Registry catalogue
Antonio Tempesta
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277 works in the Collect24 Registry
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Antonio Tempesta
Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses', 1606
Etching
10 × 11.4 cm
The Metropolitan Museum of Art
C24-386402
Antonio Tempesta
Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-386428
Antonio Tempesta
Plate 115: The Rape of Caenis (Caenis in virginitatis amißae solatium in virum fortiß.m a Neptuno transformatur), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.6 cm
The Metropolitan Museum of Art
C24-386376
Antonio Tempesta
Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.5 cm
The Metropolitan Museum of Art
C24-386436
Antonio Tempesta
Plate 117: The Dispute over Achilles' Armor (Disceptatio inter Aiacem et Ulyssem propter arma Achillis), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.6 cm
The Metropolitan Museum of Art
C24-386396
Antonio Tempesta
Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, 1606
Etching
10.5 × 12 cm
The Metropolitan Museum of Art
C24-369603
Antonio Tempesta
Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses', 1606
Etching
10 × 11.8 cm
The Metropolitan Museum of Art
C24-386385
Antonio Tempesta
Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.7 cm
The Metropolitan Museum of Art
C24-386422
Antonio Tempesta
Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-381626
Antonio Tempesta
Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.6 cm
The Metropolitan Museum of Art
C24-386382
Antonio Tempesta
Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-381622
Antonio Tempesta
Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-386434
Antonio Tempesta
Plate 13:Jupiter and Callisto (Calisto a Iove comprimitur), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.8 cm
The Metropolitan Museum of Art
C24-386812
Antonio Tempesta
Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', 1606
Etching
39.2 × 52 cm
The Metropolitan Museum of Art
C24-388827
Antonio Tempesta
Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.5 cm
The Metropolitan Museum of Art
C24-388831
Antonio Tempesta
Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-386370
Antonio Tempesta
Plate 135: Circe Changing Ulysses' Men into Swine (Ulyssis soci a Circe in porcos), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.5 cm
The Metropolitan Museum of Art
C24-386786
Antonio Tempesta
Plate 136: Circe Changing Picus into a Bird (Circes concubitum detestatur Picus), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.6 cm
The Metropolitan Museum of Art
C24-386758
Antonio Tempesta
Plate 137: Canens Searching for Pics (Uxor Pici nomine Canens in auram mutatur), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-386762
Antonio Tempesta
Plate 138: Acmon and his Friends Changed into Birds (Comites Diomedis indignatione veneris in aves Diomedeas), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-386773
Antonio Tempesta
Plate 139: The Apulian Shepherd Changed into an Olive Tree (Apulus pastor in oleastrum transit), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.5 cm
The Metropolitan Museum of Art
C24-386792
Antonio Tempesta
Plate 14: Erichthonius Released from his Basket (Erichtonius cistella laxata cernitur), from Ovid's 'Metamorphoses', 1606
Etching
10.3 × 11.8 cm
The Metropolitan Museum of Art
C24-386819
Antonio Tempesta
Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.5 cm
The Metropolitan Museum of Art
C24-386764
Antonio Tempesta
Plate 141: The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from Ovid's 'Metamorphoses', 1606
Etching
10 × 11.5 cm
The Metropolitan Museum of Art
C24-381627
Antonio Tempesta
Plate 142: Pomona and Vertumnus (Vertumnus anili forma Pomonae sui amorem persuadet), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.5 cm
The Metropolitan Museum of Art
C24-386825
Antonio Tempesta
Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.6 cm
The Metropolitan Museum of Art
C24-386831
Antonio Tempesta
Plate 143: Polyphemus Eating Ulysses' Men, as Achaemides Watches (Ulyssis socios deuorat Polyphemus), from Ovid's 'Metamorphoses', 1606
Etching
10 × 11.7 cm
The Metropolitan Museum of Art
C24-386780
Antonio Tempesta
Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.6 cm
The Metropolitan Museum of Art
C24-386748
Antonio Tempesta
Plate 145: Hersilia Taken to the Heavens (Hersilia Romuli coniunx in Oram deam a Iunone constituitur), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.7 cm
The Metropolitan Museum of Art
C24-386752
Antonio Tempesta
Plate 146: Hippolytus Saved from Death (Hippolitum Dianae impulsu ad vitam revocat AEsculapius et Virbius vocatur), from Ovid's 'Metamorphoses', 1606
Etching
10 × 11.5 cm
The Metropolitan Museum of Art
C24-386801
Antonio Tempesta
Plate 147: Cipus with his Horns (Cippus regnum in Romanos detestans exilium eligit), from Ovid's 'Metamorphoses', 1606
Etching
10.3 × 11.6 cm
The Metropolitan Museum of Art
C24-386828
Antonio Tempesta
Plate 148: Aesculapius Speaking to the Romans (Epidauro a Romanis AEsculapius ad urbis luem discutiendam sollicitatur), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.5 cm
The Metropolitan Museum of Art
C24-386777
Antonio Tempesta
Plate 149: Aesculapius as a Serpent, Among the Romans (AEsculapius in anguem conversus Roman advehitur), from Ovid's "Metamorphoses", 1606
Etching
10.1 × 11.5 cm
The Metropolitan Museum of Art
C24-384443
Antonio Tempesta
Plate 15: The Daughter of Croneus Changed into a Cow (Coronis in cornicem transformatur), from Ovid's 'Metamorphoses', 1606
Etching
10.3 × 11.7 cm
The Metropolitan Museum of Art
C24-386808
Antonio Tempesta
Plate 16: Apollo Killing Coronis (Appolinis sagitta Coronis transfigitur), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.8 cm
The Metropolitan Museum of Art
C24-386775
Antonio Tempesta
Plate 17: Ocyrhoe Changed into a Horse (Ocyroe vaticinata in equam), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.9 cm
The Metropolitan Museum of Art
C24-386804
Antonio Tempesta
Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses', 1606
Etching
32.5 × 52 cm
The Metropolitan Museum of Art
C24-386795
Antonio Tempesta
Plate 19: Minerva at Envy's Cave (Pallas Invidiam in Aglaurum incitat), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.6 cm
The Metropolitan Museum of Art
C24-386769
Antonio Tempesta
Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses', 1606
Etching
10.3 × 11.8 cm
The Metropolitan Museum of Art
C24-387229
Antonio Tempesta
Plate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.7 cm
The Metropolitan Museum of Art
C24-386834
Antonio Tempesta
Plate 21: The Rape of Europa (Iupiter tauri imagine Europam rapit), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.8 cm
The Metropolitan Museum of Art
C24-386783
Antonio Tempesta
Plate 22: Cadmus's Men Killed by the Serpent (Draco Martius Cadmi socios depascit), from Ovid's 'Metamorphoses', 1606
Etching
38.5 × 52 cm
The Metropolitan Museum of Art
C24-386754
Antonio Tempesta
Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses', 1606
Etching
10.2 × 11.5 cm
The Metropolitan Museum of Art
C24-386760
Antonio Tempesta
Plate 24: The Warring Men Born of the Serpent's Teeth (Militum Seges e draconis dentium seminio), from Ovid's 'Metamorphoses', 1606
Etching
10.4 × 11.7 cm
The Metropolitan Museum of Art
C24-386766
Antonio Tempesta
Plate 25: Acteon Changed into a Stag (Dianae aspectu Actaeon in ceruum), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.7 cm
The Metropolitan Museum of Art
C24-388833
Antonio Tempesta
Plate 26: Actaeon Killed by His Dogs (Actaeon a proprÿs canibus discerpitur), from Ovid's 'Metamorphoses', 1606
Etching
10.1 × 11.8 cm
The Metropolitan Museum of Art
C24-388897
Antonio Tempesta
Plate 27: Semele's Wish (Semele divino Ious concubitu occiditur), from Ovid's 'Metamorphoses', 1606
Etching
10.3 × 11.7 cm
The Metropolitan Museum of Art
C24-386750
Antonio Tempesta
Plate 28: Narcissus at the Well (Amore fui inardescens Narcißus in florem transmutatur), from Ovid's 'Metamorphoses', 1606
Etching
10.5 × 11.7 cm
The Metropolitan Museum of Art
C24-386815