Registry catalogue
Charles Meryon
All works
287 works in the Collect24 Registry
← Back to the Charles Meryon artist pageShowing 193–240 of 287
Charles Meryon
Armand Guéraud of Nantes, printer and man of letters, 1861
Etching in tin; first state of four
5.7 × 4.4 cm
The Metropolitan Museum of Art
C24-437026

Charles Meryon
Etchings of Paris: Tourelle, rue de l'Ecole de Médicine, 1861
etching
Cleveland Museum of Art
C24-245586

Charles Meryon
Evariste Boulay-Paty, 1861
Etching
10.8 × 10.5 cm
The Metropolitan Museum of Art
C24-346802

Charles Meryon
Evariste Boulay-Paty; a Poet, 1861
etching
Cleveland Museum of Art
C24-306108
Charles Meryon
François Viète, 1861
Etching
21 × 14 cm
The Metropolitan Museum of Art
C24-342590

Charles Meryon
House with a Turret, No. 22 Street of the School of Medicine, 1861
etching
Cleveland Museum of Art
C24-306096

Charles Meryon
House with a Turret, No. 22, rue de L'Ecole de Médecine, Paris, (called the Turret of Marat), 1861
etching and drypoint on chine collé
26.4 × 16.7 cm
Cleveland Museum of Art
C24-564363

Charles Meryon
Jean Besly, 1861
etching
Cleveland Museum of Art
C24-310149
Charles Meryon
Le Grand Châtelet (Grand Châtelet, Paris circa 1780), 1861
Etching and drypoint
23.3 × 29.8 cm
The Metropolitan Museum of Art
C24-409905

Charles Meryon
Part of the City of Paris at the End of the Seventeenth Century, 1861
etching
32.5 × 48.2 cm
Cleveland Museum of Art
C24-564361

Charles Meryon
Pierre Nivelle, Bishop of Luçon, 1861
etching
Cleveland Museum of Art
C24-563111
Charles Meryon
Pierre Nivelle, Bishop of Luçon, after Lasne, 1861
Etched in tin; fifth state of five (Schneiderman)
16.2 × 10.8 cm
The Metropolitan Museum of Art
C24-437021

Charles Meryon
Portrait of François Viète, 1861
Etching with faint burnishing and scraping on grayish ivory laid paper
18.3 × 9 cm
Art Institute of Chicago
C24-1102714

Charles Meryon
Portrait of Jean Besly, Historian, 1861
Etching on grayish ivory laid chine
11.2 × 8.9 cm
Art Institute of Chicago
C24-1102265

Charles Meryon
Portrait of Louis Jacques Marie Bizeul, the Breton Archaeologist, 1861
Etching with engraving on ivory chine, laid down on ivory laid paper
12.1 × 10.5 cm
Art Institute of Chicago
C24-1102511

Charles Meryon
Portrait of René de Laudonnière Sablais (de Burdigale), 1861
Etching and drypoint with foul-biting on grayish-ivory laid chine
15.2 × 10.7 cm
Art Institute of Chicago
C24-1102475

Charles Meryon
Portrait of René de Laudonnière Sablais (de Burdigale), 1861
Etching and drypoint with burnishing on grayish ivory laid chine, tipped onto ivory wove Japanese paper
15.3 × 10.7 cm
Art Institute of Chicago
C24-1102483

Charles Meryon
Portrait of the Poet Evariste Boulay-Paty, 1861
Etching with burnishing in warm black on grayish ivory laid chine, hinged to ivory laid paper
10.6 × 10.6 cm
Art Institute of Chicago
C24-1102356

Charles Meryon
Rene de Laudonniere Sablais (de Burdingale), 1861
etching
Cleveland Museum of Art
C24-306112
Charles Meryon
The Breton archaeologist Louis Jacques Marie Bizeul, 1861
Etching with engraving; second state of five
16.5 × 11.7 cm
The Metropolitan Museum of Art
C24-459222

Charles Meryon
The Colonist René de Laudonnière Sablais, after van de Passe, 1861
Etching, drypoint and engraving
15.2 × 10.8 cm
The Metropolitan Museum of Art
C24-455117

Charles Meryon
The Grand Châtelet, Paris, about 1780, 1861
etching
Cleveland Museum of Art
C24-302687

Charles Meryon
The historian John Besly, after Jaspar Isaac, 1861
Etching; fourth state of four
14.6 × 12.1 cm
The Metropolitan Museum of Art
C24-424096

Charles Meryon
View of Part of the City of Paris Toward the Close of the 17th Century, 1861
etching
Cleveland Museum of Art
C24-537814

Charles Meryon
View of Part of the City of Paris, Towards the Close of the 17th Century, 1861
etching
Cleveland Museum of Art
C24-274309

Charles Meryon
Tourelle Rue de l'Ecole de Médecine, 22 (House with a Turret, No 22, rue de l'Ecole de Médecine, Paris) (called the Turret of Marat), 1861 or later
Etching with drypoint
21.1 × 13 cm
The Metropolitan Museum of Art
C24-413221

Charles Meryon
Portrait of Armand Guéraud of Nantes, Printer and Man of Letters, 1861–62
Etching, from tin plate, on grayish ivory laid chine, hinged to ivory laid paper
5.8 × 4.7 cm
Art Institute of Chicago
C24-1102402

Charles Meryon
Portrait of Th. Agrippa d'Aubigné, 1861–62
Etching in warm black from tin plate on grayish-ivory laid chine
12.2 × 10.2 cm
Art Institute of Chicago
C24-1102247

Charles Meryon
Portrait of Th. Agrippa d'Aubigné, 1861–62
Etching, from a tin plate on ivory chine, laid down on ivory wove paper
14.4 × 11 cm
Art Institute of Chicago
C24-1102411

Charles Meryon
Armand Gueraud of Nantes, Printer and Man of Letters, 1862
etching
Cleveland Museum of Art
C24-290923
Charles Meryon
Benjamin Fillon, after a photograph, 1862
Etching and drypoint on tin; fifth state of six (Schneiderman)
12.4 × 10.8 cm
The Metropolitan Museum of Art
C24-437595

Charles Meryon
Benjamin Fillon, Man of Letters, 1862
etching
Cleveland Museum of Art
C24-310152

Charles Meryon
Chantrey Street, Paris, 1862
etching
Cleveland Museum of Art
C24-563107
Charles Meryon
Design for a frame for the portrait of Armand Guéraud, 1862
Etching and drypoint; fourth state of fourteen (Schneiderman)
18.6 × 14.9 cm
The Metropolitan Museum of Art
C24-437025
Charles Meryon
Design for a frame for the portrait of Armand Guéraud, 1862
Etching with drypoint
16.8 × 13 cm
The Metropolitan Museum of Art
C24-413245

Charles Meryon
Design for a Frame for the Portrait of Armand Guéraud, 1862
Etching with burnishing, scraping, and foul biting, and graphite additions on grayish ivory chine, laid down on ivory board
14.5 × 13.2 cm
Art Institute of Chicago
C24-1102498

Charles Meryon
Design for a Frame for the Portrait of Armand Guéraud, 1862
etching
Cleveland Museum of Art
C24-274260
Charles Meryon
La Rue des Chantres (Rue des Chantres, Paris), 1862
Etching
29.8 × 14.9 cm
The Metropolitan Museum of Art
C24-342622

Charles Meryon
La Rue des Chantres, Paris, 1862
Etching
29.8 × 14.9 cm
The Metropolitan Museum of Art
C24-344348

Charles Meryon
Presentation of Valerius Maximus to King Louis XI, 1862
The Metropolitan Museum of Art
C24-267325

Charles Meryon
Theodore Agrippa d'Aubigné, 1862
etching
Cleveland Museum of Art
C24-561503

Charles Meryon
New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845, 1863
etching
Cleveland Museum of Art
C24-274255
Charles Meryon
New Caledonia: Large native hut on the road from Balade to Puebo, 1845, from "The Voyage to New Zealand (1842–46)", 1863
Etching
13.7 × 24.8 cm
The Metropolitan Museum of Art
C24-346799

Charles Meryon
Oceania: Fishing near Islands with Palms in the Uea or Wallis Group, 1863
etching
Cleveland Museum of Art
C24-306678
Charles Meryon
Oceania: Fishing near Islands with Palms in the Uea or Wallis Group, 1845, 1863
etching
Cleveland Museum of Art
C24-274258
Charles Meryon
Océanie: Îlots à Uvea (Wallis): Pêche aux Palmes, 1845 (Oceania: Fishing, near islands with palms in the Uea or Wallis Group, 1845), from "The Voyage to New Zealand (1842–46)", 1863
Etching with drypoint
15.9 × 33.3 cm
The Metropolitan Museum of Art
C24-414139

Charles Meryon
Rebus: "Beranger was not really strong for he never had the key to the fields", 1863
etching
Cleveland Museum of Art
C24-281495

Charles Meryon
Rebus: "Here lies the ancient vendetta", 1863
etching
Cleveland Museum of Art
C24-306118

