Registry catalogue
Thomas Rowlandson
All works
2,081 works in the Collect24 Registry
← Back to the Thomas Rowlandson artist pageShowing 577–624 of 2,081
Thomas Rowlandson
Plate 40, from "World in Miniature", 1816
Hand-colored etching
17.3 × 24.3 cm
The Metropolitan Museum of Art
C24-308319
Thomas Rowlandson
Plate 5, from "World in Miniature", 1816
Hand-colored etching
24.4 × 17.2 cm
The Metropolitan Museum of Art
C24-308397
Thomas Rowlandson
Plate 6: The Ale-House Door, from "World in Miniature", 1816
Hand-colored etching
17 × 24.1 cm
The Metropolitan Museum of Art
C24-302756

Thomas Rowlandson
Plate 7, from "World in Miniature", 1816
Hand-colored etching
24 × 16.9 cm
The Metropolitan Museum of Art
C24-302081
Thomas Rowlandson
Plate 8, from "World in Miniature", 1816
Hand-colored etching
24 × 17 cm
The Metropolitan Museum of Art
C24-308406

Thomas Rowlandson
Plate 9, from "World in Miniature", 1816
Hand-colored etching
23.8 × 17.1 cm
The Metropolitan Museum of Art
C24-319897

Thomas Rowlandson
Richardson's Show: A Flying Wagon, 1816
etching, hand colored
Cleveland Museum of Art
C24-560659

Thomas Rowlandson
The Antiquary's Last Will and Testament (from The English Dance of Death, vol. I, plate 2), 1816
Hand-colored etching
13.7 × 23.2 cm
The Metropolitan Museum of Art
C24-419695
Thomas Rowlandson
Title page, from "The Vicar of Wakefield", 1817
Letterpress
23.2 × 14 cm
The Metropolitan Museum of Art
C24-261976
Thomas Rowlandson
At the Tomb of Laura, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1817–21
Hand-colored etching and aquatint
14 × 22.8 cm
The Metropolitan Museum of Art
C24-457576
Thomas Rowlandson
The Embrace, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1817–21
Hand-colored etching and aquatint
14.3 × 22.9 cm
The Metropolitan Museum of Art
C24-457586

Thomas Rowlandson
Wild Irish, or Paddy from Cork with his Coat Buttoned Behind, 1818
Hand-colored etching
25.3 × 37.1 cm
The Metropolitan Museum of Art
C24-412064
Thomas Rowlandson
Tracing of scene from Dr. Syntax, 1819
Graphite
17.5 × 11 cm
The Metropolitan Museum of Art
C24-938537
Thomas Rowlandson
View near Bridport, Dorsetshire, 1819–22
Hand-colored etching
17.5 × 24.5 cm
The Metropolitan Museum of Art
C24-416305
Thomas Rowlandson
A Prisoner at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1820
Hand-colored etching and aquatint
14.1 × 22.6 cm
The Metropolitan Museum of Art
C24-456337
Thomas Rowlandson
Dr. Syntax and the Superannuated Fox Hunters, 1820
Graphite on tracing paper
13.2 × 21 cm
The Metropolitan Museum of Art
C24-567978
Thomas Rowlandson
Dr. Syntax Loses His Wig, 1820
Graphite on tracing paper
11.5 × 19.3 cm
The Metropolitan Museum of Art
C24-567981
Thomas Rowlandson
Past One O'Clock, 1820
Hand-colored etching
13.8 × 8.8 cm
The Metropolitan Museum of Art
C24-432166
Thomas Rowlandson
The Arrival in Paris, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1820
Hand-colored etching and aquatint
14.3 × 22.9 cm
The Metropolitan Museum of Art
C24-456347
Thomas Rowlandson
A Tragic Story at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.2 × 22.8 cm
The Metropolitan Museum of Art
C24-456340
Thomas Rowlandson
Auction of Relics at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.1 × 22.8 cm
The Metropolitan Museum of Art
C24-456335
Thomas Rowlandson
Consulting the Prophet, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.3 × 22.9 cm
The Metropolitan Museum of Art
C24-456339

Thomas Rowlandson
Frontispiece: Before the Tribunal at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.1 × 22.9 cm
The Metropolitan Museum of Art
C24-456710

Thomas Rowlandson
Liberality to infirm beggars on leaving Yrvi, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.1 × 22.8 cm
The Metropolitan Museum of Art
C24-456708
Thomas Rowlandson
Pleasures of a Poste Aux Ânes, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.3 × 23 cm
The Metropolitan Museum of Art
C24-456338
Thomas Rowlandson
Rural Happiness at Caverac, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.1 × 22.9 cm
The Metropolitan Museum of Art
C24-456333

Thomas Rowlandson
Searched by the Douaniers on the French Frontiers, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.3 × 23 cm
The Metropolitan Museum of Art
C24-456709
Thomas Rowlandson
Table d'Hote, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.5 × 22.8 cm
The Metropolitan Museum of Art
C24-456334

Thomas Rowlandson
The Prophet discovering himself and exposing the deception, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.4 × 22.5 cm
The Metropolitan Museum of Art
C24-456711
Thomas Rowlandson
The Sacred Page Displayed, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Hand-colored etching and aquatint
14.3 × 22.5 cm
The Metropolitan Museum of Art
C24-456344
Thomas Rowlandson
Title page, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821
Letterpress
22.8 × 14 cm
The Metropolitan Museum of Art
C24-270292
Thomas Rowlandson
A Cottage in the Dutchy of Cornwall, 1822
Hand-colored etching and aquatint
19 × 23.8 cm
The Metropolitan Museum of Art
C24-455972
Thomas Rowlandson
A View in Devonshire, 1822
Hand-colored etching and aquatint
19 × 23.7 cm
The Metropolitan Museum of Art
C24-455970
Thomas Rowlandson
A View near Richmond, 1822
Hand-colored etching and aquatint
18.8 × 23.8 cm
The Metropolitan Museum of Art
C24-455968
Thomas Rowlandson
A View of Camelford, Cornwall, 1822
Hand-colored etching and aquatint
18.8 × 23.8 cm
The Metropolitan Museum of Art
C24-455971
Thomas Rowlandson
Clearing a Wreck on the North Coast of Cornwall, 1822
Hand-colored etching
18.4 × 24.5 cm
The Metropolitan Museum of Art
C24-418536

Thomas Rowlandson
Fowey, Cornwall, 1822
Hand-colored etching and aquatint
18.8 × 23.6 cm
The Metropolitan Museum of Art
C24-455623
Thomas Rowlandson
Quoe Genus in the Sports of the Kitchen, from "The History of Johnny Quoe Genus: the Little Foundling of the Late Doctor Syntax", 1822
Etching; proof before letters
12.3 × 20.3 cm
The Metropolitan Museum of Art
C24-452988
Thomas Rowlandson
Rouler Moor, Cornwall, 1822
Hand-colored etching
17.4 × 24.8 cm
The Metropolitan Museum of Art
C24-416306

Thomas Rowlandson
Rowlandson's Sketches from Nature: West Loo, Cornwall, 1822
etching, hand colored
Cleveland Museum of Art
C24-278868

Thomas Rowlandson
Stamford Lincolnshire, 1822
Hand-colored etching and aquatint
18.8 × 23.6 cm
The Metropolitan Museum of Art
C24-455624

Thomas Rowlandson
Taunton Vale, Somersetshire, 1822
Hand-colored etching and aquatint
18.8 × 23.6 cm
The Metropolitan Museum of Art
C24-455976
Thomas Rowlandson
Temple at Strawberry Hill, from "Sketches from Nature", 1822
Hand-colored etching and aquatint
18.8 × 24 cm
The Metropolitan Museum of Art
C24-455973
Thomas Rowlandson
The Seat of M. Mitchell Esq. Henger, Cornwall, 1822
Hand-colored etching and aquatint
19 × 23.8 cm
The Metropolitan Museum of Art
C24-455974

Thomas Rowlandson
Title page, from "Sketches from Nature", 1822
Letterpress
25.1 × 19.8 cm
The Metropolitan Museum of Art
C24-257104
Thomas Rowlandson
Title page, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax", 1822
Letterpress
21.3 × 13.2 cm
The Metropolitan Museum of Art
C24-270295

Thomas Rowlandson
Untitled, 1822
Hand-colored etching
19.1 × 23.7 cm
The Metropolitan Museum of Art
C24-404151
Thomas Rowlandson
View Near Newport Isle of Wight, 1822
Victoria and Albert Museum
C24-572145

