Nicolas Poussin

Nicolas Poussin

Nativity, 1653

oil paint

45.9 × 39.5 cm

Bavarian State Painting Collections

C24-185884

Nicolas Poussin

Noli me tangere, 1653

oil paint

47 × 39 cm

Museo del Prado

C24-387252

Nicolas Poussin

Saints Peter and John Healing the Lame Man, 1655

Oil on canvas

125.7 × 165.1 cm

The Metropolitan Museum of Art

C24-103208

Nicolas Poussin

Saint Frances Announcing the End of the Plague in Rome, 1657

oil paint

130 × 101 cm

Department of Paintings of the Louvre

C24-270932

Nicolas Poussin

Blind Orion Searching for the Rising Sun, 1658

Oil on canvas

119.1 × 182.9 cm

The Metropolitan Museum of Art

C24-103130

Nicolas Poussin

River Estuary, 1675/99

Sepia and wash on paper

28.9 × 44.8 cm

Art Institute of Chicago

C24-1149260

Nicolas Poussin

Cinerary Urn, after the Antique, 17th–19th century

Pen and brown ink, brush and brown wash, over black chalk

28.6 × 22.2 cm

The Metropolitan Museum of Art

C24-939670

Nicolas Poussin

Apollo and the Muses on Mount Parnassus, about 1626–1628

Pen and brown ink, brush with brown wash; small, irregular section at right margin added

17.6 × 24.6 cm

J. Paul Getty Museum

C24-209432

Nicolas Poussin

The Crossing of the Red Sea, about 1626–1628

Red chalk

15.6 × 22.5 cm

J. Paul Getty Museum

C24-212056

Nicolas Poussin

Studies of Antiquities (recto); Studies of Antiquities (verso), about 1632–1635

Pen and brown ink and brown wash (recto); pen and brown ink, later red chalk framing lines (verso)

26.8 × 19.7 cm

J. Paul Getty Museum

C24-212123

Nicolas Poussin

Two Studies of an Ancient Statue (recto); Scylla and a Centaur (verso), about 1632–1635

Pen and brown ink, with some later red chalk framing lines

16.2 × 12.5 cm

J. Paul Getty Museum

C24-205190

Nicolas Poussin

Study for the Triumph of Neptune and Amphitrite or the Birth of Venus, about 1634

Pen and brown ink

14.6 × 20.6 cm

J. Paul Getty Museum

C24-214123

Nicolas Poussin

Dancing Votary of Bacchus, about 1635

Pen and brown ink and brush and brown wash over traces of black chalk, on paper

15.7 × 13.5 cm

J. Paul Getty Museum

C24-209544

Nicolas Poussin

A Path Leading into a Forest Clearing, about 1635–1640

Pen and brown ink and brown wash

38.6 × 24.6 cm

J. Paul Getty Museum

C24-214115

Nicolas Poussin

Saint John Baptizing in the River Jordan, about 1635–1640

Oil on canvas

95.6 × 121.3 cm

J. Paul Getty Museum

C24-137020

Nicolas Poussin

The Holy Family, about 1651

Oil on canvas

100.6 × 132.4 cm

J. Paul Getty Museum

C24-135902

Nicolas Poussin

Figures, Chariot and Dog, c. 1624

Pen and brown and black ink, with brush and gray wash, on ivory laid paper prepared with a yellow wash

20.5 × 28.1 cm

Art Institute of Chicago

C24-1125427

Nicolas Poussin

Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27

oil on canvas

97 × 127.5 cm

Cleveland Museum of Art

C24-109042

Nicolas Poussin

The Return of the Holy Family to Nazareth, c. 1627

oil on canvas

134 × 99 cm

Cleveland Museum of Art

C24-109257

Nicolas Poussin

The Assumption of the Virgin, c. 1630/1632

oil on canvas

134.4 × 98.1 cm

National Gallery of Art

C24-102275

Nicolas Poussin

Adam and Eve, c.1790s

Print

Victoria and Albert Museum

C24-778753

Nicolas Poussin

Study of a Group of Trees, ca. 1625–50

Pen and brown ink

23.4 × 20.3 cm

The Metropolitan Museum of Art

C24-938872

Nicolas Poussin

Study of a Group of Trees, ca. 1625–50

Pen and brown ink

21.1 × 20.2 cm

The Metropolitan Museum of Art

C24-938871

Nicolas Poussin

Midas Washing at the Source of the Pactolus, ca. 1627

Oil on canvas

97.5 × 72.7 cm

The Metropolitan Museum of Art

C24-104144

Nicolas Poussin

The Holy Family with Saint John the Baptist, ca. 1627

Oil on canvas

76.2 × 63.5 cm

The Metropolitan Museum of Art

C24-103514

Nicolas Poussin

The Companions of Rinaldo, ca. 1633

Oil on canvas

118.1 × 102.2 cm

The Metropolitan Museum of Art

C24-104561

Nicolas Poussin

Studies of Details from Trajan's Column, ca. 1635

Pen and brown ink, brush and brown wash, over traces of black chalk

30.5 × 22.5 cm

The Metropolitan Museum of Art

C24-594453

Nicolas Poussin

Bacchanal, ca. 1635–36

Pen and brown ink, brush and brown wash, over faint black chalk

13.3 × 20.6 cm

The Metropolitan Museum of Art

C24-465017

Nicolas Poussin

The Sorcerer Atlante Abducting Pinabello's Lady (Ariosto, Orlando Furioso, canto II, 38), ca. 1635–38

Pen and brown ink; black chalk on verso

19.3 × 11.2 cm

The Metropolitan Museum of Art

C24-568572

Nicolas Poussin

Study of a Palm Tree (recto); Mountain Landscape (verso), ca. 1635–40

Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)

20.5 × 25.8 cm

The Metropolitan Museum of Art

C24-574874

Nicolas Poussin

The Entombment, ca. 1656–57

Pen and brown ink

8.8 × 15.6 cm

The Metropolitan Museum of Art

C24-472693

Nicolas Poussin

Le Massacre des Innocents, Entre 1626 et 1627

Peinture à l'huile , Toile (matériau)

Petit Palais

C24-147649

Nicolas Poussin

Man Kneeling With Jug (recto); Standing Man (verso), n.d.

Black chalk, with touches of white chalk, (recto and verso) on brown laid paper

36.9 × 24.7 cm

Art Institute of Chicago

C24-1113746

Nicolas Poussin

Man Praying in Wilderness, n.d.

Brush and black ink and gray wash, with touches of brush and blue-gray wash, over traces of black chalk, on blue wove paper

14 × 8.7 cm

Art Institute of Chicago

C24-1113981

Nicolas Poussin

The Abduction of the Sabine Women, probably 1633–34

Oil on canvas

154.6 × 209.9 cm

The Metropolitan Museum of Art

C24-103164

Nicolas Poussin

Maria mit dem Christuskind, Teilkopie nach Nicolas Poussin [aus einem Skizzenbuch von unbekannter Hand, evtl. des Louis Thomassin]

Bleistift auf geripptem Büttenpapier

Freies Deutsches Hochstift / Frankfurter Goethe-Museum

C24-450234

Nicolas Poussin

Mystic Marriage of St. Catherine

pen and brown ink and brush and gray and brown wash, over black chalk

Cleveland Museum of Art

C24-219637

Nicolas Poussin

Orpheus and Eurydice

Oil on canvas

120.7 × 179.7 cm

The Metropolitan Museum of Art

C24-134570