Registry catalogue
Thomas Rowlandson
All works
2,081 works in the Collect24 Registry
← Back to the Thomas Rowlandson artist pageShowing 49–96 of 2,081
Thomas Rowlandson
A Sale of English-Beauties in the East Indies, [May 10, 1811], reprint
Hand-colored etching
24.8 × 34.4 cm
The Metropolitan Museum of Art
C24-413285
Thomas Rowlandson
A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark, [May 5, 1810], reprint
Hand-colored etching
34.5 × 24.2 cm
The Metropolitan Museum of Art
C24-415712
Thomas Rowlandson
A Rough Sketch of the Times as Delineated by Sir Francis Burdett, [May 9, 1810], reissued 1819
Hand-colored etching; reissue
24.5 × 34.6 cm
The Metropolitan Museum of Art
C24-302816
Thomas Rowlandson
Grotesque Borders for Rooms & Halls, [November 20, 1800], reprint
Hand-colored etching; reprint
33.8 × 47.9 cm
The Metropolitan Museum of Art
C24-452604
Thomas Rowlandson
A Lady in Limbo, or Jew Bail Rejected, [November 30, 1785], reissued July 1, 1802
Hand-colored etching and stipple
24.5 × 34.7 cm
The Metropolitan Museum of Art
C24-455916
Thomas Rowlandson
Twopenny Cribbage, [October 1, 1799], reissued 1810
Hand-colored etching; reissue
27 × 35 cm
The Metropolitan Museum of Art
C24-458546
Thomas Rowlandson
Rural Sports, Smock Racing, [October 1, 1811], reprint
Hand-colored etching
24.5 × 34.4 cm
The Metropolitan Museum of Art
C24-412666
Thomas Rowlandson
Rural Sports, Smock Racing, [October 1, 1811], reprint
Hand-colored etching
24.7 × 35.1 cm
The Metropolitan Museum of Art
C24-412658
Thomas Rowlandson
The Jockey Club or Newmarket Meeting, [October 10, 1811], reprint
Hand-colored etching
24.7 × 35.3 cm
The Metropolitan Museum of Art
C24-412098
Thomas Rowlandson
Grotesque Borders for Rooms & Halls, [October 20, 1800], reprint
Hand-colored etching
33.6 × 47.2 cm
The Metropolitan Museum of Art
C24-418305
Thomas Rowlandson
Spit Fires, [October 25, 1810], reprint
Hand-colored etching
23.2 × 32.7 cm
The Metropolitan Museum of Art
C24-412655
Thomas Rowlandson
Grotesque Borders for Rooms & Halls, [October 29, 1800], reprint
Hand-colored etching
32.8 × 47.1 cm
The Metropolitan Museum of Art
C24-416007
![Thomas Rowlandson, [Col. Topham Endeavoring with his Squirt to Extinguish the Genius of Holman]](/api/public/thumb/e6f4f2f5-5384-4c50-bc7d-b247fd0cffbf.jpg)
Thomas Rowlandson
[Col. Topham Endeavoring with his Squirt to Extinguish the Genius of Holman], [October 5, 1785], reissued 1793
Etching
26.9 × 35 cm
The Metropolitan Museum of Art
C24-343615
Thomas Rowlandson
Ladies Trading on Their Own Bottom, [October 5, 1810], reprint
Hand-colored etching
21.1 × 25.3 cm
The Metropolitan Museum of Art
C24-412651
Thomas Rowlandson
A Barber's Shop, [published 1780] reissued ca. 1800
Etching and aquatint; later reissue
23.7 × 18.7 cm
The Metropolitan Museum of Art
C24-454456
Thomas Rowlandson
Life and Death of the Race Horse, [September 25, 1811], reprint
Etching
34.9 × 24.7 cm
The Metropolitan Museum of Art
C24-339105
Thomas Rowlandson
A Lump of Impertinence!, [September 30, 1809] reprint
Hand-colored etching
34.9 × 24.3 cm
The Metropolitan Museum of Art
C24-412675
Thomas Rowlandson
A Lump of Innocence, [September 30, 1809], reprint
Hand-colored etching
34.6 × 24.5 cm
The Metropolitan Museum of Art
C24-413628
Thomas Rowlandson
Every man has his Hobby-Horse, 1 May 1784
Victoria and Albert Museum
C24-545142
Thomas Rowlandson
Doctor Syntax at Covent Garden Theatre, 1 May 1812
Victoria and Albert Museum
C24-700153
Thomas Rowlandson
Drawing, 1756-1827
Drawing
Victoria and Albert Museum
C24-509709
Thomas Rowlandson
Drawing, 1756-1827
Drawing
Victoria and Albert Museum
C24-328884
Thomas Rowlandson
Sunday Evening, 1770–1780
Hand-colored etching
12.5 × 16 cm
The Metropolitan Museum of Art
C24-455660
Thomas Rowlandson
"The Social Day" from the "World of Miniature", 1775–1827
Graphite, with blind scoring, and on verso, graphite blacking for tracing
15.2 × 24.1 cm
The Metropolitan Museum of Art
C24-542500
Thomas Rowlandson
City View with Medieval Gate (perhaps York), 1775–1827
Pen and ink, brush and wash
11.4 × 18.4 cm
The Metropolitan Museum of Art
C24-524789
Thomas Rowlandson
Harbor scene, 1775–1827
Pen and ink
27.3 × 42.5 cm
The Metropolitan Museum of Art
C24-493271
Thomas Rowlandson
Harbor scene, 1775–1827
Pen and ink
27.3 × 42.5 cm
The Metropolitan Museum of Art
C24-493275
Thomas Rowlandson
Harbor scene with the tide out, and beached boats, 1775–1827
Watercolor, pen and ink
26.7 × 41.3 cm
The Metropolitan Museum of Art
C24-567987
Thomas Rowlandson
Herd of deer under an oak tree, 1775–1827
Pen and brush, red and gray watercolor
21.9 × 29.2 cm
The Metropolitan Museum of Art
C24-534024
Thomas Rowlandson
Lady Elliott, Commonly Called Dolly The Tall, 1775–1827
graphite, pen and brown ink, and watercolor, heightened with traces of white gouache
16.2 × 10.9 cm
Cleveland Museum of Art
C24-229330
Thomas Rowlandson
Landscape with Oxen and Felled Tree, 1775–1827
Graphite, pen and ink
28.9 × 46.2 cm
The Metropolitan Museum of Art
C24-567984
Thomas Rowlandson
Landscape with rushing stream and a couple on the bank, frightened by a snake, 1775–1827
Watercolor, pen and ink
33.7 × 45.7 cm
The Metropolitan Museum of Art
C24-570842
Thomas Rowlandson
The Inn at the Ford, 1775–1827
Watercolor
29.2 × 45.1 cm
The Metropolitan Museum of Art
C24-481314
Thomas Rowlandson
Woman Talking to a Seated Male Nude, 1775–1827
Pen and brown ink, brush and gray wash
20 × 15.6 cm
The Metropolitan Museum of Art
C24-534057
Thomas Rowlandson
Two Men Smoking and Drinking (Charles and Jack Bannister in Henry IV, Part I), 1778–83 (?)
Etching
10.8 × 14.8 cm
The Metropolitan Museum of Art
C24-403154
Thomas Rowlandson
A Young Woman (Heiress) Prepares to Sign a Document, 1780–1800
Hand-colored etching
17.5 × 25.2 cm
The Metropolitan Museum of Art
C24-433012
Thomas Rowlandson
The Connoisseur, 1780–1800
Watercolor, pen and ink, brush and wash
22.9 × 28.9 cm
The Metropolitan Museum of Art
C24-565041
Thomas Rowlandson
Downlands, Sussex, 1780–1827
Watercolor, pen and ink, brush and wash
17.1 × 26 cm
The Metropolitan Museum of Art
C24-568585
Thomas Rowlandson
Farming scene, 1780–1827
Watercolor, graphite, pen and ink
15.2 × 25.9 cm
The Metropolitan Museum of Art
C24-502284
Thomas Rowlandson
Going to Ivy Bridge, 1780–1827
Watercolor
11.8 × 20.1 cm
The Metropolitan Museum of Art
C24-481259
Thomas Rowlandson
Hilly landscape with rocks, 1780–1827
Pen and ink, brush and wash
14 × 21.6 cm
The Metropolitan Museum of Art
C24-519526
Thomas Rowlandson
Landscape, 1780–1827
Watercolor, graphite, pen and ink
17.2 × 26.9 cm
The Metropolitan Museum of Art
C24-502300
Thomas Rowlandson
Migrants, 1780–1827
Watercolor
14.5 × 23.8 cm
The Metropolitan Museum of Art
C24-480802
Thomas Rowlandson
Nude Couple Embracing, 1780–1827
Watercolor
21.8 × 17.3 cm
The Metropolitan Museum of Art
C24-481307
Thomas Rowlandson
Nude Couple Embracing, 1780–1827
Watercolor
23 × 18.6 cm
The Metropolitan Museum of Art
C24-483845
Thomas Rowlandson
St. Austle, Cornwall, 1780–1827
Watercolor, graphite, pen and ink
14.9 × 24 cm
The Metropolitan Museum of Art
C24-502292
Thomas Rowlandson
Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi), 1780–1827
Watercolor
22.1 × 17.6 cm
The Metropolitan Museum of Art
C24-483851
Thomas Rowlandson
Street Scene: Vendor of Brushes, 1780–1827
Watercolor
12.6 × 8.8 cm
The Metropolitan Museum of Art
C24-483855