Anonymous, Italian, 16th century

Anonymous, Italian, 16th century

Woman and Old Man Seated, 16th century

Pen and brown ink

31.4 × 23.2 cm

The Metropolitan Museum of Art

C24-490131

Anonymous, Italian, 16th century

Young Soldier Showing a Head to the Populace (David?), 16th century

Pen and ink, brush and wash

17.5 × 21.9 cm

The Metropolitan Museum of Art

C24-533722

Anonymous, Italian, 16th century

Youth with two old Men, 16th century

Etching

13.5 × 10.5 cm

The Metropolitan Museum of Art

C24-361464

Anonymous, Italian, 16th century

Youth with two old Men, 16th century

Etching

12.2 × 9.6 cm

The Metropolitan Museum of Art

C24-348788

Anonymous, Italian, 16th century

Youth with two old Men, 16th century

Etching

12.1 × 9.3 cm

The Metropolitan Museum of Art

C24-348781

Anonymous, Italian, 16th century

Youth with two old Men, 16th century

Etching

12.3 × 9.6 cm

The Metropolitan Museum of Art

C24-350068

Anonymous, Italian, 16th century

Youth with two old Men, 16th century

Engraving

12.2 × 9.4 cm

The Metropolitan Museum of Art

C24-348779

Anonymous, Italian, 16th century

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

Engraving

24.2 × 17.7 cm

The Metropolitan Museum of Art

C24-378872

Anonymous, Italian, 16th century

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

Engraving

24.2 × 17.7 cm

The Metropolitan Museum of Art

C24-378870

Anonymous, Italian, 16th century

St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

Engraving

23.9 × 17.7 cm

The Metropolitan Museum of Art

C24-378874

Anonymous, Italian, 16th century

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

Engraving

23.9 × 17.7 cm

The Metropolitan Museum of Art

C24-380753

Anonymous, Italian, 16th century

Album or Scrapbook with Grotesque Designs Copied after Prints, after 1540

Pen and black ink, brush and gray wash

37.8 × 27.8 × 0.5 cm

The Metropolitan Museum of Art

C24-485962

Anonymous, Italian, 16th century

Christ on the cross flanked by the Virgin, Saint Brigit and Saint Elisabeth, ca. 1480–1500 (restrike?)

Woodcut with areas of red colouring

35.5 × 25.8 cm

The Metropolitan Museum of Art

C24-458330

Anonymous, Italian, 16th century

Bust of a Man, His Gaze Directed Toward the Spectator, ca. 1500 (?)

Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal

32.6 × 23.6 cm

The Metropolitan Museum of Art

C24-470969

Anonymous, Italian, 16th century

Trajan Between City of Victory and Rome, from "Speculum Romanae Magnificentiae", ca. 1500–34

Engraving

28.6 × 42.6 cm

The Metropolitan Museum of Art

C24-280672

Anonymous, Italian, 16th century

Saint John the Baptist embracing the Christ Child who sits on the Virgin's knee, she is being crowned by angels, other saints at left, ca. 1500–50

Woodcut

34.9 × 27.8 cm

The Metropolitan Museum of Art

C24-437620

Anonymous, Italian, 16th century

Saints Alexander and Theodore flanking Saint Benedict, ca. 1500–50

Woodcut

20.3 × 13.5 cm

The Metropolitan Museum of Art

C24-448164

Anonymous, Italian, 16th century

The drunken Silenus with putti, ca. 1515–40

Engraving

15.5 × 14 cm

The Metropolitan Museum of Art

C24-294798

Anonymous, Italian, 16th century

Christ in Limbo, a circular composition, ca. 1520–50

Woodcut

8.3 × 8.3 cm

The Metropolitan Museum of Art

C24-231341

Anonymous, Italian, 16th century

Design for a Ceiling, ca. 1520–50

Pen and brown ink, brush and brown wash, over ruled perspective orthogonals

12.2 × 9.7 cm

The Metropolitan Museum of Art

C24-540817

Anonymous, Italian, 16th century

Female personification of Faith who kneels raising a chalice in her left hand, after Parmigianino, ca. 1520–60

Chiaroscuro woodcut from three blocks in red

14 × 9.5 cm

The Metropolitan Museum of Art

C24-434600

Anonymous, Italian, 16th century

The Tiburtine Sibyl showing Emperor Augustus the Virgin and Christ Child, ca. 1530–40

Chiaroscuro woodcut from three blocks in gray (variant from 3[of 4] blocks), Version B

35.3 × 27 cm

The Metropolitan Museum of Art

C24-441695

Anonymous, Italian, 16th century

Aerarii Publici Rome, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-322086

Anonymous, Italian, 16th century

Mercurii Templum, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-305502

Anonymous, Italian, 16th century

Palatium Claudie Imperatoris, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-318271

Anonymous, Italian, 16th century

Palatium M. Agrippa, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-318269

Anonymous, Italian, 16th century

Palatium Maius Ro, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-305495

Anonymous, Italian, 16th century

Palatium Valerianu[m], from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-305499

Anonymous, Italian, 16th century

Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-322084

Anonymous, Italian, 16th century

Pinaculu Termar (sic), from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-305506

Anonymous, Italian, 16th century

Sepulchrum (sic) Adriani, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-317717

Anonymous, Italian, 16th century

Tem. Ro. Penatibus Dicatu, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-322088

Anonymous, Italian, 16th century

Templum Idor Egito, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-308939

Anonymous, Italian, 16th century

Templum Saturni, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving (incised lines)

34 × 23.6 cm

The Metropolitan Museum of Art

C24-318782

Anonymous, Italian, 16th century

Tenplum (sic) Iovis Ultoris, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-318267

Anonymous, Italian, 16th century

Tenplum Isaiae Prophetae, from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-308415

Anonymous, Italian, 16th century

Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-307636

Anonymous, Italian, 16th century

Transitorium Caesaris [formerly Teatrum Bordeos], from a series depicting (reconstructed) buildings from Roman antiquity, ca. 1530–50

Engraving

34 × 23.6 cm

The Metropolitan Museum of Art

C24-317727

Anonymous, Italian, 16th century

Wilton Album, folio 10a: Priapus and Lotis, ca. 1530–50

Etching

20 × 27.3 cm

The Metropolitan Museum of Art

C24-300215

Anonymous, Italian, 16th century

Design for a Cassone (recto); Design for a Tomb (verso), ca. 1530–60

Pen and brown ink, brush and gray-brown wash

41 × 27.2 cm

The Metropolitan Museum of Art

C24-527149

Anonymous, Italian, 16th century

Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso), ca. 1530–60

Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)

41 × 27.3 cm

The Metropolitan Museum of Art

C24-508363

Anonymous, Italian, 16th century

Hayreddin Barbarossa, Ottoman admiral, ca. 1530–60

Woodcut with additions in pen and ink

35.6 × 25.8 cm

The Metropolitan Museum of Art

C24-436185

Anonymous, Italian, 16th century

Athena, from "The Muses and the Three Goddesses", ca. 1540–45

Engraving

22.7 × 15.6 cm

The Metropolitan Museum of Art

C24-404054

Anonymous, Italian, 16th century

Polyhymnia, from "The Muses and the Three Great Goddesses", ca. 1540–45

Engraving

21.9 × 17 cm

The Metropolitan Museum of Art

C24-404071

Anonymous, Italian, 16th century

Thalia, from "The Muses and the Three Great Goddesses", ca. 1540–45

Engraving

22.4 × 18 cm

The Metropolitan Museum of Art

C24-404058

Anonymous, Italian, 16th century

Sketch for Wall Decoration, ca. 1540–80

Pen and brown ink, washed with green

24.4 × 18.7 cm

The Metropolitan Museum of Art

C24-551802

Anonymous, Italian, 16th century

Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae", ca. 1543–70

Engraving

56.2 × 42.7 cm

The Metropolitan Museum of Art

C24-262001

Anonymous, Italian, 16th century

Giovanni de' Medici, ca. 1550–1600

Engraving

47.7 × 30.6 cm

The Metropolitan Museum of Art

C24-349617