Bernardo Bellotto, View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo
The J. Paul Getty Museum, Los Angeles · Digital image courtesy of Getty's Open Content ProgramView original →
Bernardo Bellotto

View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo

about 1743

Current Collection

J. Paul Getty Museum

Los Angeles, United States

Medium
Oil on canvas
Dimensions
139.1 × 236.9 cm
Status
In Museum Collection
Collect24 Art ID
C24-137796

Bernardo Bellotto was the nephew of Canaletto, a painter renowned for his idealized views of Venice. Together they produced many painted vistas for tourists who stopped in Venice on their Grand Tour of Italy. Grand Tourists would have purchased these types of paintings as souvenirs and reflections of their cultural sophistication. In this architectural record of Venice and the Grand Canal, Bellotto presented a cross-section of Venetian society going about business on a sunny morning. Light from the east falls upon the Palazzo Pisani-Gritti with its arched windows and painted façade. A Venetian devotional box that would have housed a religious icon hangs below the arched windows of the building at the left. Such boxes were usually placed on a building right next to the canal so that passers-by could pause for a moment of prayer upon leaving or arriving. Its image reflected in the canal, the Baroque church of Santa Maria della Salute dominates the right bank. Next to it, behind a shadowy row of houses, stands the Gothic façade of the Abbey of San Gregorio. At the center with its copper globe is the Dogana or customs building. Gondolas and ferries, modes of transportation still i…

Provenance

The J. Paul Getty Museum, Los Angeles

Registry history

  • about 1743 — Recorded in the collection of J. Paul Getty Museum

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