Leonaert Bramer

Leonaert Bramer

Aeneas and Anchises, 1611–74

Brush and gray wash, heightened with white bodycolor; framing lines in brush and gray wash with white bodycolor

21 × 30 cm

The Metropolitan Museum of Art

C24-548082

Leonaert Bramer

Jael and Sisera, 1611–74

Brush and grey wash, heightened with white bodycolor; framing lines in brush and gray wash and white bodycolor

21 × 30 cm

The Metropolitan Museum of Art

C24-548530

Leonaert Bramer

King Midas, 1611–74

Brush and gray wash, heightened with white bodycolor; framing lines in brush and gray wash with white bodycolor

21 × 30 cm

The Metropolitan Museum of Art

C24-548087

Leonaert Bramer

Night scene with soldiers chasing a fugitive (Mark XIV, 5-52), 1611–74

Brush and gray ink, white gouache

34.6 × 27.9 cm

The Metropolitan Museum of Art

C24-529355

Leonaert Bramer

St. Peter Recognized by a Servant Girl, 1611–74

Brush and gray ink, gray wash, heightened with white, on blue paper

20.9 × 15.7 cm

The Metropolitan Museum of Art

C24-574865

Leonaert Bramer

The Circumcision, 1611–74

Point of brush and gray wash, watercolor, over slight indications in black chalk

30.3 × 36.1 cm

The Metropolitan Museum of Art

C24-539300

Leonaert Bramer

Abraham Entertaining the Three Angels, 1620–28

Brush and gray wash, heightened with white bodycolor, on blue paper; framing lines in brush and gray wash and white bodycolor

21 × 30 cm

The Metropolitan Museum of Art

C24-487357

Leonaert Bramer

Ceiling Design with Figures along a Lozenge-Shaped Balustrade (recto); Alternative Design with Groups of Figures along a Lozenge-Shaped Window (verso), 1628–74

Brush and gray and black ink, with gray wash; verso: brush and gray and some black ink, with gray wash on yellow prepared paper

17.6 × 23.5 cm

The Metropolitan Museum of Art

C24-612531

Leonaert Bramer

The Adoration of the Magi, 1630

oil paint

43 × 53 cm

Detroit Institute of Arts

C24-461882

Leonaert Bramer

Dying Vision of Mary Magdalene, 1633

oil paint

74 × 59 cm

Hermitage Museum

C24-415930

Leonaert Bramer

Betrayal of Christ, 1637

Brush and black ink, gray and black wash, with black chalk and some body color on prepared gray paper, laid down on another sheet

20.3 × 27.3 cm

The Metropolitan Museum of Art

C24-552726

Leonaert Bramer

Adoration of the Magi, 1639

oil paint

46.5 × 54.5 cm

Hermitage Museum

C24-416643

Leonaert Bramer

Abraham and the Three Angels, 1640

oil paint

47 × 74 cm

Museo del Prado

C24-384392

Leonaert Bramer

Allegory of Transitoriness, 1640

oakwood

81.3 × 62 cm

Kunsthistorisches Museum

C24-437098

Leonaert Bramer

The Magi Going to Bethelehem, 1640

oil paint

79 × 107 cm

New York Historical

C24-464569

Leonaert Bramer

The Judgment of Solomon, 1640s

Oil on wood

79.1 × 102.9 cm

The Metropolitan Museum of Art

C24-114048

Leonaert Bramer

St Peter's Denial, 1642

canvas

126.5 × 141.3 cm

Rijksmuseum

C24-111294

Leonaert Bramer

Eulenspiegel zeigt dem Landgrafen sein flandrisches Gemälde, aus: "Geschichte des Till Eulenspiegel", 1646

Pinsel in Schwarz, braun laviert, mit Deckweiß gehöht

Kunsthalle Bremen

C24-188173

Leonaert Bramer

Skizze (Fragment), recto aus: "Geschichte des Till Eulenspiegel", 1646

Pinsel in Schwarz

Kunsthalle Bremen

C24-318444

Leonaert Bramer

Allegory of Vanity (Vanitas), 1650

oil paint

800 × 613 cm

Kunsthistorisches Museum

C24-437095

Leonaert Bramer

Pashur Smiting Jeremiah in the Temple, c. 1648

panel

46.6 × 62.8 cm

Rijksmuseum

C24-111293

Leonaert Bramer

Preparation for Sacrifice, early to mid-17th century

Graphite on vellum

20.8 × 24.4 cm

The Metropolitan Museum of Art

C24-492129

Leonaert Bramer

A Design for a Ceiling Decoration with Figures Looking down from a Pillared Gallery (recto); Figure Sketches (verso), mid 17th Century

Black chalk, pen and brown ink, brush and gray ink, with gray wash and some red chalk; verso: red chalk

19.7 × 29.2 cm

The Metropolitan Museum of Art

C24-612534

Leonaert Bramer

Men on a Balcony (recto); Old Man Pointing to a Book Held by a Boy (verso), mid 17th Century

Pen and brown ink, brush and gray and black ink, with gray wash, over traces of black chalk; double framing lines in brown ink on lower, left and upper edges; verso: brush and black ink

19.3 × 28.6 cm

The Metropolitan Museum of Art

C24-613131

Leonaert Bramer

A Quartet of Singers, Lute players, and Bell Ringers Playing in a Tavern by Candlelight, mid to late 17th century

Brush drawing in gray ink, heightened with white bodycolor; framing lines in brush and gray ink with white bodycolor

21 × 30 cm

The Metropolitan Museum of Art

C24-472784