anonymous

Anonymous

Reverse Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tentant ses Mains Derrière le Dos (The Gentleman with a Fur Lined Coat Holding his Hands Behind his Back), from La Noblesse (The Nobility), 17th century

Etching

14.4 × 9.5 cm

The Metropolitan Museum of Art

C24-348054

Anonymous

Reverse Copy of Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

6 × 8.3 cm

The Metropolitan Museum of Art

C24-348042

Anonymous

Reverse Copy of Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility), 17th century

Etching

14.2 × 9.3 cm

The Metropolitan Museum of Art

C24-346840

Anonymous

Reverse Copy of Le Gentilhomme de Face, La Main Droite sur la Hanche (Gentleman Facing Forward, His Right Hand on his Hip), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

6.2 × 8.2 cm

The Metropolitan Museum of Art

C24-348045

Anonymous

Reverse Copy of Le Gentilhomme Enroulé dans son Manteau Bordé de Fourrures (The Gentleman Wrapped in his Fur Lined Mantle), from La Noblesse (The Nobility), 17th century

Etching

14.4 × 9.4 cm

The Metropolitan Museum of Art

C24-346838

Anonymous

Reverse Copy of Le Gentilhomme qui Salue Tenant son Feutre sous le Bras (The Gentleman who Bows Holding his Felt Hat under his Arm), from La Noblesse (The Nobility), 17th century

Etching

14.3 × 9.7 cm

The Metropolitan Museum of Art

C24-348063

Anonymous

Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons), 17th century

Etching

13.8 × 7.3 cm

The Metropolitan Museum of Art

C24-347710

Anonymous

Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.5 × 8.7 cm

The Metropolitan Museum of Art

C24-348072

Anonymous

Reverse Copy of Le Gueux Assis et Mangeant (The Beggar Sitting and Eating), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.5 × 8.8 cm

The Metropolitan Museum of Art

C24-347702

Anonymous

Reverse Copy of Le Gueux Assis et Mangeant (The Beggar Sitting and Eating), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.8 × 8.6 cm

The Metropolitan Museum of Art

C24-348068

Anonymous

Reverse Copy of Le Gueux Assis et Mangeant (The Beggar Sitting and Eating), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.6 × 8.6 cm

The Metropolitan Museum of Art

C24-348074

Anonymous

Reverse Copy of Le Jardin, appelé aussi Le Marais (The Garden, also called The Marsh), plate 1 from "Les Quatre Paysages" (The Four Landscapes), 17th century

Etching

16.5 × 28.5 cm

The Metropolitan Museum of Art

C24-365296

Anonymous

Reverse Copy of Le Joueur de Vielle (The Hurdy-Gurdy Player), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons), 17th century

Etching

14 × 9.4 cm

The Metropolitan Museum of Art

C24-348030

Anonymous

Reverse Copy of Le Malingreux (The Sickly Man), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14 × 8.9 cm

The Metropolitan Museum of Art

C24-348069

Anonymous

Reverse Copy of Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons), 17th century

Etching

13.2 × 9 cm

The Metropolitan Museum of Art

C24-347709

Anonymous

Reverse Copy of Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.7 × 8.8 cm

The Metropolitan Museum of Art

C24-348088

Anonymous

Reverse Copy of Le Mendiant a la Tête Découverte et aux Pieds Nus (The Beggar with Bare Head and Feet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.4 × 8.7 cm

The Metropolitan Museum of Art

C24-352134

Anonymous

Reverse Copy of Le Mendiant au Couvet (The Beggar of Couvet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.5 × 8.5 cm

The Metropolitan Museum of Art

C24-348052

Anonymous

Reverse Copy of Le Mendiant au Couvet (The Beggar of Couvet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.6 × 8.6 cm

The Metropolitan Museum of Art

C24-348056

Anonymous

Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.7 × 8.6 cm

The Metropolitan Museum of Art

C24-348092

Anonymous

Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.9 × 8.7 cm

The Metropolitan Museum of Art

C24-348071

Anonymous

Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.8 × 8.7 cm

The Metropolitan Museum of Art

C24-352132

Anonymous

Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14 × 9 cm

The Metropolitan Museum of Art

C24-352131

Anonymous

Reverse Copy of Le Mendiant aux Béquilles et la Besace (The Beggar with the Crutches and the Pouch), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14 × 8.8 cm

The Metropolitan Museum of Art

C24-348061

Anonymous

Reverse Copy of Le Mendiant Obèse aux Yeux Baissés (The Obese Beggar with Lowered Eyes), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.8 × 8.5 cm

The Metropolitan Museum of Art

C24-348078

Anonymous

Reverse Copy of Le Mendiant Obèse aux Yeux Baissés (The Obese Beggar with Lowered Eyes), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.5 × 8.8 cm

The Metropolitan Museum of Art

C24-348076

Anonymous

Reverse Copy of Le Moulin a Eau (The Water Mill), plate 3 from "Les Quatre Paysages" (The Four Landscapes), 17th century

Etching

16.3 × 28.5 cm

The Metropolitan Museum of Art

C24-362753

Anonymous

Reverse Copy of Le Patre et les Ruines (The Shepherd and the Ruins), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.3 × 8 cm

The Metropolitan Museum of Art

C24-346835

Anonymous

Reverse Copy of Le Paysan Portant sa Pelle sur L'Épaule (The Peasant Carrying his Shovel over his Shoulder), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.4 × 7.9 cm

The Metropolitan Museum of Art

C24-348043

Anonymous

Reverse Copy of Le Paysan Portant sa Pelle sur L'Épaule (The Peasant Carrying his Shovel over his Shoulder), from Les Caprices Series A, The Florence Set, 17th century

Etching

6 × 8.5 cm

The Metropolitan Museum of Art

C24-347693

Anonymous

Reverse Copy of Le Paysan Portant son Sac (The Peasant Carrying his Sack), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.9 × 8.2 cm

The Metropolitan Museum of Art

C24-346818

Anonymous

Reverse Copy of Le Paysan Qui Salue (The Peasant who Bows), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.4 × 8.2 cm

The Metropolitan Museum of Art

C24-346822

Anonymous

Reverse Copy of Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

6 × 7.8 cm

The Metropolitan Museum of Art

C24-346825

Anonymous

Reverse Copy of Le Petit Port appelé aussi Le Port de Mer (The Small Port, also called the Sea Port), from "Les Quatre Paysages" (The Four Landscapes), 17th century

Etching

18.4 × 26 cm

The Metropolitan Museum of Art

C24-365294

Anonymous

Reverse Copy of Le Vieux Mendiat a une Seule Béquille (The Old Beggar with One Crutch), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.7 × 9 cm

The Metropolitan Museum of Art

C24-348079

Anonymous

Reverse Copy of Le Vieux Mendiat a une Seule Béquille (The Old Beggar with One Crutch), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.8 × 9 cm

The Metropolitan Museum of Art

C24-348077

Anonymous

Reverse Copy of Les Deux Mendiantes (The Two Female Beggars), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.3 × 8.4 cm

The Metropolitan Museum of Art

C24-348066

Anonymous

Reverse Copy of Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from "Les Caprices", 17th century

Etching

5.9 × 7.3 cm

The Metropolitan Museum of Art

C24-346819

Anonymous

Reverse Copy of Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from "Les Caprices", 17th century

Etching

6 × 7.7 cm

The Metropolitan Museum of Art

C24-346817

Anonymous

Reverse Copy of Les Deux Pélerins (The Two Pilgrims), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14.4 × 9.8 cm

The Metropolitan Museum of Art

C24-348080

Anonymous

Reverse Copy of the Frontispiece, from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons), 17th century

Etching

14.7 × 8.5 cm

The Metropolitan Museum of Art

C24-346788

Anonymous

Reverse Copy of Une Fête sur la Place de la Signoria a Florence (A Festival on the Piazza della Signoria in Florence), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.4 × 8 cm

The Metropolitan Museum of Art

C24-348049

Anonymous

Saint Jerome seated on rocks and reading a book, a cross and a skull at left, 17th century

Etching

6.9 × 12 cm

The Metropolitan Museum of Art

C24-346808

Anonymous

The Virgin seated holding a rosary in her right hand, the infant Christ on her lap holding several rosaries, in an oval frame with flowers surrounding it and a tablet with inscription at the base, 17th century

Etching

26.2 × 19.8 cm

The Metropolitan Museum of Art

C24-352136

Anonymous

Virgin and Child, with Saints Jerome and Mary Magdalene and angels, 17th century

Etching; reverse copy

22 × 16.8 cm

The Metropolitan Museum of Art

C24-413224

Anonymous

St. Mary Magdalen Trampling Her Valuables, 17th–18th century

Engraving; reverse copy

30.2 × 22.1 cm

The Metropolitan Museum of Art

C24-417407

Anonymous

The Tribute Money, 17th–18th century

Engraving; reverse copy (undescribed)

13.3 × 19.3 cm

The Metropolitan Museum of Art

C24-425722

anonymous

Gevecht tussen Nederlandse militairen en inlanders, 1800 - 1900

paper

30.5 × 38.8 cm

Rijksmuseum

C24-116904