Auguste Rodin, Embracing Couple or Prodigal Son
The J. Paul Getty Museum, Los Angeles · Digital image courtesy of Getty's Open Content ProgramView original →
Auguste Rodin

Embracing Couple or Prodigal Son

about 1880

Current Collection

J. Paul Getty Museum

Los Angeles, United States

Medium
Pen and brown ink and brush and brown wash with gray opaque watercolor over black chalk, heightened with white opaque watercolor, on tracing paper
Dimensions
21 × 16.2 cm
Status
In Museum Collection
Collect24 Art ID
C24-205903

A figure moves from the right to embrace a slightly taller shadowed form. Rodin first sketched the entwined pair in pen and ink before revising and enhancing the figure on the left with wash and opaque watercolor. His delicate application of ink and watercolor over the pen strokes creates playful effects of contrasting shadow and light which belie the powerful forms and inherent strong emotion of the scene. A kneeling penitent figure is lightly sketched in ink with the sheet turned 180 degrees. The study is one of Rodin’s so-called “black drawings,” named for their dark and tormented subjects. Executed around 1880, these works closely relate to Rodin’s major sculptural commission The Gates of Hell, on which he began work in that year. The black drawings were not directly preparatory for the sculpted figures in this ambitious project, but were similarly inspired by the Inferno, the first part of Dante Alighieri’s epic Divine Comedy. Recalling this period of his career, Rodin said, “I lived a whole year with Dante, living only of him and with him and sketching the eight circles of his Hell....”

Provenance

The J. Paul Getty Museum, Los Angeles

Registry history

  • about 1880 — Recorded in the collection of J. Paul Getty Museum — drawings

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