Registry catalogue
Henry Fuseli
All works
56 works in the Collect24 Registry — 1741–1825 · Swiss
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Henry Fuseli
The Creation of Eve, 1 February 1803
Victoria and Albert Museum
C24-779099
Henry Fuseli
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), 1764–70
Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
36.7 × 16.9 cm
The Metropolitan Museum of Art
C24-500308
Henry Fuseli
The Discovery (recto), Two Sketches of Standing Male Figures (verso), 1767/69
Pen and brown ink and brush and brown wash, over graphite with traces of opaque brown paint (recto), graphite (verso), on cream laid paper, tipped onto ivory laid paper
52.9 × 65.8 cm
Art Institute of Chicago
C24-884413
Henry Fuseli
Menelaus and Patroclus, after the Antique (recto and verso), 1770–78
Pen and brown ink (recto); pen and ink over graphite (verso)
24 × 17.8 cm
The Metropolitan Museum of Art
C24-594908
Henry Fuseli
Two Heads of Damned Souls from Dante's "Inferno" (recto and verso), 1770–78
Oil on canvas
40.6 × 29.8 cm
Art Institute of Chicago
C24-105118
Henry Fuseli
Odin in the Underworld, 1770/72
Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper
58.6 × 44.4 cm
Art Institute of Chicago
C24-885203
Henry Fuseli
Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man, 1770/75
Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper
57.3 × 46.2 cm
Art Institute of Chicago
C24-1113860
Henry Fuseli
Satan Starts from the Touch of Ithuriel's Spear, 1776
pen and brown ink and brush and gray wash
30.9 × 42.5 cm
Cleveland Museum of Art
C24-192230
Henry Fuseli
Oedipus at Colonus, Cursing his Son Polynices, 1777
Pen and brown ink, brush and gray wash, traces of black chalk underdrawing
25.8 × 34.3 cm
The Metropolitan Museum of Art
C24-520589
Henry Fuseli
Sketch for "Oath on the Rütli" (recto), Female Figure (verso), 1779–81 (recto); 1785–90 (verso)
Oil on canvas
76 × 67.5 cm
Art Institute of Chicago
C24-106122
Henry Fuseli
Thetis Mourning the Body of Achilles, 1780
Brush and brown and brownish-red wash, over graphite, on cream laid paper
41 × 55.7 cm
Art Institute of Chicago
C24-884691
Henry Fuseli
Sleeping Woman with a Cupid, 1780–1790
etching
22.5 × 34 cm
Cleveland Museum of Art
C24-496374
Henry Fuseli
Sleeping Woman with a Cupid (Hush), 1780–90
Etching and drypoint; published state
25 × 37.5 cm
The Metropolitan Museum of Art
C24-410766
Henry Fuseli
Sleeping Woman with a Cupid, 1780/90
Etching in red-brown on ivory laid paper
22.5 × 34.5 cm
Art Institute of Chicago
C24-1111520
Henry Fuseli
Portrait of a Lady, 1781
oil paint
127 × 101.6 cm
Detroit Institute of Arts
C24-462134
Henry Fuseli
Portrait of a Woman (Martha Hess), 1781
Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper
44.2 × 32.5 cm
Art Institute of Chicago
C24-883723
Henry Fuseli
The Nightmare, 1781
oil paint
101 × 127 cm
Detroit Institute of Arts
C24-461552
Henry Fuseli
Percival Delivering Belisane from the Enchantment of Urma, 1783
oil paint
99.1 × 125.7 cm
National Gallery
C24-343916
Henry Fuseli
Oedipus Cursing His Son Polynices, 1786
oil on canvas
149.8 × 165.4 cm
National Gallery of Art
C24-101676
Henry Fuseli
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5), 1790
Pen and brown ink over faint graphite
25.6 × 19.9 cm
The Metropolitan Museum of Art
C24-573552
Henry Fuseli
Titania and Bottom, 1790
oil paint
National Gallery
C24-343915
Henry Fuseli
Christ Disappearing at Emmaus, 1792
oil paint
143.5 × 118.1 cm
Yale Center for British Art
C24-463956
Henry Fuseli
Satan and Death with Sin Intervening, 1792
oil paint
91.3 × 71.1 cm
Bavarian State Painting Collections
C24-185759
Henry Fuseli
Milton Dictating to His Daughter, 1794
Oil on canvas
121.2 × 118.7 cm
Art Institute of Chicago
C24-104799
Henry Fuseli
The Night-Hag Visiting Lapland Witches, 1796
Oil on canvas
101.6 × 126.4 cm
The Metropolitan Museum of Art
C24-105214
Henry Fuseli
The Spirit of Knowledge, 1798
Black chalk and brush and gray wash on ivory laid paper
18.2 × 22.3 cm
Art Institute of Chicago
C24-885207
Henry Fuseli
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi), 1800–1810
Etching
19.5 × 27.3 cm
The Metropolitan Museum of Art
C24-346150
Henry Fuseli
Hercules Killing the Mares of Diomedes, 1800/05
Pen and black ink, with brush and black wash, over graphite, on cream laid paper, laid down on ivory laid paper
50.4 × 38.6 cm
Art Institute of Chicago
C24-883537
Henry Fuseli
Adam and Eve, 1802
Victoria and Albert Museum
C24-779101
Henry Fuseli
Adam and Eve, 1802
Victoria and Albert Museum
C24-779104
Henry Fuseli
Adam and Eve, 1802
Victoria and Albert Museum
C24-779390
Henry Fuseli
Adam and Eve with Satan, Ithuriel and Zephon, 1802
Victoria and Albert Museum
C24-779106
Henry Fuseli
Hagen and the Nymphs of the Danube, 1802
Graphite, pen and brown ink, watercolor and gouache on cream wove paper
31.2 × 33.6 cm
The Metropolitan Museum of Art
C24-468551
Henry Fuseli
A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper
23.2 × 31.8 cm
Art Institute of Chicago
C24-1111968
Henry Fuseli
Evening Thou Bringest All, 1803
Pen lithograph
23.6 × 32.2 cm
Cleveland Museum of Art
C24-192833
Henry Fuseli
Ugolino and His Sons Starving to Death in the Tower, 1806
Pen and black ink and brush and black, gray, and red wash, over traces of graphite, on grayish-ivory laid paper
63.9 × 52.2 cm
Art Institute of Chicago
C24-202610
Henry Fuseli
Mother and Her Family in the Country, 1806/07
Pen and black ink, and brush and black and gray wash, with watercolor and traces of white gouache, over graphite, on ivory laid paper
45.7 × 31.1 cm
Art Institute of Chicago
C24-194442
Henry Fuseli
Satan starting from the touch of Ithuriel's lance, 20 March 1823
Victoria and Albert Museum
C24-779391
Henry Fuseli
The body of Sarpedon brought home by Sleep and Death, 21 November 1809
Drawing
Victoria and Albert Museum
C24-749144
Henry Fuseli
The Cave of Despair, c. 1769
Pen and black ink, with brush and brown and gray wash and touches of red gouache, over graphite and touches of charcoal, on ivory laid paper
33.1 × 50.4 cm
Art Institute of Chicago
C24-884660
Henry Fuseli
The Changeling, c. 1780
Charcoal and brush and gray wash, heightened with touches of white gouache, over traces of graphite, on ivory laid paper, laid down on white tissue paper
53.1 × 63.6 cm
Art Institute of Chicago
C24-195698
Henry Fuseli
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso), c. 1781
Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper
53.9 × 37.2 cm
Art Institute of Chicago
C24-885165
Henry Fuseli
Figure Studies (recto and verso), c. 1800
Pen and brown ink (recto and verso) on cream laid paper
27.4 × 19 cm
Art Institute of Chicago
C24-1122189
Henry Fuseli
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso), c. 1800
Pen and brown ink (recto and verso) on ivory laid paper
20 × 15.8 cm
Art Institute of Chicago
C24-884481
Henry Fuseli
Study for Inquisition, Illustration to Columbiad, c. 1806
Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper
52.9 × 44.6 cm
Art Institute of Chicago
C24-1122176
Henry Fuseli
Perseus Starting from the Cave of the Gorgons, c. 1816
Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid down on off-white Japanese paper
55.2 × 67.6 cm
Art Institute of Chicago
C24-882910
Henry Fuseli
Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, c. 1818
Etching and aquatint on ivory wove paper
47 × 30.2 cm
Art Institute of Chicago
C24-885008
Henry Fuseli
Portrait study of Martha Hess, c.1778-79
Drawing
Victoria and Albert Museum
C24-468657