Registry catalogue

Paul Gauguin

All works

286 works in the Collect24 Registry — 1848–1903 · French

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Showing 241–286 of 286

Paul Gauguin

Bust of a Nude Woman and Three-Quarter Figure of a Man with a White Cap in Profile, Third Small Figure at Far Right, headpiece for Le sourire, 1899/1900

Wood-block print in black ink on cream wove paper

10.3 × 18.2 cm

Art Institute of Chicago

C24-1111907

Paul Gauguin

Tahitian Woman, headpiece for Le sourire, 1899/1900

Wood-block print in black ink on thin ivory laid Japanese paper

10.4 × 18.7 cm

Art Institute of Chicago

C24-1111509

Paul Gauguin

Tahitians, Flowers, and Leaves, headpiece for Le sourire, 1899/1900

Wood-block print in black ink on cream wove paper

10.4 × 18.3 cm

Art Institute of Chicago

C24-1139987

Paul Gauguin

Tahitians, Flowers, and Leaves, headpiece for Le sourire, 1899/1900

Wood-block print in black ink on thin ivory laid Japanese paper

Art Institute of Chicago

C24-1139983

Paul Gauguin

Man Carrying Bananas Followed by Two Horses, headpiece for Le sourire, 1900

Wood-block print printed twice in black ink on cream wove paper (an imitation Japanese vellum) (recto); wood-block print in black ink over orange ink tone block, on cream wove paper (an imitation Japanese vellum) (verso)

10.3 × 14.9 cm

Art Institute of Chicago

C24-1114804

Paul Gauguin

Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina, 1900/03

Watercolor and gouache, with touches of pen and black ink, over traces of graphite, on cream Japanese paper (pieced), laid down on cream wove paper

20.8 × 41.7 cm

Art Institute of Chicago

C24-191645

Paul Gauguin

Polynesian Woman with Children, 1901

Oil on linen canvas

97 × 74 cm

Art Institute of Chicago

C24-105157

Paul Gauguin

Two Women, 1901 or 1902

Oil on canvas

73.7 × 92.1 cm

The Metropolitan Museum of Art

C24-104505

Paul Gauguin

The Call, 1902

oil on canvas

131.3 × 89.5 cm

Cleveland Museum of Art

C24-109024

Paul Gauguin

The Invocation, 1903

oil on canvas

65.5 × 75.6 cm

National Gallery of Art

C24-102338

Paul Gauguin

Christ on the Cross, 1926

Rubbing on Japan paper

52.1 × 26 cm

The Metropolitan Museum of Art

C24-449354

Paul Gauguin

Head of a Tahitian Woman, about 1892

Charcoal

41.9 × 31.1 cm

J. Paul Getty Museum

C24-199764

Paul Gauguin

Eve ['The Nightmare'] (recto); Eve ['The Nightmare'] (verso), about 1899–1900

Black printer's ink, ochre ink, and liquid solvent (recto); graphite and blue crayon pencil with traces of a diluted oil medium (verso), on wove paper

64.2 × 48.9 cm

J. Paul Getty Museum

C24-196829

Paul Gauguin

Christ on the Cross, after 1895

Rubbing in black and red ink, on ivory wove Japanese paper

53.6 × 26.2 cm

Art Institute of Chicago

C24-885213

Paul Gauguin

Spirit of the Dead Watching (Manao Tupapau), from "L'Estampe Originale", April–June 1894

Zincograph

18.3 × 27.2 cm

The Metropolitan Museum of Art

C24-319287

Paul Gauguin

Emil Gauguin as a Child, c. 1875–1876

black crayon

9.8 × 7.1 cm

Cleveland Museum of Art

C24-214400

Paul Gauguin

Emil Gauguin as a Child, Head on a Pillow, c. 1875–1876

black crayon

10.1 × 7.9 cm

Cleveland Museum of Art

C24-214448

Paul Gauguin

Emil Gauguin as a Child, Right Hand Forward, c. 1875–1876

black crayon

9.8 × 7.1 cm

Cleveland Museum of Art

C24-214397

Paul Gauguin

Emil Gauguin as a Child, Wearing a Collared Shirt, c. 1875–1876

black crayon

9.9 × 7.1 cm

Cleveland Museum of Art

C24-214457

Paul Gauguin

Dramas of the Sea, c. 1889

lithograph

Cleveland Museum of Art

C24-273022

Paul Gauguin

The Yellow Christ (recto), Female Bather Wading through a Brook, c. 1889

Salted paper print (extremely faded) toned with watercolor, on cream wove silver printing-out paper, laid down on cream card (recto); albumen print laid down on cream card (verso)

Art Institute of Chicago

C24-190072

Paul Gauguin

Two Tahitian Women in a Landscape, c. 1892

Monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream Japanese paper, laid down on tan wove paper (partially removed)

32.2 × 23.8 cm

Art Institute of Chicago

C24-190675

Paul Gauguin

Study of Tahitian Heads, c. 1898

Watercolor and pastel monotype from a paper matrix, with pastel, on cream Japanese paper, laid down on cream 4-ply mat board

Art Institute of Chicago

C24-1122141

Paul Gauguin

Be in Love and You Will Be Happy, c. 1898–99

woodcut

Cleveland Museum of Art

C24-251030

Paul Gauguin

The Black Rocks, c. 1898–99

lithograph

Cleveland Museum of Art

C24-1111817

Paul Gauguin

Still Life with Cat, c. 1899

Watercolor on cream laid paper, laid down on cream Japanese paper

63.5 × 36.1 cm

Art Institute of Chicago

C24-190088

Paul Gauguin

Woman with a Cat, c. 1900

Transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper

46.5 × 61.5 cm

Art Institute of Chicago

C24-883638

Paul Gauguin

Nativity (Mother and Child Surrounded by Five Figures), c. 1902

Transfer drawing in brown and black ink (recto) and graphite and red chalk (verso) on cream wove paper trimmed and perimeter mounted on cream laid paper

24.4 × 22.1 cm

Art Institute of Chicago

C24-883813

Paul Gauguin

Seated Female (related to the painting Sister of Charity), c. 1902

Transfer drawing in black ink on ivory wove paper

14.1 × 21.9 cm

Art Institute of Chicago

C24-195727

Paul Gauguin

Emile Gauguin (1874–1955), the artist's son, ca. 1877–78

Marble

43 × 23.2 × 20 cm

The Metropolitan Museum of Art

C24-204797

Paul Gauguin

Walking stick with a female nude and a Breton sabot on the handle, ca. 1888–90

Boxwood, mother-of-pearl [Pinctada margaritifera (black-lip pearl oyster)], glass, and iron

92.7 × 5.2 × 4.3 cm

The Metropolitan Museum of Art

C24-198892

Paul Gauguin

The Siesta, ca. 1892–94

Oil on canvas

88.9 × 116.2 cm

The Metropolitan Museum of Art

C24-103867

Paul Gauguin

Hail Mary (Ia Orana Maria), ca. 1893–95

Fabricated charcoal, red chalk, and white pastel on formerly blue wove paper, mounted on millboard with strips of rose-colored wove paper along two edges

59.7 × 37.5 cm

The Metropolitan Museum of Art

C24-546258