Giorgio Vasari

Giorgio Vasari

En mand i tyrkisk dragt og to mænd, der konverserer, 1511-1574

Sortkridt. Verso delvist indfarvet med sortkridt. Omrammet med pen og sort blæk

26.8 × 18 cm

SMK – National Gallery of Denmark

C24-291035

Giorgio Vasari

Florentia kroner Cosimo I tronende på skyer, 1511-1574

Sortkridt, pen, brunt blæk og brun lavering

14.2 × 14.2 cm

SMK – National Gallery of Denmark

C24-297142

Giorgio Vasari

Design for a Fountain with River Gods and Nymphs, 1511–74

Pen and brown ink, brush and brown wash, over traces of leadpoint

42.5 × 28.5 cm

The Metropolitan Museum of Art

C24-527777

Giorgio Vasari

Design for a Fountain with Rivergods and Nymphs, 1511–74

Pen with medium and dark brown ink, brush and gray wash, highlighted with white gouache, over graphite. Traces of framing outlines in pen with brown and black ink

38.6 × 25 cm

The Metropolitan Museum of Art

C24-548415

Giorgio Vasari

Judith Decapitating Holofernes, 1511–74

Pen and brown ink, brown wash

15.4 × 12.4 cm

The Metropolitan Museum of Art

C24-511563

Giorgio Vasari

The Abduction of Ganymede, 1511–74

Pen and brown ink, brush and brown wash, highlighted with white, over black chalk on blue paper; squared in black chalk

23.1 × 18 cm

The Metropolitan Museum of Art

C24-548522

Giorgio Vasari

Design for the Ceiling Decoration in Vasari's House in Arezzo, 1531–74

Pen and brown ink, brush and rose-brown wash, over black chalk, and compass and ruled construction

34.3 × 24.1 cm

The Metropolitan Museum of Art

C24-590418

Giorgio Vasari

The Temptation of Saint Jerome, 1541–48

Oil on panel

166.5 × 121.9 cm

Art Institute of Chicago

C24-105095

Giorgio Vasari

Sainte Famille, 1544

oil paint

177 × 136 cm

Department of Paintings of the Louvre

C24-240631

Giorgio Vasari

Saint Pierre marchant sur les eaux, 1545

oil paint

137.5 × 104 cm

Department of Paintings of the Louvre

C24-265921

Giorgio Vasari

Female Allegorical Figure of Benignitas (Goodness), with Attributes of Abundance Standing in a Niche (recto); Architectural Sketches (verso), 1550–70

Pen and brown ink, brush and brown wash, over an underdrawing done with traces of black chalk, ruling, and compass-work in pen and brown ink (recto); black chalk (verso)

42.1 × 25.3 cm

The Metropolitan Museum of Art

C24-938881

Giorgio Vasari

The Conversion of Saint Paul, 1554

Pen and brown ink, brush and brown wash, with splatters of gray, green and pink paint over black chalk, squared in black chalk, on cream laid paper, with framing lines in pen and brown ink, laid down on secondary paper

18.2 × 26.7 cm

Art Institute of Chicago

C24-1128919

Giorgio Vasari

The First Fruits of the Earth Offered to Saturn, 1555–56

Pen and brown ink, brush and brown wash, over traces of red chalk

17.2 × 39.2 cm

The Metropolitan Museum of Art

C24-555628

Giorgio Vasari

Apostles Peter and John Blessing the People of Samaria, 1557

paint

Gemäldegalerie Berlin

C24-463107

Giorgio Vasari

Study for Allegory of Two Quartieri of Florence, 1563/65

Pen and brown ink, on ivory laid paper, laid down on cream wove card

21.4 × 16.1 cm

Art Institute of Chicago

C24-1122231

Giorgio Vasari

The Risen Christ Adored by Saints and Angels, 1566–68

Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.

41.9 × 26.5 cm

Cleveland Museum of Art

C24-191524

Giorgio Vasari

Annunciation, 1567

oil paint

216 × 166 cm

Department of Paintings of the Louvre

C24-276203

Giorgio Vasari

Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso), 1569/73

Pen and brown ink, with brush and brown wash, on cream laid paper, squared in graphite and red chalk (recto and verso)

36.3 × 23.7 cm

Art Institute of Chicago

C24-1122216

Giorgio Vasari

Saint Luke, 1570-1571

oil on panel

177.8 × 99.1 cm

National Gallery of Art

C24-101544

Giorgio Vasari

Saint Mark, 1570-1571

oil on panel

177.8 × 99.1 cm

National Gallery of Art

C24-101545

Giorgio Vasari

Saint Paul Speaking before King Agrippa (Acts 26), 1573

Pen and brown ink, brush and brown wash, over traces of black chalk

32 × 21.3 cm

The Metropolitan Museum of Art

C24-576395

Giorgio Vasari

"Bearded Man Filling a Glass" and "Youth Running", about 1544–1545

Pen and brown ink and brown wash with touches of blue wash, heightened with white opaque watercolor, over traces of black chalk, on blue paper

J. Paul Getty Museum

C24-208843

Giorgio Vasari

Bearded Man Filling a Glass, about 1544–1545

Pen and brown ink and brown wash with touches of blue wash, heightened with white opaque watercolor, over traces of black chalk, on blue paper

44.9 × 19.7 cm

J. Paul Getty Museum

C24-212832

Giorgio Vasari

Youth Running, about 1544–1545

Pen and brown ink and brown wash with touches of blue wash, heightened with white opaque watercolor, over traces of black chalk, on blue paper

44.9 × 19.7 cm

J. Paul Getty Museum

C24-204631

Giorgio Vasari

Studies of a Male Nude, a Drapery, and a Hand, about 1555–1565

Red chalk, laid onto a piece of card

36 × 24.3 cm

J. Paul Getty Museum

C24-199672

Giorgio Vasari

Compositional Study for the Southeast Section of the Cupola of Florence Cathedral, about 1572

Pen and brown ink and brown wash over some traces of black chalk

41.3 × 21.7 cm

J. Paul Getty Museum

C24-196152

Giorgio Vasari

Female Head in Profile to Left, c. 1541

Black chalk on gray-brown laid paper, laid down on ivory laid paper

22.3 × 18 cm

Art Institute of Chicago

C24-1126932

Giorgio Vasari

Study for Ceres, c. 1556

Pen and brown ink and brush and brown wash, with traces of black chalk and red chalk wash, on ivory laid paper, laid down on ivory laid paper

15.4 × 18.9 cm

Art Institute of Chicago

C24-1122147

Giorgio Vasari

Grand Duke Cosimo I of Tuscany Surrounded by his Artists., ca. 1556–62

Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk or graphite, on gray-green paper

The Metropolitan Museum of Art

C24-938865

Giorgio Vasari

Allegory of Forgetfulness, ca. 1570

Pen and brown ink, brush and pale gray wash, over traces of black chalk, on beige paper

The Metropolitan Museum of Art

C24-517336

Giorgio Vasari

Allegory of Sleep, ca. 1570

Pen and brown ink, brush and brown wash, over traces of red chalk

The Metropolitan Museum of Art

C24-565574

Giorgio Vasari

Study for the Allegory of Birth, n.d.

Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on tan wove card

21.2 × 32.3 cm

Art Institute of Chicago

C24-1122186