anonymous

Anonymous

The Marriage at Cana, 1590–ca. 1620

Engraving

8.7 × 6 cm

The Metropolitan Museum of Art

C24-342565

Anonymous

The Nativity, 1590–ca. 1620

Engraving

8.9 × 6 cm

The Metropolitan Museum of Art

C24-342228

Anonymous

The Presentation of the Virgin Mary, 1590–ca. 1620

Engraving

8.8 × 6.1 cm

The Metropolitan Museum of Art

C24-342240

Anonymous

The Purification of the Virgin Mary, 1590–ca. 1620

Engraving

9.2 × 6 cm

The Metropolitan Museum of Art

C24-342232

Anonymous

The Visitation, 1590–ca. 1620

Engraving

8.8 × 5.9 cm

The Metropolitan Museum of Art

C24-342239

Anonymous

The arrival of Henri III of France at the Lido in Venice in 1574, 1591

Etching and engraving

35.5 × 60.5 cm

The Metropolitan Museum of Art

C24-196304

Anonymous

An Old Man (Saint Paul), 1592

Engraving

39.6 × 20.1 cm

The Metropolitan Museum of Art

C24-452059

anonymous

Portrait of Doedt van Holdinga (1570-1646), 1598

panel

190 × 90.9 cm

Rijksmuseum

C24-108526

anonymous

Peace Urging the Churches to be Tolerant, 1600 - 1624

canvas

131.5 × 162.5 cm

Rijksmuseum

C24-107755

anonymous

Last Judgement, 1600 - 1649

paper, grisaille

83 × 62 cm

Rijksmuseum

C24-111958

anonymous

Apostle Paul, 1600 - 1699

canvas

65 × 51.5 cm

Rijksmuseum

C24-111963

anonymous

Portrait of Gaston de Foix, French Military Commander, 1600 - 1799

panel

53.2 × 46 cm

Rijksmuseum

C24-114224

Anonymous

Christ seen in half-length, holding a globe surmounted by a cross, 1600–1680

Etching

17.5 × 15.5 cm

The Metropolitan Museum of Art

C24-346809

Anonymous

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni, 1600–1700

Etching

24.5 × 15.6 cm

The Metropolitan Museum of Art

C24-247285

Anonymous

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni, 1600–1700

Etching

23 × 15.2 cm

The Metropolitan Museum of Art

C24-235314

Anonymous

Massacre of the Innocents, reduced and reversed copy, 1600–29

Engraving

21 × 25.6 cm

The Metropolitan Museum of Art

C24-348038

Anonymous

Descent from the Cross, 1600s

black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)

42.5 × 28.1 cm

Cleveland Museum of Art

C24-226896

Anonymous

Design for a Monstrance, 1600s

pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphite

76.6 × 43 cm

Cleveland Museum of Art

C24-218935

Anonymous

Five Figure Studies (verso), 1600s

graphite

10.1 × 15.4 cm

Cleveland Museum of Art

C24-212543

Anonymous

Head of a Woman, 1600s

black and red chalk over graphite, heightened with white chalk (with additions? in yellow and orange pastel?)

23 × 16 cm

Cleveland Museum of Art

C24-1102582

Anonymous

Holy Family, 1600s

pen and brown ink and brush and brown wash over traces of black chalk or charcoal

10.3 × 8 cm

Cleveland Museum of Art

C24-224836

Anonymous

Lobster (recto), 1600s

brush and black, gray and brown wash, and red watercolor, heightened with white gouache

12.5 × 30.1 cm

Cleveland Museum of Art

C24-231649

Anonymous

Lobster (recto) Sketch of an Armoured Male Figure (verso), 1600s

brush and black, gray and brown wash, and red watercolor, heightened with white gouache

12.5 × 30.1 cm

Cleveland Museum of Art

C24-226132

Anonymous

Noli Me Tangere, 1600s

red chalk, brush and brown chalk wash, brush and brown ink, with brush and red chalk wash and red paint, heightened with white gouache

25.4 × 33.2 cm

Cleveland Museum of Art

C24-218874

Anonymous

Sketch of an Armoured Male Figure (verso), 1600s

graphite (figure); pen and black ink (cross hatching); random paint and ink stains

30.1 × 12.5 cm

Cleveland Museum of Art

C24-228198

Anonymous

Two Men Tying a Bundle (recto), 1600s

graphite and red chalk

10.1 × 15.4 cm

Cleveland Museum of Art

C24-213105

Anonymous

Two Men Tying a Bundle (recto) Five Figure Studies (verso), 1600s

graphite and red chalk

10.1 × 15.4 cm

Cleveland Museum of Art

C24-225434

anonymous

Portrait of Francisco Hurtado de Mendoza, 1601

canvas

97 × 76 cm

Rijksmuseum

C24-108740

anonymous

Portrait of a Botanist, 1603

panel

103.4 × 82 cm

Rijksmuseum

C24-113947

anonymous

Portrait of a Woman, 1603

panel

104 × 83 cm

Rijksmuseum

C24-113948

Anonymous

Design of the catafalque for the exequies of the Marchesa di Villena in San Giacomo degli Spagnoli, Rome, from "Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura", 1604

Engraving

41.1 × 27.7 cm

The Metropolitan Museum of Art

C24-329719

anonymous

Portrait of a Little Boy, Possibly Louis of Nassau, 1604

panel

90 × 69 cm

Rijksmuseum

C24-104350

Anonymous

The Samaritan woman standing at the well, Christ seated next to her pointing to the right, after Annibale Caracci, 1610

Etching

28 × 40.2 cm

The Metropolitan Museum of Art

C24-285546

Anonymous

Plate 1: Julius Caesar looking to the right, from "The Twelve Caesars", 1610–40

Etching and engraving

51.8 × 37 cm

The Metropolitan Museum of Art

C24-452115

Anonymous

Plate 10: Vespasian with his head turned slightly to the left, from "The Twelve Caesars", 1610–40

Etching and engraving

51.5 × 36.9 cm

The Metropolitan Museum of Art

C24-452087

Anonymous

Plate 11: Titus Vespasian looking to the right, from "The Twelve Caesars", 1610–40

Etching and engraving

50.9 × 37 cm

The Metropolitan Museum of Art

C24-452085

Anonymous

Plate 12: Domitian in profile to the right, from "The Twelve Caesars", 1610–40

Etching and engraving

51.6 × 36.8 cm

The Metropolitan Museum of Art

C24-452079

Anonymous

Plate 2: Octavius in profile to the left, from 'The Twelve Caesars', 1610–40

Etching and engraving

51 × 36.7 cm

The Metropolitan Museum of Art

C24-452060

Anonymous

Plate 3: Tiberius turned to the right, from 'The Twelve Caesars', 1610–40

Etching and engraving

51.6 × 36.7 cm

The Metropolitan Museum of Art

C24-452045

Anonymous

Plate 4: Caius in profile facing left, from "The Twelve Caesars", 1610–40

Etching and engraving

51.7 × 36.5 cm

The Metropolitan Museum of Art

C24-452095

Anonymous

Plate 5: Tiberius Claudius in profile to the right, from "The Twelve Caesars", 1610–40

Etching and engraving

51.7 × 37 cm

The Metropolitan Museum of Art

C24-452089

Anonymous

Plate 6: Nero with his head turned slightly to the right, from "The Twelve Caesars", 1610–40

Etching and engraving

51.6 × 36.8 cm

The Metropolitan Museum of Art

C24-452093

Anonymous

Plate 7: Sergius Galba in profile to the right, from "The Twelve Caesars", 1610–40

Etching and engraving

51.4 × 37 cm

The Metropolitan Museum of Art

C24-452083

Anonymous

Plate 8: Otho in profile facing left, from "The Twelve Caesars", 1610–40

Etching and engraving

52 × 37.2 cm

The Metropolitan Museum of Art

C24-452091

Anonymous

Plate 9: Aulus Vitellius with his head turned slightly to the left, from "The Twelve Caesars", 1610–40

Etching and engraving

51 × 36.8 cm

The Metropolitan Museum of Art

C24-452081

anonymous

Portrait of Margarita Cassier, 1616

panel

130.7 × 95.3 cm

Rijksmuseum

C24-108743

Anonymous

Death of the Virgin, lying on a chair at center, surrounded by Apostles, inside a temple, 1619–72

Etching

45.7 × 31.1 cm

The Metropolitan Museum of Art

C24-348084

Anonymous

Parade Horse, 1619?

pen and brown ink and brush and brown wash over graphite

27.2 × 32.2 cm

Cleveland Museum of Art

C24-215077