Registry catalogue
James McNeill Whistler
All works
1,039 works in the Collect24 Registry — 1834–1903 · American
← Back to the James McNeill Whistler artist pageShowing 481–528 of 1,039
James McNeill Whistler
Fruit Stall, 1879–80
Etching and drypoint, printed in black ink on medium weight ivory laid paper; eighth state of twenty-one (Glasgow)
22.8 × 15.2 cm
The Metropolitan Museum of Art
C24-434574
James McNeill Whistler
Glass Furnace: Murano (Murano – Glass Furnace), 1879–80
Etching and drypoint, printed in brown ink on ivory laid paper; first state of four (Glasgow)
15.9 × 23.5 cm
The Metropolitan Museum of Art
C24-428527
James McNeill Whistler
La Salute: Dawn, 1879–80
Etching and drypoint, printed in dark brown ink on fine ivory laid paper; fourth state of four (Glasgow)
12.4 × 20.2 cm
The Metropolitan Museum of Art
C24-424402
James McNeill Whistler
Little Lagoon, 1879–80
etching
Cleveland Museum of Art
C24-243088
James McNeill Whistler
Little Salute, 1879–80
Etching and drypoint, printed in black ink on medium weight ivory laid paper torn from a book; third state of three (Glasgow)
8.1 × 21.2 cm
The Metropolitan Museum of Art
C24-433361
James McNeill Whistler
Little Salute, 1879–80
drypoint
Cleveland Museum of Art
C24-249739
James McNeill Whistler
Little Venice (The Little Venice), 1879–80
Etching and drypoint, printed in black ink with selectively wiped ink on medium weight cream wove paper; second state of two (Glasgow)
18.5 × 26.5 cm
The Metropolitan Museum of Art
C24-319871
James McNeill Whistler
Little Venice (The Little Venice), 1879–80
Etching; second state of two (Glasgow); printed in brownish-black ink on medium weight ivory laid paper
18.3 × 26.2 cm
The Metropolitan Museum of Art
C24-428551
James McNeill Whistler
Long Lagoon, 1879–80
Etching and drypoint, printed in brown ink on light weight ivory laid paper; second state of two (Glasgow)
15.2 × 22.6 cm
The Metropolitan Museum of Art
C24-424414
James McNeill Whistler
Long Venice, 1879–80
etching
Cleveland Museum of Art
C24-246883
James McNeill Whistler
Long Venice, 1879–80
Etching and drypoint, printed in dark brown ink on fine ivory laid paper; eighth state of eight (Glasgow)
12.7 × 30.7 cm
The Metropolitan Museum of Art
C24-424418
James McNeill Whistler
Nocturne, 1879–80
Etching and drypoint; ninth state of nine from the cancelled plate (Glasgow); printed in dark brown ink on fine laid paper
20 × 29.2 cm
The Metropolitan Museum of Art
C24-335799
James McNeill Whistler
Nocturne, 1879–80
Etching and drypoint, printed in black ink on heavy cream Japan paper; sixth state of nine (Glasgow)
20.3 × 29.6 cm
The Metropolitan Museum of Art
C24-306945
James McNeill Whistler
Nocturne, 1879–80
Etching and drypoint; sixth state of nine (Glasgow); printed in black ink on heavy cream Japan
20 × 29.5 cm
The Metropolitan Museum of Art
C24-455723
James McNeill Whistler
Nocturne Furnace, 1879–80
etching
Cleveland Museum of Art
C24-243082
James McNeill Whistler
Nocturne, Salute, 1879–80
etching
Cleveland Museum of Art
C24-702356
James McNeill Whistler
Nocturne: Palaces, 1879–80
etching
Cleveland Museum of Art
C24-229623
James McNeill Whistler
Nocturne: Salute, 1879–80
etching and drypoint
Cleveland Museum of Art
C24-543574
James McNeill Whistler
Nocturne: Furnace, 1879–80
Etching and drypoint, printed in dark brown ink on fine ivory laid paper; eleventh state of twelve (Glasgow)
16.6 × 23 cm
The Metropolitan Museum of Art
C24-424416
James McNeill Whistler
Nocturne: Palaces, 1879–80
Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
29.2 × 19.8 cm
The Metropolitan Museum of Art
C24-191697
James McNeill Whistler
Nocturne: Palaces, 1879–80
Etching and drypoint; tenth state of twelve (Glasgow); printed in brownish-black ink on ivory laid paper
29.8 × 20.2 cm
The Metropolitan Museum of Art
C24-428539
James McNeill Whistler
Nocturne: Palaces, 1879–80
Etching and drypoint, printed in dark brown ink on ivory laid paper; eleventh state of twelve (Glasgow);
29.2 × 19.8 cm
The Metropolitan Museum of Art
C24-428480
James McNeill Whistler
Nocturne: Palaces, 1879–80
Etching and drypoint; fourth state of twelve (Glasgow); printed in dark brownish-black ink on medium weight ivory laid paper
29.8 × 20 cm
The Metropolitan Museum of Art
C24-434568
James McNeill Whistler
Nocturne: Shipping, 1879–80
Drypoint; first state of five (Glasgow); printed in black ink on pale buff laid paper
15.3 × 21.7 cm
The Metropolitan Museum of Art
C24-428720
James McNeill Whistler
Ponte del Piovan, 1879–80
Etching and drypoint, printed in brownish-black ink on very fine ivory laid paper; fifth state of six (Glasgow)
22.9 × 15.3 cm
The Metropolitan Museum of Art
C24-433362
James McNeill Whistler
Quiet Canal, 1879–80
Etching and drypoint; fourth state of four (Glasgow); brown ink on very fine laid paper
22.3 × 15.3 cm
The Metropolitan Museum of Art
C24-441878
James McNeill Whistler
Quiet Canal, 1879–80
Etching and drypoint, printed in brown ink on very fine laid paper; fourth state of four (Glasgow)
22.5 × 15.3 cm
The Metropolitan Museum of Art
C24-424401
James McNeill Whistler
Quiet Canal, 1879–80
etching
Cleveland Museum of Art
C24-259468
James McNeill Whistler
San Biagio, 1879–80
Etching and drypoint, printed in dark brown ink on fine cream laid paper; tenth state of seventeen (Glasgow)
21 × 30.2 cm
The Metropolitan Museum of Art
C24-304081
James McNeill Whistler
San Giorgio, 1879–80
Etching and drypoint, printed in dark brownish-black ink on fine ivory laid paper; fifth state of five (Glasgow)
20.8 × 30.4 cm
The Metropolitan Museum of Art
C24-433363
James McNeill Whistler
The Balcony, 1879–80
Etching and drypoint, printed in brown ink on heavy laid ivory paper; eighteenth state of nineteen (Glasgow)
29.7 × 19.9 cm
The Metropolitan Museum of Art
C24-428505
James McNeill Whistler
The Balcony, 1879–80
etching
Cleveland Museum of Art
C24-236648
James McNeill Whistler
The Balcony, 1879–80
Etching and drypoint; sixteenth state of nineteen (Glasgow); printed in dark brown ink on heavy laid buff paper
29.7 × 19.9 cm
The Metropolitan Museum of Art
C24-339616
James McNeill Whistler
The Beggars, 1879–80
Etching and drypoint, printed in black ink on heavy ivory wove paper; seventh state of seventeen (Glasgow)
30.3 × 21 cm
The Metropolitan Museum of Art
C24-318804
James McNeill Whistler
The Bridge, 1879–80
etching
Cleveland Museum of Art
C24-240661
James McNeill Whistler
The Bridge, Santa Marta, 1879–80
Etching and drypoint, printed in dark brownish-black ink on medium weight ivory laid paper; ninth state of nine (Glasgow)
29.7 × 19.9 cm
The Metropolitan Museum of Art
C24-434572
James McNeill Whistler
The Doorway, 1879–80
Etching, drypoint and roulette, printed in brownish-black ink on ivory laid paper; fourteenth state of twenty (Glasgow)
29.2 × 20 cm
The Metropolitan Museum of Art
C24-280759
James McNeill Whistler
The Dyer, 1879–80
etching
Cleveland Museum of Art
C24-702120
James McNeill Whistler
The Dyer, 1879–80
etching and drypoint
Cleveland Museum of Art
C24-246354
James McNeill Whistler
The Dyer, 1879–80
Etching and drypoint, printed in brown ink on fine ivory laid paper; eighth state of nine (Glasgow)
30 × 23.2 cm
The Metropolitan Museum of Art
C24-428482
James McNeill Whistler
The Fruit Stall, 1879–80
etching
Cleveland Museum of Art
C24-253363
James McNeill Whistler
The Garden, 1879–80
Etching and drypoint, printed in dark brown ink on medium weight ivory laid paper; fifth state of fiteen (Glasgow)
30.5 × 24 cm
The Metropolitan Museum of Art
C24-428476
James McNeill Whistler
The Garden, 1879–80
etching and drypoint
48.9 × 36.2 cm
Cleveland Museum of Art
C24-195274
James McNeill Whistler
The Lagoon, Noon, 1879–80
etching
Cleveland Museum of Art
C24-256585
James McNeill Whistler
The Little Lagoon, 1879–80
Etching and drypoint, printed in black ink on fine antique white laid paper; third state of four (Glasgow)
22.7 × 15.2 cm
The Metropolitan Museum of Art
C24-428504
James McNeill Whistler
The Little Lagoon, 1879–80
Etching and drypoint; third state of four (Glasgow); printed in dark brown ink on medium-light weight ivory laid paper
22.9 × 15.3 cm
The Metropolitan Museum of Art
C24-434576
James McNeill Whistler
The Little Mast, 1879–80
Etching and drypoint, printed in black ink on heavy ivory Japan; second state of eight (Glasgow)
26.5 × 18.5 cm
The Metropolitan Museum of Art
C24-455179
James McNeill Whistler
The Mast, 1879–80
etching
Cleveland Museum of Art
C24-250554