Francesco Guardi

Francesco Guardi

Dogepaladsets buegang mod Piazzettaen, 1712-1793

Sortkridt, pen, brunt blæk og brun lavering

17.4 × 13.3 cm

SMK – National Gallery of Denmark

C24-196583

Francesco Guardi

Evangelisten Johannes, 1712-1793

Pen, brunt blæk og brun lavering på blåt papir

18.6 × 15 cm

SMK – National Gallery of Denmark

C24-196579

Francesco Guardi

The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso), 1712–1835

Pen and brown ink, brush with brown and gray wash over traces of black chalk (recto); pen and brown ink, brush and gray wash (verso)

20.1 × 25.7 cm

The Metropolitan Museum of Art

C24-557278

Francesco Guardi

Architectural Capriccio: A Palace Colonnade, 1712–93

Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink

27.4 × 19.1 cm

The Metropolitan Museum of Art

C24-594966

Francesco Guardi

Architectural Capriccio: Courtyard of a Palace, 1712–93

Pen and brown ink, brush and brown wash, over graphite or lead or black chalk. Framing lines in pen and brown ink. A few red chalk marks

27.7 × 18.1 cm

The Metropolitan Museum of Art

C24-531880

Francesco Guardi

Architectural Capriccio: Courtyard of a Palace, 1712–93

Pen and brown ink, brush and brown wash, over red chalk

27.1 × 18.8 cm

The Metropolitan Museum of Art

C24-571532

Francesco Guardi

Architectural Capriccio: Courtyard of a Palace (recto); Saint Aloysius Gonzaga Holding a Crucifix (verso), 1712–93

Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)

27.9 × 20.3 cm

The Metropolitan Museum of Art

C24-538102

Francesco Guardi

Architectural Capriccio: Garden Entrance to a Palace (recto); Three Masked and Costumed Figures and Other Figure Studies (verso), 1712–93

Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink (recto); pen and light brown ink for costumed figures; dark brown ink for the other figures; in graphite, drawing of a head in profile (verso)

18.3 × 11.5 cm

The Metropolitan Museum of Art

C24-497515

Francesco Guardi

Architectural Capriccio: Grand Staircase Seen through an Archway, 1712–93

Pen and brown ink, brush and brown wash, over black chalk

34.8 × 27.9 cm

The Metropolitan Museum of Art

C24-570931

Francesco Guardi

Architectural Capriccio: Vaulted Colonnade of a Palace, 1712–93

Pen and brown ink, over red chalk

18 × 25.3 cm

The Metropolitan Museum of Art

C24-562631

Francesco Guardi

Architectural Capriccio: Vaulted Passageway Leading to a Square, 1712–93

Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink

20.3 × 24.5 cm

The Metropolitan Museum of Art

C24-603727

Francesco Guardi

Architectural Fantasy: Figures on a Grand Staircase, 1712–93

Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink

26.6 × 15.9 cm

The Metropolitan Museum of Art

C24-521556

Francesco Guardi

Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), 1712–93

Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and brown wash (verso)

25.3 × 15.8 cm

The Metropolitan Museum of Art

C24-606850

Francesco Guardi

Bullbaiting in a Venetian Piazza, 1712–93

Pen and brown ink

13.8 × 33.4 cm

The Metropolitan Museum of Art

C24-490232

Francesco Guardi

Capriccio with a Seaport and Classical Ruins, 1712–93

Pen and brown ink, brush and brown wash, over black chalk

24.9 × 46.9 cm

The Metropolitan Museum of Art

C24-591197

Francesco Guardi

Design for a Framing Motif, 1712–93

Pen and brown ink, brush with light and dark green watercolor (?), over graphite or lead or black chalk

41.2 × 43.2 cm

The Metropolitan Museum of Art

C24-939266

Francesco Guardi

Dice Players in a Venetian Square, 1712–93

Pen and brown ink, brush and brown wash, over traces of graphite or lead or black chalk; framing lines in pen and brown ink

37.6 × 26.8 cm

The Metropolitan Museum of Art

C24-538417

Francesco Guardi

Figure Studies (recto); Figures Along a Canal and on a Bridge; to the right, a Curtain and a Stool (?) (verso), 1712–93

Black chalk, pen and brown ink, over black chalk on beige paper (recto); black chalk (verso); framing lines in pen and brown ink

19.5 × 25.6 cm

The Metropolitan Museum of Art

C24-542869

Francesco Guardi

Gardens of the Villa Correr, near Strà (recto); Study for The Transverberation of Saint Teresa of Jesus and a Study of Hands (verso), 1712–93

Pen and brown ink, brush and brown wash, over charcoal (recto). Framing lines in pen and brown ink; charcoal (verso)

23 × 39.4 cm

The Metropolitan Museum of Art

C24-592169

Francesco Guardi

Lagoon Capriccio with a Tower, 1712–93

Pen and brown ink, brush and brown wash, over black chalk

19.1 × 26.9 cm

The Metropolitan Museum of Art

C24-577495

Francesco Guardi

Studies for Groups of Walking Dressed Figures, 1712–93

Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown

15.1 × 28 cm

The Metropolitan Museum of Art

C24-593472

Francesco Guardi

Studies of Walking Figures, 1712–93

Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown. Another figure in black chalk at lower left of drawing

16.3 × 21.9 cm

The Metropolitan Museum of Art

C24-484688

Francesco Guardi

The Arcade of the Libreria, Looking Toward San Giorgio Maggiore, 1712–93

Pen and brown ink, brush and brown wash

14.8 × 11.1 cm

The Metropolitan Museum of Art

C24-514933

Francesco Guardi

The Bucintoro Moving to the Left (recto); The Bucintoro Moving to the Right (verso), 1712–93

Pen and brown ink, brush with brown and red wash (recto); pen and brown ink (verso)

11.9 × 23.9 cm

The Metropolitan Museum of Art

C24-526660

Francesco Guardi

The Fire at San Marcuola (recto); Roman Ruins (verso), 1712–93

Pen and brown ink, brush and brown wash, over black chalk (recto); framing lines in pen and brown ink Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink at the left, top and bottom border in graphite at the right border (verso)

31.2 × 45.2 cm

The Metropolitan Museum of Art

C24-550837

Francesco Guardi

The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), 1712–93

Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk, pen and brown ink, brush and brown wash (verso)

40.6 × 72.3 cm

The Metropolitan Museum of Art

C24-561051

Francesco Guardi

The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso), 1712–93

Pen and brown ink, brush with brown and gray wash, over red chalk (recto); at upper border appear two feet wearing pointed shoes, pricked for transfer and executed in brush and brown, blue, and yellow wash (verso)

11.6 × 28.8 cm

The Metropolitan Museum of Art

C24-553188

Francesco Guardi

The Piazzetta, Looking Toward San Giorgio Maggiore (recto); Two Columns (verso), 1712–93

Pen and brown ink, brush and brown wash (recto). Framing lines in pen and brown ink. Pen and brown ink sketch of two columns (verso)

15.2 × 26.1 cm

The Metropolitan Museum of Art

C24-611150

Francesco Guardi

The Staircase of the Giants, Ducal Palace, Venice, 1712–93

Pen and brown ink, brush and brown wash, over red chalk. Selectively pricked holes for the construction of straight lines

26.4 × 18.5 cm

The Metropolitan Museum of Art

C24-531372

Francesco Guardi

The Virgin and Child Holding Scapulars, 1712–93

Red chalk, traces of gouache highlight, on gray (originally blue) paper

14.3 × 11.8 cm

The Metropolitan Museum of Art

C24-939028

Francesco Guardi

View of Piazza with Basilica of San Marco, 1712–93

Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink at left and right margins. Pricked for transfer

24.5 × 21.6 cm

The Metropolitan Museum of Art

C24-584457

Francesco Guardi

ecstasy of two monks; Allegorie des Glaubens und der Liebe, 1737

oil paint

110 × 96 cm

Munich Central Collecting Point

C24-408714

Francesco Guardi

view of Venice, 1737

oil paint

55.5 × 40 cm

Munich Central Collecting Point

C24-399985

Francesco Guardi

An Architectural Caprice, 1750

oil paint

54 × 36 cm

National Gallery

C24-346056

Francesco Guardi

La Guidecca à Venise, 1750

canvas

33 × 54 cm

Department of Paintings of the Louvre

C24-247120

Francesco Guardi

Venice: The Grand Canal with Palazzo Pesaro, 1750

oil paint

92.7 × 130.9 cm

National Gallery

C24-363538

Francesco Guardi

Vue de San Simeone Piccolo à Venise, 1750

canvas

32 × 52 cm

Department of Paintings of the Louvre

C24-249360

Francesco Guardi

Abraham Welcoming the Three Angels, 1750s

oil on canvas

56.5 × 75.5 cm

Cleveland Museum of Art

C24-110172

Francesco Guardi

The Angels Appearing to Abraham, 1750s

oil on canvas

56.5 × 75.5 cm

Cleveland Museum of Art

C24-110228

Francesco Guardi

The Sacrifice of Isaac, 1750s

oil on canvas

56.5 × 75.5 cm

Cleveland Museum of Art

C24-109915

Francesco Guardi

The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series), 1750s

oil on canvas

56.5 × 75.5 cm

Cleveland Museum of Art

C24-109307

Francesco Guardi

Tobias and the Angel, 1750s

oil on canvas

56.5 × 75.5 cm

Cleveland Museum of Art

C24-110167

Francesco Guardi

Venice: The Arsenal, 1757

oil paint

62.3 × 96.9 cm

National Gallery

C24-358067

Francesco Guardi

Antike Ruinen mit zwei Figuren, 1760

54.5 × 72 cm

Munich Central Collecting Point

C24-391808

Francesco Guardi

Venice: Piazza San Marco, 1760

oil paint

72.5 × 119 cm

National Gallery

C24-363541

Francesco Guardi

Miracle of a dominican Saint (Gonzalo di Amarante?), 1763

oil paint

122 × 172 cm

Kunsthistorisches Museum

C24-434477

Francesco Guardi

De ingang van het Canal Grande met de Santa Maria della Salu, 1765

oil paint

34.5 × 53 cm

Cultural Heritage Agency of the Netherlands Art Collection

C24-334243

Francesco Guardi

View over the Giudecca Canal to the northwest with the Zattere, 1765

oil paint

Gemäldegalerie Berlin

C24-463395