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anonymous

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1,648 works in the Collect24 Registry

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Anonymous, Copy of Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens..."

Anonymous

Copy of Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens...", 17th century

Etching and engraving

17.4 × 28.8 cm

The Metropolitan Museum of Art

C24-452222

Anonymous, Copy of Les Danseurs a la Flute et au Tambourin (Dancers with the Flute and the Tambourine), from "Les Caprices"

Anonymous

Copy of Les Danseurs a la Flute et au Tambourin (Dancers with the Flute and the Tambourine), from "Les Caprices", 17th century

Etching

5.6 × 8.2 cm

The Metropolitan Museum of Art

C24-346830

Anonymous, Copy of Roma travellers outside an inn [formerly known as La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gyp…

Anonymous

Copy of Roma travellers outside an inn [formerly known as La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gyp…, 17th century

Etching and engraving

14.7 × 28.4 cm

The Metropolitan Museum of Art

C24-452989

Anonymous, Copy of Roma travellers outside an inn [formerly known as La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gyp…

Anonymous

Copy of Roma travellers outside an inn [formerly known as La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gyp…, 17th century

Etching and engraving

17.3 × 28.4 cm

The Metropolitan Museum of Art

C24-452991

Anonymous, Copy of St. Andrew, from Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les SaintsApôtres (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles)

Anonymous

Copy of St. Andrew, from Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les SaintsApôtres (The Large Standing Apostles, Representing The Savior, The Blessed Mary and The Apostles), 17th century

Etching

13.8 × 8 cm

The Metropolitan Museum of Art

C24-347695

Anonymous, Copy of Vue de Pont-Neuf (View of the Pont Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Anonymous

Copy of Vue de Pont-Neuf (View of the Pont Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris), 17th century

Etching

15.7 × 33 cm

The Metropolitan Museum of Art

C24-347708

Anonymous, Copy of Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Anonymous

Copy of Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris), 17th century

Etching

16.3 × 32.8 cm

The Metropolitan Museum of Art

C24-364878

Anonymous, Copy of Vue du Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Anonymous

Copy of Vue du Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris), 17th century

Etching

16.4 × 32.8 cm

The Metropolitan Museum of Art

C24-364877

Anonymous, Fishermen on a river across from a town

Anonymous

Fishermen on a river across from a town, 17th century

Etching

8.7 × 19.3 cm

The Metropolitan Museum of Art

C24-343950

Anonymous, Judith standing on a ledge holding the head of Holofernes in her left hand and a sword in her right

Anonymous

Judith standing on a ledge holding the head of Holofernes in her left hand and a sword in her right, 17th century

Etching

29 × 20.5 cm

The Metropolitan Museum of Art

C24-346787

Anonymous, Le Zani ou Scapin, from "Les Trois Pantalons pièces appélees Les Trois Acteurs" (The Three Pants also called the Three Actors)

Anonymous

Le Zani ou Scapin, from "Les Trois Pantalons pièces appélees Les Trois Acteurs" (The Three Pants also called the Three Actors), 17th century

Etching and engraving

14 × 9.7 cm

The Metropolitan Museum of Art

C24-452205

Anonymous, Old man seated and writing in a book, an angel at right looking over his shoulder

Anonymous

Old man seated and writing in a book, an angel at right looking over his shoulder, 17th century

Etching

19.6 × 16.5 cm

The Metropolitan Museum of Art

C24-346810

Anonymous, Reverse and Reduced Copy of La Mendiante aux Béquilles (The Female Beggar with Crutches), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Anonymous

Reverse and Reduced Copy of La Mendiante aux Béquilles (The Female Beggar with Crutches), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons), 17th century

Etching

12.9 × 9.4 cm

The Metropolitan Museum of Art

C24-348035

Anonymous, Reverse Copy Le Mendiant aux Béquilles Coiffé d'un Bonnet (The Beggar on Crutches Wearing a Bonnet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy Le Mendiant aux Béquilles Coiffé d'un Bonnet (The Beggar on Crutches Wearing a Bonnet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14.4 × 9.3 cm

The Metropolitan Museum of Art

C24-348065

Anonymous, Reverse Copy of Chevaux Courant en Liberté (Horses Running Freely), from "Les Caprices"

Anonymous

Reverse Copy of Chevaux Courant en Liberté (Horses Running Freely), from "Les Caprices", 17th century

Etching

5.3 × 8.4 cm

The Metropolitan Museum of Art

C24-346833

Anonymous, Reverse Copy of Escarmouche dans un Circque (Skirmish in a Circus), from "Les Caprices"

Anonymous

Reverse Copy of Escarmouche dans un Circque (Skirmish in a Circus), from "Les Caprices", 17th century

Etching

5 × 7.5 cm

The Metropolitan Museum of Art

C24-346828

Anonymous, Reverse Copy of Frontispiece, from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of Frontispiece, from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14.4 × 9.3 cm

The Metropolitan Museum of Art

C24-346842

Anonymous, Reverse Copy of Jésus Comparait Devant Caiphe (Jesus Appears Before Caiaphas), from La Petite Passion (The Little Passion)

Anonymous

Reverse Copy of Jésus Comparait Devant Caiphe (Jesus Appears Before Caiaphas), from La Petite Passion (The Little Passion), 17th century

Etching

13.6 × 13.9 cm

The Metropolitan Museum of Art

C24-346782

Anonymous, Reverse Copy of Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion)

Anonymous

Reverse Copy of Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion), 17th century

Etching

13.9 × 13.3 cm

The Metropolitan Museum of Art

C24-347700

Anonymous, Reverse Copy of Jésus est Percé d'une Lance (Jesus is Pierced with a Spear), from La Petite Passion (The Little Passion)

Anonymous

Reverse Copy of Jésus est Percé d'une Lance (Jesus is Pierced with a Spear), from La Petite Passion (The Little Passion), 17th century

Etching

14 × 13.2 cm

The Metropolitan Museum of Art

C24-347699

Anonymous, Reverse Copy of Joueur de Vielle (Hurdy-Gurdy Player), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of Joueur de Vielle (Hurdy-Gurdy Player), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.9 × 8.9 cm

The Metropolitan Museum of Art

C24-348070

Anonymous, Reverse Copy of L'Auberge (The Inn), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of L'Auberge (The Inn), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.3 × 8.1 cm

The Metropolitan Museum of Art

C24-346827

Anonymous, Reverse Copy of L'Aveugle et son Chien (The Blind Man and his Dog), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of L'Aveugle et son Chien (The Blind Man and his Dog), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14.5 × 9.5 cm

The Metropolitan Museum of Art

C24-348089

Anonymous, Reverse Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.5 × 9.4 cm

The Metropolitan Museum of Art

C24-348075

Anonymous, Reverse Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14.4 × 9.4 cm

The Metropolitan Museum of Art

C24-348067

Anonymous, Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

6 × 8.3 cm

The Metropolitan Museum of Art

C24-348087

Anonymous, Reverse Copy of L'Hospice (The Almshouse), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of L'Hospice (The Almshouse), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.5 × 8.1 cm

The Metropolitan Museum of Art

C24-346812

Anonymous, Reverse Copy of La Borgnesse (The One-Eyed Woman), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called The Barons)

Anonymous

Reverse Copy of La Borgnesse (The One-Eyed Woman), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called The Barons), 17th century

Etching

13.7 × 8.7 cm

The Metropolitan Museum of Art

C24-348062

Anonymous, Reverse Copy of La Caverne de Brigands (The Cave of Thieves), from "Les Caprices"

Anonymous

Reverse Copy of La Caverne de Brigands (The Cave of Thieves), from "Les Caprices", 17th century

Etching

5.4 × 7.8 cm

The Metropolitan Museum of Art

C24-346836

Anonymous, Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion)

Anonymous

Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion), 17th century

Etching

13.8 × 13.2 cm

The Metropolitan Museum of Art

C24-346780

Anonymous, Reverse Copy of La Course de Chars sur la Place Santa Maria Novella a Florence (The Chariot Race on the Piazza Santa Maria Novella in Florence), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of La Course de Chars sur la Place Santa Maria Novella a Florence (The Chariot Race on the Piazza Santa Maria Novella in Florence), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.4 × 7.9 cm

The Metropolitan Museum of Art

C24-348050

Anonymous, Reverse Copy of La Course de Chevaux sur la Place Pitti a Florence (The Horse Race at the Piazza Pitti in Florence), from "Les Caprices", Series A, The Florence Set

Anonymous

Reverse Copy of La Course de Chevaux sur la Place Pitti a Florence (The Horse Race at the Piazza Pitti in Florence), from "Les Caprices", Series A, The Florence Set, 17th century

Etching

5.4 × 7.9 cm

The Metropolitan Museum of Art

C24-348048

Anonymous, Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

6.4 × 8 cm

The Metropolitan Museum of Art

C24-346824

Anonymous, Reverse Copy of La Factoria (The Factory), from "Les Caprices"

Anonymous

Reverse Copy of La Factoria (The Factory), from "Les Caprices", 17th century

Etching

5.2 × 7.5 cm

The Metropolitan Museum of Art

C24-346834

Anonymous, Reverse Copy of La Factoria (The Factory), from Les Caprices

Anonymous

Reverse Copy of La Factoria (The Factory), from Les Caprices, 17th century

Etching

6.1 × 8.5 cm

The Metropolitan Museum of Art

C24-342226

Anonymous, Reverse Copy of La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls)

Anonymous

Reverse Copy of La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls), 17th century

Etching

18 × 32.8 cm

The Metropolitan Museum of Art

C24-352125

Anonymous, Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set

Anonymous

Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set, 17th century

Etching

6 × 8.2 cm

The Metropolitan Museum of Art

C24-348082

Anonymous, Reverse Copy of La Mendainte au Rosaire (The Female Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of La Mendainte au Rosaire (The Female Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.1 × 9 cm

The Metropolitan Museum of Art

C24-348073

Anonymous, Reverse Copy of La Mendainte aux Béquilles (The Female Beggar with Crutches), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of La Mendainte aux Béquilles (The Female Beggar with Crutches), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.7 × 8.8 cm

The Metropolitan Museum of Art

C24-348091

Anonymous, Reverse Copy of La Mendiante a La Sébille (The Female Beggar with The Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of La Mendiante a La Sébille (The Female Beggar with The Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.5 × 8.8 cm

The Metropolitan Museum of Art

C24-348093

Anonymous, Reverse Copy of La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

14 × 8.9 cm

The Metropolitan Museum of Art

C24-348090

Anonymous, Reverse Copy of La Mère et ses Trois Enfants (The Woman and her Three Children), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

Reverse Copy of La Mère et ses Trois Enfants (The Woman and her Three Children), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons), 17th century

Etching

13.8 × 8.7 cm

The Metropolitan Museum of Art

C24-348064

Anonymous, Reverse Copy of La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.5 × 8.1 cm

The Metropolitan Museum of Art

C24-346823

Anonymous, Reverse Copy of Le Commandant a Pied (The Commander on Foot), from "Les Caprices"

Anonymous

Reverse Copy of Le Commandant a Pied (The Commander on Foot), from "Les Caprices", 17th century

Etching

5.3 × 8.2 cm

The Metropolitan Museum of Art

C24-346816

Anonymous, Reverse Copy of Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion)

Anonymous

Reverse Copy of Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion), 17th century

Etching

14 × 13.8 cm

The Metropolitan Museum of Art

C24-346781

Anonymous, Reverse Copy of Le Débarquement des Troupes (The Landing of the Troops)

Anonymous

Reverse Copy of Le Débarquement des Troupes (The Landing of the Troops), 17th century

Etching and engraving

17.3 × 40.4 cm

The Metropolitan Museum of Art

C24-452056

Anonymous, Reverse Copy of Le Feu d'Artifice sur l'Arno (Fireworks on the Arno), from "Les Caprices"

Anonymous

Reverse Copy of Le Feu d'Artifice sur l'Arno (Fireworks on the Arno), from "Les Caprices", 17th century

Etching

5.5 × 8 cm

The Metropolitan Museum of Art

C24-346820

Anonymous, Reverse Copy of Le Gentilhomme au Grand Manteau, Vu de Dos (Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series A, The Florence Set

Anonymous

Reverse Copy of Le Gentilhomme au Grand Manteau, Vu de Dos (Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series A, The Florence Set, 17th century

Etching

5.4 × 8 cm

The Metropolitan Museum of Art

C24-348046