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Antonio Tempesta

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277 works in the Collect24 Registry

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Antonio Tempesta, Plate 29: Bacchus Changing his Kidnappers into Monsters (Tyrrheni nautae in Dlephinos), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 29: Bacchus Changing his Kidnappers into Monsters (Tyrrheni nautae in Dlephinos), from Ovid's 'Metamorphoses', 1606

Etching

10 × 11.6 cm

The Metropolitan Museum of Art

C24-386779

Antonio Tempesta, Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.8 cm

The Metropolitan Museum of Art

C24-371213

Antonio Tempesta, Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.7 cm

The Metropolitan Museum of Art

C24-386798

Antonio Tempesta, Plate 31: Thisbe Running from the Lionness at the Well (Thisbe leaenae spectu territa fugit), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 31: Thisbe Running from the Lionness at the Well (Thisbe leaenae spectu territa fugit), from Ovid's 'Metamorphoses', 1606

Etching

31.4 × 52 cm

The Metropolitan Museum of Art

C24-386789

Antonio Tempesta, Plate 32: Thisbe Killing Herself (Thisbe Pyrami exemplum aemulata pectus sibi trasuerberat), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 32: Thisbe Killing Herself (Thisbe Pyrami exemplum aemulata pectus sibi trasuerberat), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.6 cm

The Metropolitan Museum of Art

C24-386837

Antonio Tempesta, Plate 33: Apollo at Vulcan's Forge (Coniugis furtum Sol Vulcano detegit), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 33: Apollo at Vulcan's Forge (Coniugis furtum Sol Vulcano detegit), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.6 cm

The Metropolitan Museum of Art

C24-386822

Antonio Tempesta, Plate 41: Perseus Killing Medusa (Anguiparum Meduse caput praescundit Perseus), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 41: Perseus Killing Medusa (Anguiparum Meduse caput praescundit Perseus), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.5 cm

The Metropolitan Museum of Art

C24-386756

Antonio Tempesta, Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur), from Ovid's 'Metamorphoses', 1606

Etching

10.1 × 11.7 cm

The Metropolitan Museum of Art

C24-386744

Antonio Tempesta, Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', 1606

Etching

10.3 × 11.9 cm

The Metropolitan Museum of Art

C24-371215

Antonio Tempesta, Plate 64: Medea Restoring Aeson's Youth (Aesoni decrepito iuventam restituit Medea), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 64: Medea Restoring Aeson's Youth (Aesoni decrepito iuventam restituit Medea), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.6 cm

The Metropolitan Museum of Art

C24-386461

Antonio Tempesta, Plate 65: Medea Urging the Daughters of King Pellias to Murder Their Father (Medea Peliades in parricidium stimulat), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 65: Medea Urging the Daughters of King Pellias to Murder Their Father (Medea Peliades in parricidium stimulat), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.1 cm

The Metropolitan Museum of Art

C24-386459

Antonio Tempesta, Plate 66: Cycnus and Hyrie (Cygnus in olorem Hiere in stagnum vertuntur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 66: Cycnus and Hyrie (Cygnus in olorem Hiere in stagnum vertuntur), from Ovid's 'Metamorphoses', 1606

Etching

10 × 11.6 cm

The Metropolitan Museum of Art

C24-386746

Antonio Tempesta, Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses', 1606

Etching

10 × 11.6 cm

The Metropolitan Museum of Art

C24-386446

Antonio Tempesta, Plate 68: Hercules and Cerberus (Cerberum domat Hercules), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 68: Hercules and Cerberus (Cerberum domat Hercules), from Ovid's 'Metamorphoses', 1606

Etching

101 × 11.5 cm

The Metropolitan Museum of Art

C24-368719

Antonio Tempesta, Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.5 cm

The Metropolitan Museum of Art

C24-386452

Antonio Tempesta, Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', 1606

Etching

10.5 × 11.7 cm

The Metropolitan Museum of Art

C24-368717

Antonio Tempesta, Plate 71: Procris Killed by Cephalus's Javelin (Procridem inscius interficit Cephalus), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 71: Procris Killed by Cephalus's Javelin (Procridem inscius interficit Cephalus), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.5 cm

The Metropolitan Museum of Art

C24-388829

Antonio Tempesta, Plate 72: Scylla Watching Minos from the Castle Walls (Minois pulchritudine inflammatur Scylla), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 72: Scylla Watching Minos from the Castle Walls (Minois pulchritudine inflammatur Scylla), from Ovid's 'Metamorphoses', 1606

Etching

The Metropolitan Museum of Art

C24-382488

Antonio Tempesta, Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses', 1606

Etching

10.1 × 11.5 cm

The Metropolitan Museum of Art

C24-386455

Antonio Tempesta, Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.6 cm

The Metropolitan Museum of Art

C24-386430

Antonio Tempesta, Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.6 cm

The Metropolitan Museum of Art

C24-386450

Antonio Tempesta, Plate 81: Erysichthon Selling his Daughter (Diversas induta Mitra diversis divenditur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 81: Erysichthon Selling his Daughter (Diversas induta Mitra diversis divenditur), from Ovid's 'Metamorphoses', 1606

Etching

10.3 × 11.6 cm

The Metropolitan Museum of Art

C24-386444

Antonio Tempesta, Plate 82: Hercules and Acheloüs (Luctatur, et vincit Acheolum Hercules), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 82: Hercules and Acheloüs (Luctatur, et vincit Acheolum Hercules), from Ovid's 'Metamorphoses', 1606

Etching

10.5 × 11.7 cm

The Metropolitan Museum of Art

C24-386739

Antonio Tempesta, Plate 83: Nessus Attempting to Take Dejanera from Hercules (Neßus Dianiram rapiens telo ab Hercule configitur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 83: Nessus Attempting to Take Dejanera from Hercules (Neßus Dianiram rapiens telo ab Hercule configitur), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.7 cm

The Metropolitan Museum of Art

C24-386737

Antonio Tempesta, Plate 84: Hercules Throwing Lichas into the Sea (Lernaei muneris gerulum in Euboicum mare praecipitat Hercules), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 84: Hercules Throwing Lichas into the Sea (Lernaei muneris gerulum in Euboicum mare praecipitat Hercules), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.6 cm

The Metropolitan Museum of Art

C24-386733

Antonio Tempesta, Plate 85: The Immortalization of Hercules (A parente Hercules deitate honestatur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 85: The Immortalization of Hercules (A parente Hercules deitate honestatur), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.6 cm

The Metropolitan Museum of Art

C24-386735

Antonio Tempesta, Plate 86: The Birth of Hercules (Iuno compreßis genibus Alcumenae partum differt), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 86: The Birth of Hercules (Iuno compreßis genibus Alcumenae partum differt), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.7 cm

The Metropolitan Museum of Art

C24-386742

Antonio Tempesta, Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses', 1606

Etching

39.5 × 52 cm

The Metropolitan Museum of Art

C24-386456

Antonio Tempesta, Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.7 cm

The Metropolitan Museum of Art

C24-387227

Antonio Tempesta, Plate 94: Jupiter and Ganymede (In aquilam transformatus Iupiter Ganymedem rapit), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 94: Jupiter and Ganymede (In aquilam transformatus Iupiter Ganymedem rapit), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.5 cm

The Metropolitan Museum of Art

C24-386405

Antonio Tempesta, Plate 95: The Death of Hyacinthus (Hyacinthi cruor in florem sui nominis), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 95: The Death of Hyacinthus (Hyacinthi cruor in florem sui nominis), from Ovid's 'Metamorphoses', 1606

Etching

10.3 × 11.5 cm

The Metropolitan Museum of Art

C24-386411

Antonio Tempesta, Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.6 cm

The Metropolitan Museum of Art

C24-386379

Antonio Tempesta, Plate 97: Hippomenes Winning the Race with Atalanta (Atalantam Veneris ope vincit Hippomenes), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 97: Hippomenes Winning the Race with Atalanta (Atalantam Veneris ope vincit Hippomenes), from Ovid's 'Metamorphoses', 1606

Etching

10.4 × 11.7 cm

The Metropolitan Museum of Art

C24-386415

Antonio Tempesta, Plate 98: The Metamorphosis of Adonis (Apri dente Adonis interimitur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 98: The Metamorphosis of Adonis (Apri dente Adonis interimitur), from Ovid's 'Metamorphoses', 1606

Etching

10.3 × 11.6 cm

The Metropolitan Museum of Art

C24-386438

Antonio Tempesta, Plate 99: The Death of Orpheus (Orpheus a Bacchis discerpitur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 99: The Death of Orpheus (Orpheus a Bacchis discerpitur), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.5 cm

The Metropolitan Museum of Art

C24-386399

Antonio Tempesta, Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses', 1606

Etching

10 × 11.6 cm

The Metropolitan Museum of Art

C24-386388

Antonio Tempesta, Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses', 1606

Etching

10.2 × 11.8 cm

The Metropolitan Museum of Art

C24-386448

Antonio Tempesta, The Murder of Julius Caesar (Iulius Caesar Veneris beneficio in Cometam mutatur), plate 150 from Ovid's "Metamorphoses"

Antonio Tempesta

The Murder of Julius Caesar (Iulius Caesar Veneris beneficio in Cometam mutatur), plate 150 from Ovid's "Metamorphoses", 1606

Etching

10.4 × 11.5 cm

The Metropolitan Museum of Art

C24-393056

Antonio Tempesta, Titlepage to Ovid's 'Metamorphoses'

Antonio Tempesta

Titlepage to Ovid's 'Metamorphoses', 1606

Etching

11 × 13.7 cm

The Metropolitan Museum of Art

C24-387232

Antonio Tempesta, Frontispiece to the life of Alexander the Great, at left is Bellona and at right a female personification of abundance, the Coat of Arms of the Duke of Croy

Antonio Tempesta

Frontispiece to the life of Alexander the Great, at left is Bellona and at right a female personification of abundance, the Coat of Arms of the Duke of Croy, 1608

Etching; fifth state of five (Bartsch)

23 × 29 cm

The Metropolitan Museum of Art

C24-439283

Antonio Tempesta, Hercules and Achelous, from "The Labors of Hercules"

Antonio Tempesta

Hercules and Achelous, from "The Labors of Hercules", 1608

Etching

13.9 × 17.5 cm

The Metropolitan Museum of Art

C24-350484

Antonio Tempesta, Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules"

Antonio Tempesta

Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules", 1608

Etching

13.7 × 17.3 cm

The Metropolitan Museum of Art

C24-362264

Antonio Tempesta, Hercules and the Boar of Erymanthus, from "The Labors of Hercules"

Antonio Tempesta

Hercules and the Boar of Erymanthus, from "The Labors of Hercules", 1608

Etching

13.9 × 17.5 cm

The Metropolitan Museum of Art

C24-350487

Antonio Tempesta, Hercules and the Centaurs, from "The Labors of Hercules"

Antonio Tempesta

Hercules and the Centaurs, from "The Labors of Hercules", 1608

Etching

13.9 × 17.5 cm

The Metropolitan Museum of Art

C24-350489

Antonio Tempesta, Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"

Antonio Tempesta

Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules", 1608

Etching

13.2 × 18 cm

The Metropolitan Museum of Art

C24-350492

Antonio Tempesta, Hercules and the Hydra of Lerna, from "The Labors of Hercules"

Antonio Tempesta

Hercules and the Hydra of Lerna, from "The Labors of Hercules", 1608

Etching

13.2 × 18 cm

The Metropolitan Museum of Art

C24-350490

Antonio Tempesta, Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"

Antonio Tempesta

Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules", 1608

Etching

13.5 × 17.7 cm

The Metropolitan Museum of Art

C24-362265

Antonio Tempesta, Hercules and the Nemean Lion, from "The Labors of Hercules"

Antonio Tempesta

Hercules and the Nemean Lion, from "The Labors of Hercules", 1608

Etching

13.2 × 18 cm

The Metropolitan Museum of Art

C24-350491