Registry catalogue
Stefano della Bella
All works
1,266 works in the Collect24 Registry
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Stefano della Bella
A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the port of Livorno' (Vues du port de Livourne), 1655
Etching; second state of two
23.7 × 36.2 cm
The Metropolitan Museum of Art
C24-432837
Stefano della Bella
Frontispiece for "Il Nino Figlio", 1655
Etching
The Metropolitan Museum of Art
C24-453880
Stefano della Bella
Port of Livorno with Statue of Ferdinand I, from 'Views of the port of Livorno' (Vues du port de Livourne), 1655
Etching; first state of two
25.7 × 37.2 cm
The Metropolitan Museum of Art
C24-429319

Stefano della Bella
View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne), 1655
Etching; first state of two
23.5 × 34.5 cm
The Metropolitan Museum of Art
C24-431605
Stefano della Bella
Vues du port de Livourne, 1655
Victoria and Albert Museum
C24-582470
Stefano della Bella
Arch of Constantine and Colosseum with sheep grazing in foreground, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine), 1656
Etching; second state
32 × 26.9 cm
The Metropolitan Museum of Art
C24-419996
Stefano della Bella
Frontispiece for "The Fall of Longobardi" (La Caduta de' Longobardi), 1656
Etching
11.5 × 7 cm
The Metropolitan Museum of Art
C24-350476
Stefano della Bella
Galileo and personifications of Astronomy, Perspective and Mathematics, frontispiece for 'Opere di Galileo Galilei', 1656
Etching
21.1 × 15.3 cm
The Metropolitan Museum of Art
C24-390829
Stefano della Bella
Landscape with Two Peasants, One Riding a Horse, from "Landscapes and seaports" (Paysages et ports de mer, dans des ronds), 1656
Etching; second state of two
13.1 × 13.1 cm
The Metropolitan Museum of Art
C24-429563

Stefano della Bella
Portrait of the Poet Sigismond Boldoni, 1656
Etching
11.9 × 7.1 cm
The Metropolitan Museum of Art
C24-370742
Stefano della Bella
Satyr family, from 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds), 1656
Etching; second state of two
13.6 × 13.3 cm
The Metropolitan Museum of Art
C24-430791
Stefano della Bella
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de …, 1656
Etching; second state of two
30.2 × 27.9 cm
The Metropolitan Museum of Art
C24-433393
Stefano della Bella
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de …, 1656
Etching; second state of two
31.1 × 28 cm
The Metropolitan Museum of Art
C24-433399

Stefano della Bella
The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine), 1656
Etching
32.8 × 29.4 cm
The Metropolitan Museum of Art
C24-401472
Stefano della Bella
The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the vase, cyprus trees and an obelisk to left in the background, from "Six large views, four of Rome, and tw…, 1656
Etching; second state of two
28.6 × 27 cm
The Metropolitan Museum of Art
C24-346149
Stefano della Bella
The Medici vase, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine), 1656
Etching
31.1 × 27.7 cm
The Metropolitan Museum of Art
C24-431942

Stefano della Bella
The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656
Etching and engraving on ivory laid paper
30.3 × 27.2 cm
Art Institute of Chicago
C24-1119951

Stefano della Bella
The Temple of Vespasian and the Roman Forum, from "Six large views, four of Rome, and two of the Roman countryside" (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine), 1656
Etching; second state of two
30.5 × 27.5 cm
The Metropolitan Museum of Art
C24-341886
Stefano della Bella
Two Turkish Merchants in a Port, from "Landscapes and seaports" (Paysages et ports de mer, dans des ronds), 1656
Etching; second state of two
14 × 14.1 cm
The Metropolitan Museum of Art
C24-429562
Stefano della Bella
Young Satyr About to Bathe in a River, from "Landscapes and seaports" (Paysages et ports de mer, dans des ronds), 1656
Etching; second state of two
14.3 × 13.5 cm
The Metropolitan Museum of Art
C24-431771

Stefano della Bella
South Facade of the Villa and the Great Meadow, from Views of the Villa Pratolino, 1658
Etching on cream laid paper
24 × 37.6 cm
Art Institute of Chicago
C24-1119958
Stefano della Bella
Cosimo de Medici, Prince of Tuscany, and His Wife, Marguerite Louise d'Orleans, 1661
Etching
13.6 × 13.8 cm
The Metropolitan Museum of Art
C24-387623

Stefano della Bella
Entry of the Prince of Tuscany as Hercules, from "Il mondo festeggiante", 1661
Etching
29.4 × 44.3 cm
The Metropolitan Museum of Art
C24-430273
Stefano della Bella
Il Mondo Festeggiante: Entrance of Cosimo III de' Medici, 1661
Etching
The Metropolitan Museum of Art
C24-372095

Stefano della Bella
Portrait of Cosimo de' Medici and Marguerite Louise d'Orleans, His Wife, 1661
Etching
13.5 × 13.5 cm
The Metropolitan Museum of Art
C24-382064
Stefano della Bella
The Prince of Tuscany and his chariots arranged around Mount Atlas in center, from "Il mondo festeggiante", 1661
Etching
29.8 × 44.7 cm
The Metropolitan Museum of Art
C24-431943
![Stefano Della Bella, Le Soldat effrayé et l'homme au bonnet de fourrure [d'après un autoportrait de Rembrandt]. (A. de Vesme 483 ; Dutuit 145)](https://www.parismuseescollections.paris.fr/sites/default/files/atoms/images/PPA/aze_pp-gdut03120_001.jpg)
Stefano Della Bella
Le Soldat effrayé et l'homme au bonnet de fourrure [d'après un autoportrait de Rembrandt]. (A. de Vesme 483 ; Dutuit 145), 17e siècle
Eau-forte
Petit Palais
C24-1230197

Stefano Della Bella
Second recueil de divers griffonnements et preuves d'eau forte. Portrait en profil. Vingt-neuvième numéro d'une suite de 47 pièces. (A. de Vesme 440 ; Dutuit 122), 17e siècle
Eau-forte
Petit Palais
C24-943649
Stefano della Bella
A young sailor and an old man sitting by the sea, 17th century
Etching; first state of two
10.3 × 18.1 cm
The Metropolitan Museum of Art
C24-429573
Stefano della Bella
Cartouche for Le Pont Neuf, 17th century
Pen and brown ink with black chalk
9.7 × 9.6 cm
The Metropolitan Museum of Art
C24-582642

Stefano della Bella
Drawing, 17th century
Drawing
Victoria and Albert Museum
C24-710380

Stefano della Bella
Head, from the Kinnaird Sketchbook, 17th century
Black chalk with touches of pen and brown ink
12.5 × 8.4 cm
The Metropolitan Museum of Art
C24-582643
Stefano della Bella
Landscape, 17th century
Pen and brown ink
5.3 × 11.9 cm
The Metropolitan Museum of Art
C24-502219
Stefano della Bella
Ornament with Armor and Horses' Heads, 17th century
Pen and brown ink
17.2 × 7.7 cm
The Metropolitan Museum of Art
C24-524274
Stefano della Bella
Studies of Boats, 17th century
Pen and brown ink with black chalk
9.2 × 14.2 cm
The Metropolitan Museum of Art
C24-578422
Stefano della Bella
Two Figures on Horseback, a Soldier Walking Behind, 17th century
Pen and brown ink, over red chalk (recto); pen and brown ink, over black chalk (verso)
25.2 × 18.6 cm
The Metropolitan Museum of Art
C24-610627
Stefano della Bella
Design for an Ewer, about 1629
Pen and ink and blue wash
35.9 × 25.7 cm
J. Paul Getty Museum
C24-201305

Stefano Della Bella
Detail of Martyrdom of Saint John the Evangelist, after Callot, after 1634?
pen and brown ink with brush and brown wash over black chalk (upper portion of soldier's armor)
12.8 × 18.6 cm
Cleveland Museum of Art
C24-1104293
Stefano della Bella
Bust of a Pole, from "Drawing Basics" (I principii del disegno), after 1641
Etching, reverse copy
10.3 × 9.4 cm
The Metropolitan Museum of Art
C24-1131787
Stefano della Bella
Plate 4: a deer hunt, two horsemen galloping towards the rightbehind three dogs and a deer, a group of trees to left, from "Various Figures" (Agréable diversité de figures), after 1642
Etching
7 × 10.6 cm
The Metropolitan Museum of Art
C24-396501
stefano della bella
Racccolta di varii cappriccii et nove inventioni di cartelle et ornamenti, After 1646
Victoria and Albert Museum
C24-687273
Stefano della Bella
Racccolta di varii cappriccii et nove inventioni di cartelle et ornamenti, After 1646
Victoria and Albert Museum
C24-687276
Stefano della Bella
Nouvelles inventions de Cartouches, After 1647
Victoria and Albert Museum
C24-656794
Stefano della Bella
Print, c. 1637
Victoria and Albert Museum
C24-266131

Stefano della Bella
Print, c. 1637
Victoria and Albert Museum
C24-266129
Stefano della Bella
Print, c. 1637
Victoria and Albert Museum
C24-266135
Stefano della Bella
Print, c. 1637
Victoria and Albert Museum
C24-266132

Stefano Della Bella
Peace and War: Cavalry Skirmish, c. 1641
etching
Cleveland Museum of Art
C24-245591

