Paul Gauguin

Paul Gauguin

The Universe is Created (L'Univers est créé), from Fragrance (Noa Noa), 1893–94

Woodcut on china paper

20.3 × 35.4 cm

The Metropolitan Museum of Art

C24-404145

Paul Gauguin

Volpini Suite: Women Washing Clothes (verso), 1893–94

zincograph on yellow paper

20.5 × 32.1 cm

Cleveland Museum of Art

C24-190178

Paul Gauguin

Noa Noa, 1893–94, printed 1921

Woodcut on China paper

35.6 × 20.5 cm

The Metropolitan Museum of Art

C24-213742

Paul Gauguin

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893–94, printed and published 1921

Wood-block print in black ink on grayish-ivory China paper

Art Institute of Chicago

C24-885438

Paul Gauguin

Noa Noa (Fragrant), from the Noa Noa Suite, 1893–94, printed and published 1921

Wood-block print in black ink on grayish-ivory China paper

35.5 × 20.5 cm

Art Institute of Chicago

C24-205952

Paul Gauguin

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/1894

End-grain boxwood block, with a commercially prepared gray ground, selectively inked in black printing ink

20.4 × 35.3 × 2.3 cm

Art Institute of Chicago

C24-203688

Paul Gauguin

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893/94

Wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist)

20.4 × 35.4 cm

Art Institute of Chicago

C24-884672

Paul Gauguin

Man with an Ax, 1893/94

Pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper

35.1 × 25.1 cm

Art Institute of Chicago

C24-1113709

Paul Gauguin

Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94

Wood-block print in black, with a transferred twill impression, on tan wove paper

35.4 × 20.1 cm

Art Institute of Chicago

C24-197555

Paul Gauguin

Pape moe, 1893/94

Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper

35.4 × 25.5 cm

Art Institute of Chicago

C24-192368

Paul Gauguin

Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893/94

Brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper

34.2 × 24.8 cm

Art Institute of Chicago

C24-884947

Paul Gauguin

Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893/94, printed 1921

Wood-block print in black ink on grayish-ivory China paper

35.5 × 20.5 cm

Art Institute of Chicago

C24-206747

Paul Gauguin

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, printed 1941/42

Wood-block print, printed in black ink on cream wove paper

20.3 × 35.2 cm

Art Institute of Chicago

C24-198280

Paul Gauguin

A Fisherman Drinking Beside His Canoe, 1894

Wood-block print, printed twice in brown and black ink, on cream wove Japanese paper laid down on cream wove Japanese paper

20.5 × 13.8 cm

Art Institute of Chicago

C24-195437

Paul Gauguin

Aha oe feii? (What! Are You Jealous?), 1894

Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum)

19.5 × 23.2 cm

Art Institute of Chicago

C24-190686

Paul Gauguin

Bust of a Tahitian Woman, 1894

Watercolor monotype on ivory Japanese paper, discolored to tan, laid down on tan wove paper

24.2 × 20 cm

Art Institute of Chicago

C24-192963

Paul Gauguin

Flowers and a Bowl of Fruit on a Table, 1894

43.2 × 62.9 cm

Museum of Fine Arts Boston

C24-452843

Paul Gauguin

Mahana no atua (Day of the God), 1894

Oil on linen canvas

68 × 91 cm

Art Institute of Chicago

C24-104470

Paul Gauguin

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1894

Wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation Japanese vellum)

20.5 × 35.5 cm

Art Institute of Chicago

C24-207268

Paul Gauguin

Oviri, 1894

Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange w…

20.5 × 11.9 cm

Art Institute of Chicago

C24-195355

Paul Gauguin

Sacred Spring: Sweet Dreams (Nave nave moe), 1894

oil paint

74 × 100 cm

Hermitage Museum

C24-412179

Paul Gauguin

Tahitian Girl in a Pink Pareu, 1894

Watercolor monotype from a paper matrix on cream laid paper

29.9 × 19.8 cm

Art Institute of Chicago

C24-193565

Paul Gauguin

Tahitian Landscape, 1894

Watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory Japanese paper

21.7 × 24.7 cm

Art Institute of Chicago

C24-191575

Paul Gauguin

Te atua (The God), from the Noa Noa Suite, 1894

Wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation Japanese vellum)

20.6 × 35.7 cm

Art Institute of Chicago

C24-193974

Paul Gauguin

Two Standing Tahitian Women, 1894

Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid down on cream wove paper (an imitation Japanese vellum)

26 × 19.9 cm

Art Institute of Chicago

C24-192333

Paul Gauguin

Woman with Figs, 1894

Etching, lavis, and soft-ground etching on zinc, printed in green ink

26.7 × 44.3 cm

The Metropolitan Museum of Art

C24-326261

Paul Gauguin

Fragrance (Noa Noa), small block, 1894–95

Woodcut printed in color on Japanese paper

15.1 × 11.7 cm

The Metropolitan Museum of Art

C24-323679

Paul Gauguin

la Orana Maria, 1894–95

Zincograph

25.7 × 17.8 cm

The Metropolitan Museum of Art

C24-320398

Paul Gauguin

The Day of God, 1894–95

Woodcut on china paper; edition in black ink on china paper

18.3 × 20.3 cm

The Metropolitan Museum of Art

C24-280697

Paul Gauguin

The Woman with Figs, 1894, printed 1899

Etching and soft-ground with open bite and selective wiping, printed in green-black ink

26.7 × 44 cm

Cleveland Museum of Art

C24-192856

Paul Gauguin

The Woman with Figs, 1894, printed 1899

Etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove Japanese paper (a proofing paper)

26.9 × 44.5 cm

Art Institute of Chicago

C24-203594

Paul Gauguin

Woman with Figs, 1894, printed ca. 1963

Etching

37.5 × 51.8 cm

The Metropolitan Museum of Art

C24-213584

Paul Gauguin

Seated Tahitian Youth, 1894/1903

Watercolor and graphite on irregularly shaped cream wove Japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper

Art Institute of Chicago

C24-190764

Paul Gauguin

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), 1894/95

Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper

16.9 × 12.1 cm

Art Institute of Chicago

C24-204241

Paul Gauguin

Maori Woman in the Forest, 1894/95

Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper

22.1 × 13.1 cm

Art Institute of Chicago

C24-1111354

Paul Gauguin

Enlèvement d'Europe, 1895-1903

20.5 × 19.9 cm

SMK – National Gallery of Denmark

C24-602680

Paul Gauguin

Éve, 1895-1903

28.7 × 21.5 cm

SMK – National Gallery of Denmark

C24-602674

Paul Gauguin

Le Sourire, 1895-1903

9.5 × 19.1 cm

SMK – National Gallery of Denmark

C24-602686

Paul Gauguin

Planche au diable cornu, 1895-1903

15.1 × 31.5 cm

SMK – National Gallery of Denmark

C24-602682

Paul Gauguin

Soyez amoureuses et vous serez heureuses, 1895-1903

16.2 × 27.5 cm

SMK – National Gallery of Denmark

C24-602676

Paul Gauguin

Te Atua (Les Dieux), 1895-1903

23.3 × 19.9 cm

SMK – National Gallery of Denmark

C24-602678

Paul Gauguin

Woman Picking Fruit and Oviri, 1895/96

Wood-block print in black ink on thin ivory Japanese paper, tipped on ivory wove paper, laid down on off-white wove plate paper with decorative plate marks

10.5 × 9 cm

Art Institute of Chicago

C24-207313

Paul Gauguin

Woman Picking Fruit and Oviri, 1895/96

Wood-block print in black ink on thin ivory Japanese paper, laid down on thin ivory Japanese paper (a modern mount)

10.5 × 9 cm

Art Institute of Chicago

C24-1111504

Paul Gauguin

A Vase of Flowers, 1896

oil paint

64 × 74 cm

National Gallery

C24-353800

Paul Gauguin

Be Be (The Nativity), 1896

oil paint

67 × 76.5 cm

Hermitage Museum

C24-420699

Paul Gauguin

No te aha oe riri (Why Are You Angry?), 1896

Oil on jute canvas

95.3 × 130.6 cm

Art Institute of Chicago

C24-105109

Paul Gauguin

Still Life with Teapot and Fruit, 1896

Oil on canvas

47.6 × 66 cm

The Metropolitan Museum of Art

C24-103839

Paul Gauguin

Te tamari no atua, 1896

oil paint

96 × 131.1 cm

Bavarian State Painting Collections

C24-185752