattle, River side, May 21, 1789

Etching, soft-ground etching and aquatint, printed in brown ink

30 × 37.8 cm

The Metropolitan Museum of Art

C24-456489

Thomas Rowlandson, Landscape with Figures Collecting Wood Beneath Gnarled Trees, or, Cattle, River side

Thomas Rowlandson

Landscape with Figures Collecting Wood Beneath Gnarled Trees, or, Cattle, River side, May 21, 1789

Etching, soft-ground etching and aquatint, printed in brown ink

29.5 × 37 cm

The Metropolitan Museum of Art

C24-456486

Thomas Rowlandson, A Militia Meeting

Thomas Rowlandson

A Militia Meeting, May 21, 1803

Hand-colored etching

20 × 13.3 cm

The Metropolitan Museum of Art

C24-456966

Thomas Rowlandson, Sunday Evening

Thomas Rowlandson

Sunday Evening, May 21, 1803

Hand-colored etching

18.8 × 21.2 cm

The Metropolitan Museum of Art

C24-456752

Thomas Rowlandson, The Mother's Hope

Thomas Rowlandson

The Mother's Hope, May 21, 1808

Hand-colored etching

37.2 × 26.2 cm

The Metropolitan Museum of Art

C24-412455

Thomas Rowlandson, Volunteer Wit or Not Enough for a Prime

Thomas Rowlandson

Volunteer Wit or Not Enough for a Prime, May 21, 1808

Hand-colored etching

24.7 × 34.9 cm

The Metropolitan Museum of Art

C24-415628

Thomas Rowlandson, Volunteer Wit or Not Enough for a Prime

Thomas Rowlandson

Volunteer Wit or Not Enough for a Prime, May 21, 1808

Hand-colored etching

24 × 32.3 cm

The Metropolitan Museum of Art

C24-415388

Thomas Rowlandson, The Quaker and the Clarke

Thomas Rowlandson

The Quaker and the Clarke, May 24, 1809

Hand-colored etching

22.7 × 31.6 cm

The Metropolitan Museum of Art

C24-415744

Thomas Rowlandson, A Tit Bit for the Bugs

Thomas Rowlandson

A Tit Bit for the Bugs, May 25, 1793

Hand-colored etching

39.7 × 26.6 cm

The Metropolitan Museum of Art

C24-414109

Thomas Rowlandson, A Sailor's Marriage

Thomas Rowlandson

A Sailor's Marriage, May 25, 1805

Hand-colored etching

28.8 × 36.6 cm

The Metropolitan Museum of Art

C24-429953

Thomas Rowlandson, A Sailor's Will

Thomas Rowlandson

A Sailor's Will, May 25, 1805

Hand-colored etching

25.9 × 32.8 cm

The Metropolitan Museum of Art

C24-430130

Thomas Rowlandson, A Sailor's Will

Thomas Rowlandson

A Sailor's Will, May 25, 1805

Hand-colored etching

32.4 × 37.7 cm

The Metropolitan Museum of Art

C24-430069

Thomas Rowlandson, A White Sergeant giving the word of command - "Come to Bed you drunken sot"

Thomas Rowlandson

A White Sergeant giving the word of command - "Come to Bed you drunken sot", May 25, 1807

Hand-colored etching; reverse copy

22 × 32 cm

The Metropolitan Museum of Art

C24-427565

Thomas Rowlandson, A White Sergeant giving the Word of Command: "Why don't you come to bed, you drunken sot?"

Thomas Rowlandson

A White Sergeant giving the Word of Command: "Why don't you come to bed, you drunken sot?", May 25, 1807

Hand-colored etching

22 × 32 cm

The Metropolitan Museum of Art

C24-415624

Thomas Rowlandson, This is the House in Gloucester Place, Plate 1

Thomas Rowlandson

This is the House in Gloucester Place, Plate 1, May 26, 1809

Hand-colored etching

24.5 × 34.7 cm

The Metropolitan Museum of Art

C24-412715

Thomas Rowlandson, This is the House in Gloucester Place, Plate 2

Thomas Rowlandson

This is the House in Gloucester Place, Plate 2, May 26, 1809

Hand-colored etching

23.1 × 32.5 cm

The Metropolitan Museum of Art

C24-413834