Registry catalogue
Charles Meryon
All works
287 works in the Collect24 Registry
← Back to the Charles Meryon artist pageShowing 145–192 of 287
Charles Meryon
Le Pont-au-Change vers 1784, 1855
Etching; first state of six
12.5 × 23 cm
The Metropolitan Museum of Art
C24-421286
Charles Meryon
Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784), 1855
Etching
13.5 × 23.8 cm
The Metropolitan Museum of Art
C24-319849
Charles Meryon
Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), 1855
Etching with engraving
14.6 × 20.3 cm
The Metropolitan Museum of Art
C24-452732
Charles Meryon
Solar Law, 1855
Etching printed on two plates; only state (proof)
11.7 × 8.1 cm
The Metropolitan Museum of Art
C24-404148
Charles Meryon
Solar Law, 1855
etching
Cleveland Museum of Art
C24-563113
Charles Meryon
The Antechamber of the Palace of Justice, Paris, 1855
etching
Cleveland Museum of Art
C24-258693
Charles Meryon
The Exchange Bridge, Paris, about 1784, 1855
etching
Cleveland Museum of Art
C24-561537
Charles Meryon
The New Bridge and the Samaritaine seen from under the First Arch of the Exchange Bridge, Paris, 1855
etching
Cleveland Museum of Art
C24-281490
Charles Meryon
The Pilot of Tonga, from "The Voyage to New Zealand (1842–46)", 1855
Etching (from two plates) printed in black and red ink
20.3 × 14.4 cm
The Metropolitan Museum of Art
C24-407916
Charles Meryon
San Francisco, 1855–56
Etching on steel; third state of three
31 × 101.5 cm
The Metropolitan Museum of Art
C24-306890
Charles Meryon
San Francisco, Study, 1855–56
Graphite on ivory wove tissue, hinged to ivory laid paper
20.9 × 26 cm
Art Institute of Chicago
C24-1122340
Charles Meryon
Study for San Francisco, 1855–56
Graphite and incising on cream wove tracing paper (discolored to tan), tipped on ivory wove paper
10.6 × 6.8 cm
Art Institute of Chicago
C24-1122635
Charles Meryon
Study for San Francisco, 1855–56
Graphite on cream wove tracing paper (discolored to tan), tipped on ivory wove card
17.9 × 12.3 cm
Art Institute of Chicago
C24-1122633
Charles Meryon
Study for San Francisco, center left section, 1855–56
Graphite on tan wove tracing paper
23.7 × 24.5 cm
Art Institute of Chicago
C24-1122974
Charles Meryon
Study for San Francisco, center right section, 1855–56
Graphite on tan wove tracing paper
23.1 × 23.9 cm
Art Institute of Chicago
C24-1122975
Charles Meryon
Study for San Francisco, far left section, 1855–56
Graphite on tan wove tracing paper
22.7 × 29.3 cm
Art Institute of Chicago
C24-1122973
Charles Meryon
Study for San Francisco, far right section, 1855–56
Graphite on tan wove tracing paper
23.2 × 23.4 cm
Art Institute of Chicago
C24-1122517
Charles Meryon
Casimir Le Conte, 1856
etching
Cleveland Museum of Art
C24-561541
Charles Meryon
Casimir le Conte, after Boulanger, 1856
Etching on laid paper
35.2 × 25.6 cm
The Metropolitan Museum of Art
C24-421284
Charles Meryon
Casimir le Conte, after Boulanger, 1856
etching in brown ink on chine collé
43.9 × 34.1 cm
Cleveland Museum of Art
C24-282694
Charles Meryon
Château de Chenonceau, No 1, after Ducerceau, 1856
Etching on laid paper; only state
13.3 × 22.2 cm
The Metropolitan Museum of Art
C24-437393
Charles Meryon
Château de Chenonceau, No 2, 1856
Etching; third of three states
11.7 × 18.7 cm
The Metropolitan Museum of Art
C24-419719
Charles Meryon
Château de Chenonceau, No 2 (Château de Chenonceau, No 2), 1856
Etching on laid paper; first state of three
11.7 × 18.7 cm
The Metropolitan Museum of Art
C24-435431
Charles Meryon
La loi lunaire, No 1 (Lunar Law, No 1), 1856
Etching; third state of three
15.9 × 24 cm
The Metropolitan Museum of Art
C24-424127
Charles Meryon
Lunar Law, 1856
Pen and brown ink, brush and brown and colored washes, graphite, on etching
19.9 × 25.6 cm
The Metropolitan Museum of Art
C24-539631
Charles Meryon
Portrait of Casimir le Conte, 1856
Etching on grayish ivory laid chine
34.3 × 25.6 cm
Art Institute of Chicago
C24-1102674
Charles Meryon
San Francisco, 1856
etching
18.4 × 95.7 cm
Cleveland Museum of Art
C24-274314
Charles Meryon
The Chateau of Chenonceau, 1856
etching
Cleveland Museum of Art
C24-310186
Charles Meryon
The Chateau of Chenonceau, 1856
etching
Cleveland Museum of Art
C24-561539
Charles Meryon
Verses to the Pilot of Tonga, 1856
etching
Cleveland Museum of Art
C24-274311
Charles Meryon
Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds), 1858
Etching with drypoint; first state of three
15.2 × 20.6 cm
The Metropolitan Museum of Art
C24-437012
Charles Meryon
An Old House at Bourges, sometimes called the Musician's House, 1860
etching
Cleveland Museum of Art
C24-310140
Charles Meryon
An Old House, or The Musician's House, Bourges, 1860
Etching with drypoint; fifth state of five
24.1 × 14 cm
The Metropolitan Museum of Art
C24-435030
Charles Meryon
Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris), 1860
Etching
18.7 × 14.6 cm
The Metropolitan Museum of Art
C24-346803
Charles Meryon
Footbridge Temporarily Replacing the Exchange Bridge,Paris, after the fire of 1621, 1860
etching
Cleveland Museum of Art
C24-563935
Charles Meryon
Head of a Dog from New Holland, 1860
Etching and engraving from an aluminum plate
5.7 × 7.6 cm
The Metropolitan Museum of Art
C24-458052
Charles Meryon
Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)", 1860
Etching
13.8 × 23.8 cm
The Metropolitan Museum of Art
C24-346801
Charles Meryon
Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621), 1860
Etching
11.9 × 22.8 cm
The Metropolitan Museum of Art
C24-348037
Charles Meryon
Pirouette Street, near the Markets, Paris, 1860
etching
Cleveland Museum of Art
C24-563109
Charles Meryon
Rue Pirouette aux Halles, Paris, 1860
Etching with drypoint
15.6 × 11.6 cm
The Metropolitan Museum of Art
C24-409909
Charles Meryon
The Apse of the Church of St. Martin-sur-Renelle, 1860
etching
Cleveland Museum of Art
C24-556365
Charles Meryon
The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella, 1860
Etching; seventh state of twelve
11.9 × 22.9 cm
The Metropolitan Museum of Art
C24-431779
Charles Meryon
The Printed Work of the Latin Author, Valerius Maximus, Being Presented to King Louis XI, 1860
etching
Cleveland Museum of Art
C24-225821
Charles Meryon
The printer Valère Maxime being presented to King Louis XI, after an earlier miniature, 1860
Etching and drypoint; fourth state of seven (Schneiderman)
17.1 × 20 cm
The Metropolitan Museum of Art
C24-437173
Charles Meryon
The Puny Cryptogamia, 1860
Etching
7 × 5.7 cm
The Metropolitan Museum of Art
C24-337290
Charles Meryon
The Puny Cryptogamia, 1860
Etching
7 × 5.7 cm
The Metropolitan Museum of Art
C24-339601
Charles Meryon
The Sickly Cryptogam, 1860
etching
Cleveland Museum of Art
C24-274252
Charles Meryon
L. J. Marie Bizeul, a Breton Archaeologist, 1860–1861
etching
Cleveland Museum of Art
C24-291442