Portrait of Leonardo da Vinci

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Artist in the Global Art Registry

Leonardo da Vinci

1452–1519 · Republic of Florence

Born
1452 · Anchiano
Died
1519 · Clos Lucé

19 works in the Collect24 Registry

Every work carries a permanent Collect24 Art ID, the way a book has an ISBN.

Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While famed for painting, his notebooks also show drawings and notes on subjects like anatomy, astronomy, and botany.

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Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded as a genius who epitomised the Renaissance humanist ideal, and his collective works contributed to the development of European art to an extent rivalled only by that of his younger contemporary Michelangelo. Born out of wedlock to a successful notary and a lower-class woman in, or near, Vinci, he was educated in Florence by the Italian painter and sculptor Andrea del Verrocchio. He began his career in the city, but then spent much time in the service of Ludovico Sforza in Milan. Later, he worked in Florence and Milan again, as well as briefly in Rome, all while attracting a large following of imitators and students. Upon the invitation of Francis I, he spent his last three years in France, where he died in 1519. Since his death, there has not been a time when his achievements, diverse interests, personal life, and empirical thinking have failed to incite interest and admiration, making him a frequent namesake and subject in culture. Leonardo is identified as one of the greatest painters in the history of Western art and is often credited as the founder of the High Renaissance. Despite having many lost works and fewer than 25 attributed major works – including numerous unfinished works – he created some of the most influential paintings in the Western canon. The Mona Lisa is his best known work and is regarded as the world's most famous individual painting. The Last Supper is the most reproduced religious painting of all time and his Vitruvian Man drawing is also regarded as a cultural icon. In 2017, Salvator Mundi, attributed in whole or part to Leonardo, was sold at auction for US$450.3 million, setting a new record for the most expensive painting ever sold at public auction. Revered for his technological ingenuity, he conceptualised flying machines, a type of armoured fighting vehicle, concentrated solar power, a ratio machine that could be used in an adding machine, and the double hull. Relatively few of his designs were constructed or were even feasible during his lifetime, as the modern scientific approaches to metallurgy and engineering were only in their infancy during the Renaissance. Some of his smaller inventions, however, entered the world of manufacturing unheralded, such as an automated bobbin winder and a machine for testing the tensile strength of wire. He made substantial discoveries in anatomy, civil engineering, hydrodynamics, geology, optics, and tribology, but he did not publish his findings and they had little to no direct influence on subsequent science.

Biography source: Wikipedia · CC BY-SA 4.0

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19

Registered works

19

In museum collections

0

In gallery collections

0

In private collections

Featured works

Selected registered works by Leonardo da Vinci

Selected from 19 works by Leonardo da Vinci in the Collect24 Registry.

Leonardo da Vinci, Caricature of a Man with Bushy Hair

Leonardo da Vinci

Caricature of a Man with Bushy Hair, about 1495

Pen and brown ink

6.6 × 5.4 cm

J. Paul Getty Museum

C24-215969

Leonardo da Vinci, Studies for the Christ Child with a Lamb (recto); Head of an Old Man, and Studies of Machinery (verso)

Leonardo da Vinci

Studies for the Christ Child with a Lamb (recto); Head of an Old Man, and Studies of Machinery (verso), about 1503–1506

Black chalk, pen and brown ink

21 × 14.1 cm

J. Paul Getty Museum

C24-201942

Leonardo da Vinci, Uffizien, Florenz / Kloster San Marco, Florenz: Uffizien: Ausschnitt Engel aus dem Gemälde der Taufe Christi von Leonardo und Verrocchio, Kloster San Marco (Museum), Nachzeichnung nach Fra Angelico

Leonardo da Vinci

Uffizien, Florenz / Kloster San Marco, Florenz: Uffizien: Ausschnitt Engel aus dem Gemälde der Taufe Christi von Leonardo und Verrocchio, Kloster San Marco (Museum), Nachzeichnung nach Fra Angelico, 1888

Foto auf Papier auf Karton

Architekturmuseum der Technischen Universität Berlin

C24-195579

Leonardo da Vinci, The Head of a Grotesque Man in Profile Facing Right

Leonardo da Vinci

The Head of a Grotesque Man in Profile Facing Right, after 1500

Pen and brown ink, on off-white paper (now darkened)

9.2 × 5.4 cm

The Metropolitan Museum of Art

C24-472203

Leonardo da Vinci, Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)

Leonardo da Vinci

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), 1480–85

Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)

19.3 × 16.2 cm

The Metropolitan Museum of Art

C24-465427

Leonardo da Vinci, A Bear Walking

Leonardo da Vinci

A Bear Walking, ca. 1482–85

silverpoint on light buff prepared paper

10.3 × 13.3 cm

The Metropolitan Museum of Art

C24-465207

Leonardo da Vinci, The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci

The Head of the Virgin in Three-Quarter View Facing Right, 1510–13

Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)

20.3 × 15.6 cm

The Metropolitan Museum of Art

C24-464946

Leonardo da Vinci, Head of a Man in Profile Facing to the Left

Leonardo da Vinci

Head of a Man in Profile Facing to the Left, 1490–94

Pen and brown ink, over soft black chalk

11.7 × 5.2 cm

The Metropolitan Museum of Art

C24-556830

Leonardo da Vinci, Højre halvdel af Leonardos Den Sidste Nadver

Leonardo da Vinci

Højre halvdel af Leonardos Den Sidste Nadver, 1550-1650

Pen, brunt blæk og brun lavering på lysebrunt papir

20.1 × 15.8 cm

SMK – National Gallery of Denmark

C24-233574

Leonardo da Vinci, Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum"

Leonardo da Vinci

Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", 1786

Aquatint and etching

20 × 16 cm

The Metropolitan Museum of Art

C24-478558

Leonardo da Vinci, Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Leonardo da Vinci

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), 1496

Pen and brown ink (recto and verso)

20.2 × 13.3 cm

The Metropolitan Museum of Art

C24-465198

Leonardo da Vinci, Madonna i klippegrotten

Leonardo da Vinci

Madonna i klippegrotten, 1601-1700

Olie på lærred

154.1 × 124 cm

SMK – National Gallery of Denmark

C24-110298

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Museums and collections

Where works by Leonardo da Vinci are registered

Registry catalogue

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