Rosso Fiorentino, Study of a Male Figure (Empedocles and/or Saint Roch)
The J. Paul Getty Museum, Los Angeles · Digital image courtesy of Getty's Open Content ProgramView original →
Rosso Fiorentino

Study of a Male Figure (Empedocles and/or Saint Roch)

about 1538–1540

Current Collection

J. Paul Getty Museum

Los Angeles, United States

Medium
Red chalk with traces of black chalk; outlines indented with a stylus for transfer
Dimensions
25.1 × 14.8 cm
Status
In Museum Collection
Collect24 Art ID
C24-196026

Typically, Rosso Fiorentino enlivened this single figure with spirited hand gestures and complex patterns of elaborate drapery folds. He identified Empedocles by including the crescent moon with rays of light and a hand pointing upward to the sun. The figure's grave expression and walking stance refer to his serious concerns and his travels. A Greek philosopher, poet, orator, religious teacher, naturalist, and founder of the Italian school of medicine, Empedocles was active around 444 B.C. in Sicily. Although born wealthy, he zealously supported the poor and participated in a revolution against tyrannical leadership but refused an invitation to become king. French engraver René Boyvin used this drawing as the basis for his print of Empedocles. The outlines show that Boyvin traced it with a stylus for transfer; the resulting printed image is a reverse of the drawing. Another artist copied Boyvin's print for an engraving of Saint Roch in 1563. Empedocles' reputation for curative powers in his own time, even for averting epidemics, may have suggested an analogy with Saint Roch, the Christian saint of protection against the plague.

Provenance

The J. Paul Getty Museum, Los Angeles

Registry history

  • about 1538–1540 — Recorded in the collection of J. Paul Getty Museum — drawings

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