John Downman

John Downman

Memento Portrait of a Young Midshipman, 1769–1824

Watercolor, colored chalk, and graphite

25.1 × 21.6 cm

The Metropolitan Museum of Art

C24-476803

John Downman

Study after ancient sculpture of Standing Woman and Boy, 1774

Black chalk on ivory laid paper

49.5 × 30.3 cm

Art Institute of Chicago

C24-1111178

John Downman

Study after Antique Sculpture of Seated Figure with Sword and a Shield, 1774

Black chalk with stumping on ivory laid paper

53.9 × 37.4 cm

Art Institute of Chicago

C24-1125659

John Downman

Study after Antique Statue of Draped Standing Woman, 1774

Charcoal on ivory laid paper

44 × 29.2 cm

Art Institute of Chicago

C24-1111261

John Downman

Study after Nature, 1774

Brush and brown wash, varnished, with oil paint, on ivory wove paper

41 × 35.2 cm

Art Institute of Chicago

C24-1122586

John Downman

Study after Raphael's Diogenes in the School of Athens, 1774

Charcoal with stumping on ivory laid paper

39.1 × 50.3 cm

Art Institute of Chicago

C24-1122330

John Downman

Study after Roman sculpture, 1774

Charcoal on ivory laid paper

40.5 × 25.5 cm

Art Institute of Chicago

C24-1122631

John Downman

Study after Roman Statue of a Standing Woman, 1774

Black crayon on ivory laid paper prepared with a gray ground

50.3 × 39.9 cm

Art Institute of Chicago

C24-1111083

John Downman

Study after Roman Statue of Seated Girl, 1774

Black chalk on cream laid paper

36.7 × 24.4 cm

Art Institute of Chicago

C24-1122971

John Downman

Study after Statue of the Capitoline Venus, 1774

Pen and brown ink, over graphite, on ivory laid paper

48.8 × 30.3 cm

Art Institute of Chicago

C24-1122852

John Downman

Study after Statue of the Knife Grinder (also known as the Scythian), 1774

Graphite with stumping on off-white laid paper

50.1 × 39.1 cm

Art Institute of Chicago

C24-1123085

John Downman

Study after Statue of Venus de' Medici, 1774

Graphite and charcoal with stumping on ivory laid paper

48.6 × 30 cm

Art Institute of Chicago

C24-1122422

John Downman

Study after the antique: the Sleeping Ariadne, 1774

Pen and black ink and brush and gray wash, over traces of graphite, on ivory laid paper

38 × 54.4 cm

Art Institute of Chicago

C24-1122970

John Downman

Study after the Discobolus (Wounded Warrior), 1774

Black crayon on ivory laid paper

51 × 40.4 cm

Art Institute of Chicago

C24-1122851

John Downman

Study after the Spinario, 1774

Pen and brown ink, with brush and gray wash, over touches of charcoal, on cream laid paper

36.7 × 24.2 cm

Art Institute of Chicago

C24-1123077

John Downman

Study after the Statue of Crouching Venus, 1774

Charcoal with stumping and touches of black crayon on ivory laid paper

50.4 × 39.3 cm

Art Institute of Chicago

C24-1122532

John Downman

Study after the statue of the Borghese Gladiator, 1774

Charcoal with stumping on ivory laid paper prepared with a pale blue ground

50.5 × 40.4 cm

Art Institute of Chicago

C24-1122969

John Downman

Study after Antique Statue of Seated Putto Holding Mask of Silenus, 1775

Charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground

53.9 × 37 cm

Art Institute of Chicago

C24-1122425

John Downman

Study after Statue of a Seated Woman (Agrippina), 1775

Pen and brown ink and brush and gray wash, over traces of graphite, on ivory laid paper

37.7 × 54 cm

Art Institute of Chicago

C24-1111084

John Downman

Study after Statue of the Capitoline Venus, 1775

Pen and brown ink with graphite on ivory laid paper

48.2 × 26.2 cm

Art Institute of Chicago

C24-1122963

John Downman

Study after the Spinario, 1775

Black chalk with stumping on ivory laid paper

53.9 × 37.6 cm

Art Institute of Chicago

C24-1122623

John Downman

Study after the statue of a Boy Playing with a Theater Mask, 1775

Pen and brown ink, with brush and gray wash, and stumping, over black chalk, on ivory laid paper

54.2 × 37.6 cm

Art Institute of Chicago

C24-1123086

John Downman

Study of an Ancient Bas-Relief of Sleeping Hunter and Dog, 1775

Pen and brown ink and brush and gray wash, over traces of black chalk, on ivory laid paper

49.1 × 30.2 cm

Art Institute of Chicago

C24-1123087

John Downman

Study of Legs of an Antique Statue of Standing Figure, 1775

Charcoal with stumping, heightened with touches of white chalk, on cream laid paper prepared with a tan ground

53.8 × 37 cm

Art Institute of Chicago

C24-1123080

John Downman

Mrs. Downman, sister-in-law of the artist, 1776

Black chalk, brush and gray wash

24.7 × 19.6 cm

The Metropolitan Museum of Art

C24-556455

John Downman

Robert, Duke of Normandy, in Prison, 1779

copper

23 × 19.1 cm

Yale Center for British Art

C24-464411

John Downman

An Unknown Man, 1780

oil paint

35.6 × 26.7 cm

Yale Center for British Art

C24-464517

John Downman

Child Holding a Doll, 1780

Watercolor, pastel over graphite

22.9 × 18.9 cm

The Metropolitan Museum of Art

C24-505794

John Downman

Thomas Jackson, 1780

Watercolor and graphite

22.4 × 19 cm

The Metropolitan Museum of Art

C24-563388

John Downman

Study of a cap of gathered silk, 1780/89

Charcoal, heightened with white chalk, on blue laid paper

29.9 × 25.5 cm

Art Institute of Chicago

C24-1122850

John Downman

Isabella Hunter, Cousin of the Artist, 1781

Watercolor, colored chalk, and graphite

40.8 × 28.1 cm

The Metropolitan Museum of Art

C24-500789

John Downman

Miss Mary Cruikshank, only sister of James Cruikshank, 1781

Watercolor, charcoal, colored chalks over graphite

22.9 × 19 cm

The Metropolitan Museum of Art

C24-516530

John Downman

The Ghost of Clytemnestra Awakening the Furie, 1781

oil paint

50.8 × 64.8 cm

Yale Center for British Art

C24-464516

John Downman

Elizabeth Ford, later Lady Colville of Culross, 1785

Watercolor, colored chalk, and graphite

43.2 × 33 cm

The Metropolitan Museum of Art

C24-513568

John Downman

Mrs. Morgan and her Child, 1785

Watercolor, colored chalk, charcoal over graphite

41.9 × 31.4 cm

The Metropolitan Museum of Art

C24-522474

John Downman

Mrs. Palmer, 1785

Watercolor, colored chalk over graphite

20.6 × 18.7 cm

The Metropolitan Museum of Art

C24-504840

John Downman

The Dyson Children, 1787

Chalk, graphite and watercolor

54 × 43.2 cm

The Metropolitan Museum of Art

C24-477577

John Downman

Lady Caroline Wrottesley, 1792

brush and black chalk wash and watercolor with blue pastel

21.9 × 18.3 cm

Cleveland Museum of Art

C24-230963

John Downman

Lady Delaval (?), 1792

oil paint

78.1 × 78.1 cm

Tate

C24-462556

John Downman

Young Lady with a Pink Bow on Her Bodice, 1792

brush and black chalk wash and watercolor, heightened with white chalk

20.3 × 16.7 cm

Cleveland Museum of Art

C24-231077

John Downman

Young Lady with a White Bow on Her Head, 1795

brush and black chalk wash and watercolor, heightened with white gouache

22.7 × 18.9 cm

Cleveland Museum of Art

C24-228220

John Downman

A Series of sketches on the spot made by J. Downman when he took a Tour of the Lakes in Westmoreland and Cummerland [sic] 1812, 1812

Drawing

Victoria and Albert Museum

C24-339473

John Downman

A Series of sketches on the spot made by J. Downman when he took a Tour of the Lakes in Westmoreland and Cummerland [sic] 1812, 1812

Drawing

Victoria and Albert Museum

C24-469284

John Downman

Leg of Standing Figure (recto); Sketch of Shoes (verso), c. 1770-1800

Charcoal, heightened with white chalk (recto and verso), on blue laid paper

23.9 × 18.3 cm

Art Institute of Chicago

C24-1125602

John Downman

Study of a boy's legs, c. 1770-1800

Charcoal with stumping on cream wove paper

52 × 32.8 cm

Art Institute of Chicago

C24-1122621

John Downman

Study of Crossed Legs of Standing Figure, c. 1770-1800

Charcoal, heightened with white chalk, on blue laid paper

22.2 × 18.3 cm

Art Institute of Chicago

C24-1122968

John Downman

Study of Folded Brocade, c. 1770-1800

Charcoal with stumping, heightened with white chalk, on blue laid paper

43 × 26.9 cm

Art Institute of Chicago

C24-1122625

John Downman

Woman Seated in Roman Chair, c. 1770-1800

Pen and brown ink, with touches of graphite, on cream wove paper

18.3 × 24.5 cm

Art Institute of Chicago

C24-1110980