Registry catalogue
James McNeill Whistler
All works
1,039 works in the Collect24 Registry — 1834–1903 · American
← Back to the James McNeill Whistler artist pageShowing 913–960 of 1,039
James McNeill Whistler
Little London Model, 1896
Transfer lithograph with stumping; only state (Chicago); printed in black ink on ivory wove paper
17.2 × 12.7 cm
The Metropolitan Museum of Art
C24-225757
James McNeill Whistler
Mother and Child, No. 2, 1896
lithograph
Cleveland Museum of Art
C24-233392
James McNeill Whistler
Needlework, 1896
Transfer lithograph; only state (Chicago); printed in black ink on ivory laid paper
19.7 × 14.3 cm
The Metropolitan Museum of Art
C24-286911
James McNeill Whistler
Needlework, 1896
lithograph
Cleveland Museum of Art
C24-240812
James McNeill Whistler
Needlework, 1896
Transfer lithograph; only state (Chicago); printed in black ink on cream laid paper
19.7 × 14.3 cm
The Metropolitan Museum of Art
C24-285505
James McNeill Whistler
Portrait Study - Mrs. Phillip, 1896
lithograph
Cleveland Museum of Art
C24-285481
James McNeill Whistler
Portrait Study: Mr. Herbert C. Pollitt, 1896
Transfer lithograph in black with scraping, on cream laid paper
19 × 12 cm
Art Institute of Chicago
C24-1102328
James McNeill Whistler
Portrait Study: Mr. Herbert C. Pollitt, 1896
Transfer lithograph, with scraping in black on cream laid paper
19 × 12 cm
Art Institute of Chicago
C24-1102099
James McNeill Whistler
Portrait Study: Mrs. Philip, 1896
Transfer lithograph in black on ivory wove proofing paper
18.6 × 11.5 cm
Art Institute of Chicago
C24-1123979
James McNeill Whistler
Portrait Study: Mrs. Philip, 1896
Transfer lithograph in black on ivory Japanese paper
18.6 × 11.5 cm
Art Institute of Chicago
C24-1102608
James McNeill Whistler
Savoy Pigeons, 1896
Transfer lithograph; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper
19.9 × 13.8 cm
The Metropolitan Museum of Art
C24-284158
James McNeill Whistler
Savoy Pigeons, 1896
Transfer lithograph; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper
19.9 × 13.8 cm
The Metropolitan Museum of Art
C24-284005
James McNeill Whistler
Savoy Pigeons, 1896
lithograph
Cleveland Museum of Art
C24-249751
James McNeill Whistler
St. Giles-in-the-Fields, 1896
lithograph
Cleveland Museum of Art
C24-287452
James McNeill Whistler
St. Giles-in-the-Fields, 1896
Transfer lithograph with stumping; only state (Chicago); printed in black ink on cream laid paper removed from an old ledger
21.7 × 14.2 cm
The Metropolitan Museum of Art
C24-292859
James McNeill Whistler
St. Giles-in-the-Fields, 1896
Transfer lithograph with stumping; only state (Chicago) probably printed posthumously by Goulding; printed in black ink on fine laid Japan mince
21.7 × 14.2 cm
The Metropolitan Museum of Art
C24-284159
James McNeill Whistler
Study for Portrait of Thomas Way, 1896
Graphite on ivory wove paper
20.1 × 12.8 cm
Art Institute of Chicago
C24-1101851
James McNeill Whistler
Study No. 1: Mr. Thomas Way, 1896
Transfer lithograph in black on ivory chine, laid down on off-white plate paper
18.7 × 11.9 cm
Art Institute of Chicago
C24-1124061
James McNeill Whistler
Study No. 1: Mr. Thomas Way, 1896
Transfer lithograph, printed on grayish white chine mounted on off-white plate paper; only state (Chicago)
18.7 × 11.9 cm
The Metropolitan Museum of Art
C24-427547
James McNeill Whistler
Study No. 1: Mr. Thomas Way, 1896
Transfer lithograph; printed in black ink on grayish white chine mounted on off- white plate paper; only state (Chicago)
18.7 × 11.9 cm
The Metropolitan Museum of Art
C24-290879
James McNeill Whistler
Study No. 1: Mr. Thomas Way, 1896
Transfer lithograph in black on grayish white chine, laid down on white plate paper
18.7 × 11.9 cm
Art Institute of Chicago
C24-1124064
James McNeill Whistler
Study No. 2: Mr. Thomas Way, 1896
Transfer lithograph; only state (Chicago); printed in black ink on cream laid paper
16.8 × 11.2 cm
The Metropolitan Museum of Art
C24-286908
James McNeill Whistler
Study No. 2: Mr. Thomas Way, 1896
Transfer lithograph in black on cream laid paper
16.8 × 11.2 cm
Art Institute of Chicago
C24-1124063
James McNeill Whistler
Study No. 2: Mr. Thomas Way, 1896
Transfer lithograph in black on cream wove Japanese vellum
16.8 × 11.2 cm
Art Institute of Chicago
C24-1124062
James McNeill Whistler
Study: Joseph Pennell, 1896
Transfer lithograph in black ink on cream wove Japanese vellum
20.2 × 10.6 cm
Art Institute of Chicago
C24-1123976
James McNeill Whistler
Study: Joseph Pennell, 1896
Transfer lithograph in black on cream wove Japanese vellum
20.2 × 10.6 cm
Art Institute of Chicago
C24-1123975
James McNeill Whistler
The Butcher's Dog, 1896
lithograph
Cleveland Museum of Art
C24-249168
James McNeill Whistler
The Butcher's Dog, 1896
Transfer lithograph; fourth state of four (Chicago incorrectly lists both MMA impressions as second states); printed in black ink on medium weight fibrous laid paper
18.1 × 13.1 cm
The Metropolitan Museum of Art
C24-209718
James McNeill Whistler
The Butcher's Dog, 1896
Transfer lithograph; fourth state of four (Chicago incorrectly lists both MMA impressions as second states); printed in black ink on medium weight ivory laid paper
18.1 × 13.1 cm
The Metropolitan Museum of Art
C24-209719
James McNeill Whistler
The Manager's Window, Gaiety Theatre, 1896
Transfer lithograph; only state (Chicago); printed in black ink on ivory laid paper
17.3 × 13.6 cm
The Metropolitan Museum of Art
C24-286873
James McNeill Whistler
The Old Smith's Story, 1896
Transfer lithograph; only state (Chicago); printed in black ink on medium weight ivory laid paper
28.1 × 22.5 cm
The Metropolitan Museum of Art
C24-290932
James McNeill Whistler
The Russian Schube, 1896
Transfer lithograph with scraping; first state of two (Chicago); printed in black ink on cream laid paper
17.7 × 14.1 cm
The Metropolitan Museum of Art
C24-290920
James McNeill Whistler
The Savoy Pigeons, 1896
Transfer lithograph; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper
29.4 × 20.6 cm
The Metropolitan Museum of Art
C24-284157
James McNeill Whistler
The Shoemaker, 1896
Transfer lithograph with stumping; only state (Chicago); printed in black ink on medium weight ivory laid paper
15.8 × 22.1 cm
The Metropolitan Museum of Art
C24-290929
James McNeill Whistler
The Shoemaker, 1896
lithograph
Cleveland Museum of Art
C24-244163
James McNeill Whistler
The Shoemaker (The Shoemaker, Dieppe), 1896
Transfer lithograph with stumping; only state (Chicago); printed in black ink on grayish ivory laid China paper
15.8 × 22.1 cm
The Metropolitan Museum of Art
C24-225753
James McNeill Whistler
The Thames, 1896
Lithotint with scraping; third state of three (Chicago); printed in black ink on ivory laid paper
26.4 × 19.3 cm
The Metropolitan Museum of Art
C24-290943
James McNeill Whistler
The Thames, 1896
lithograph
Cleveland Museum of Art
C24-238049
James McNeill Whistler
Waterloo Bridge, 1896
Transfer lithograph; only state (Chicago); printed in black ink on cream laid paper
17.2 × 12.7 cm
The Metropolitan Museum of Art
C24-285483
James McNeill Whistler
Portrait Study: Miss Rosalind Birnie Philip, 1896 (only printed posthumously 1903)
Transfer lithograph in black ink on cream laid paper
13.7 × 9.8 cm
Art Institute of Chicago
C24-1102725
James McNeill Whistler
Study of a Girl's Head and Shoulders, 1896–97
Oil on panel
15.5 × 9.5 cm
Art Institute of Chicago
C24-106997
James McNeill Whistler
Portrait Study: Miss Rosalind Birnie Philip, 1896, printed 1903
Transfer lithograph; only state (Chicago); printed in black ink on cream laid paper
13.7 × 9.8 cm
The Metropolitan Museum of Art
C24-214288
James McNeill Whistler
The Thames, 1896, printed 1903 or 1904
Lithotint with scraping; third state of three, a posthumous impression printed by Goulding (Chicago); printed in black ink on a fine laid paper with a greenish cast
26.5 × 19.3 cm
The Metropolitan Museum of Art
C24-213744
James McNeill Whistler
Afternoon Tea, 1897
Transfer lithograph with stumping; only state (Chicago); printed in black ink on tan laid Japnese vellum
18.7 × 15.8 cm
The Metropolitan Museum of Art
C24-225738
James McNeill Whistler
Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley, 1897
lithograph
Cleveland Museum of Art
C24-239417
James McNeill Whistler
Mother and Daughter (La Mère Malade), 1897
Transfer lithograph with stumping; only state (Chicago); printed in black ink on fine cream Japan paper
18.7 × 15.8 cm
The Metropolitan Museum of Art
C24-290891
James McNeill Whistler
Portrait Study: Mrs. Philip, No. 2, 1897
Transfer lithograph in black on ivory plate paper
19.1 × 14.1 cm
Art Institute of Chicago
C24-1102729
James McNeill Whistler
Portrait Study: Mrs. Philip, No. 3, 1897
Transfer lithograph in black on ivory plate paper
17.2 × 13.7 cm
Art Institute of Chicago
C24-1102720