Thomas Rowlandson

Thomas Rowlandson

Study of trees, 1780–1827

Pen and brown ink

15.2 × 21.6 cm

The Metropolitan Museum of Art

C24-502302

Thomas Rowlandson

Tavern scene, 1780–1827

Watercolor, graphite, pen and ink

12.8 × 17 cm

The Metropolitan Museum of Art

C24-502295

Thomas Rowlandson

The Drawing Lesson, 1780–1827

Charcoal over chalk

18.7 × 20.2 cm

The Metropolitan Museum of Art

C24-465257

Thomas Rowlandson

The Reception, 1780–1827

Watercolor, pen and ink, brush and wash

24.1 × 38.1 cm

The Metropolitan Museum of Art

C24-569516

Thomas Rowlandson

The Sailor's Return from Active Service, 1780–1827

Watercolor

17 × 13.4 cm

The Metropolitan Museum of Art

C24-485535

Thomas Rowlandson

The Saw-Setter, 1780–1827

Watercolor, pen and ink, brush and wash

20.6 × 16.5 cm

The Metropolitan Museum of Art

C24-581677

Thomas Rowlandson

Venus, Anchises and Cupid, 1780–1827

Watercolor

22.4 × 16.7 cm

The Metropolitan Museum of Art

C24-483848

Thomas Rowlandson

Wooded hillside with deer, 1780–1827

Pen and brown ink, brush and wash, graphite

21.3 × 31.8 cm

The Metropolitan Museum of Art

C24-578436

Thomas Rowlandson

Wooded Landscape with Ruins, 1780–1827

Pen and gray ink, brush and wash

19.4 × 29.5 cm

The Metropolitan Museum of Art

C24-939039

Thomas Rowlandson

Bozzy and Madame Piozzi (Frontispiece, "Bozzy and Piozzi" by Peter Pindar), 1780–86

Engraving

23.8 × 18.3 cm

The Metropolitan Museum of Art

C24-380341

Thomas Rowlandson

Bozzy and Madame Piozzi (Frontispiece, "Bozzy and Piozzi" by Peter Pindar), 1780–86

Etching

18.2 × 23.3 cm

The Metropolitan Museum of Art

C24-339121

Thomas Rowlandson

Landscape with Hunting Scene, 1780s

Brown ink, watercolor and black chalk

12.9 × 21 cm

J. Paul Getty Museum

C24-203297

Thomas Rowlandson

Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shore, Houses on a Wooded Hill Beyond, 1783–84

Soft-ground etching and aquatint

27.8 × 37.8 cm

The Metropolitan Museum of Art

C24-456492

Thomas Rowlandson

Landscape with Cottage Among Trees at Left, and a Distant Church Spire at Right, 1783–84

Soft-ground etching and aquatint

27.8 × 28.2 cm

The Metropolitan Museum of Art

C24-432669

Thomas Rowlandson

Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left, 1783–84

Soft-ground etching and aquatint

25.2 × 33 cm

The Metropolitan Museum of Art

C24-458039

Thomas Rowlandson

Ruins Next to a Pool in a Wooded Landscape, 1783–84

Soft-ground etching and aquatint

27.7 × 37.8 cm

The Metropolitan Museum of Art

C24-458041

Thomas Rowlandson

A Group of Five Donkeys, Three Standing, Two Lying, 1783–87

Soft-ground etching and aquatint

19.8 × 27.7 cm

The Metropolitan Museum of Art

C24-457961

Thomas Rowlandson

Scene from the Tempest: Caliban, Prospero and Miranda, 1783–87, reissued 1801

Etching

23.7 × 32.8 cm

The Metropolitan Museum of Art

C24-453654

Thomas Rowlandson

Wooded Scene With Figures at the Door of a Cottage, 1783–88

Soft-ground etching and aquatint

The Metropolitan Museum of Art

C24-458971

Thomas Rowlandson

A Park Landscape, 1783–89

Etching, printed in brown ink; proof before addition of aquatint

29.3 × 37.7 cm

The Metropolitan Museum of Art

C24-454107

Thomas Rowlandson

Cottage with Cart and Pigs, 1783–89

Etching

18 × 25 cm

The Metropolitan Museum of Art

C24-373096

Thomas Rowlandson

Shore scene with cattle, boats in shallow water behind, or, Cattle, River side, 1783–89

Soft-ground etching with aquatint

25.2 × 35.3 cm

The Metropolitan Museum of Art

C24-458035

Thomas Rowlandson

Toasting, 1783–90

Hand-colored etching and aquatint

15.3 × 18.4 cm

The Metropolitan Museum of Art

C24-453865

Thomas Rowlandson

A Cabriolet with a Groom Parked Beside an Outhouse [A Gig], from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching and stipple

10.5 × 16.8 cm

The Metropolitan Museum of Art

C24-451369

Thomas Rowlandson

A Hack, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching

12.5 × 19.8 cm

The Metropolitan Museum of Art

C24-342208

Thomas Rowlandson

A Postchaise, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching and stipple

9.5 × 15.7 cm

The Metropolitan Museum of Art

C24-451188

Thomas Rowlandson

A Timber Waggon, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching and stipple

11.3 × 17.3 cm

The Metropolitan Museum of Art

C24-451196

Thomas Rowlandson

Country Cart Horses, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching and stipple

14.9 × 21 cm

The Metropolitan Museum of Art

C24-451190

Thomas Rowlandson

Drayhorses, Draymen & Malsters, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching

14.5 × 24.5 cm

The Metropolitan Museum of Art

C24-342206

Thomas Rowlandson

Higlers Cart, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching and stipple

10.7 × 18 cm

The Metropolitan Museum of Art

C24-450678

Thomas Rowlandson

Millers Waggon, from The Rhedarium, or, A New Book of Horses and Carriages, 1784

Etching and stipple

17.3 × 30.4 cm

The Metropolitan Museum of Art

C24-451198

Thomas Rowlandson

The Covent Garden Night Mare, 1784

Print

Victoria and Albert Museum

C24-699601

Thomas Rowlandson

The Historian Animating The Mind of A Young Painter, 1784

Etching

22 × 31.5 cm

The Metropolitan Museum of Art

C24-339140

Thomas Rowlandson

The Rhedarium for the Sale of All Sorts of Carriages by Geoffrey Gigg, or, A New Book of Horses and Carriages: Title page, 1784

Etching; state before letters

24.2 × 34 cm

The Metropolitan Museum of Art

C24-414158

Thomas Rowlandson

The Rhedarium for the Sale of All Sorts of Carriages by Geoffrey GIgg, or, A New Book of Horses and Carriages: Title page, 1784

Etching

24.6 × 34.5 cm

The Metropolitan Museum of Art

C24-340473

Thomas Rowlandson

Painting, 1784 (?)

Stipple engraving

19.7 × 22.7 cm

The Metropolitan Museum of Art

C24-1150736

Thomas Rowlandson

Stable Yard with Horses, 1784–1795

Pen and gray ink, brush and gray wash

29.5 × 44.5 cm

The Metropolitan Museum of Art

C24-513591

Thomas Rowlandson

On Coast of Sussex, 1784–85

Etching; early state

22.5 × 32.5 cm

The Metropolitan Museum of Art

C24-419985

Thomas Rowlandson

Opening a Vein, 1784–86

Etching

14.3 × 18 cm

The Metropolitan Museum of Art

C24-357155

Thomas Rowlandson

The Case Is Altered, 1784–86

Hand-colored etching

24.7 × 34.8 cm

The Metropolitan Museum of Art

C24-418193

Thomas Rowlandson

Rest from Labour on Sunny Days, 1784–87

Etching with stipple and aquatint

24.6 × 17.7 cm

The Metropolitan Museum of Art

C24-457963

Thomas Rowlandson

Three Cows Standing on the Ridge of a Field, 1784–87

Soft-ground etching and aquatint

19.4 × 28 cm

The Metropolitan Museum of Art

C24-457959

Thomas Rowlandson

A Group of Stags Drinking, 1784–88

Etching

18.6 × 27.7 cm

The Metropolitan Museum of Art

C24-451605

Thomas Rowlandson

A Pair of Cupids – Cupid and Psyche, 1784–88

Soft-ground etching and stipple

25 × 18.4 cm

The Metropolitan Museum of Art

C24-458045

Thomas Rowlandson

Boat in a Storm at Sea, 1784–88

Etching

22.5 × 27.8 cm

The Metropolitan Museum of Art

C24-451764

Thomas Rowlandson

Harmony – Two Nymphs Singing, Another Playing a Lyre, 1784–88

Etching

17.8 × 25 cm

The Metropolitan Museum of Art

C24-451603

Thomas Rowlandson

Hounds Hunting a Stag, 1784–88

Etching

16 × 25.2 cm

The Metropolitan Museum of Art

C24-451602

Thomas Rowlandson

Landscape with a Figure Herding Cattle Along a Road Beside a Cottage, a Hillside at Left, a Forest in the Valley Below at Right, 1784–88

Aquatint and soft-ground etching

27.7 × 37.8 cm

The Metropolitan Museum of Art

C24-458564