Registry catalogue

Anonymous, Italian, 16th century

All works

362 works in the Collect24 Registry

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Showing 4996 of 362

Anonymous, Italian, 16th century, The Prison

Anonymous, Italian, 16th century

The Prison, 1550–1600

Engraving; copy

27 × 41.5 cm

The Metropolitan Museum of Art

C24-406040

Anonymous, Italian, 16th century, Two Views of a Horse's Head; the Head of a Bearded Man in Profile

Anonymous, Italian, 16th century

Two Views of a Horse's Head; the Head of a Bearded Man in Profile, 1550–1600

Pen and brown ink, brush and brown wash, with some unrelated strokes of red chalk

6.7 × 14.7 cm

The Metropolitan Museum of Art

C24-610251

Anonymous, Italian, 16th century, Candlestick with Two Ignudi on Top of a Vase with Lion Heads

Anonymous, Italian, 16th century

Candlestick with Two Ignudi on Top of a Vase with Lion Heads, 1552

Engraving; first state

24.2 × 17.7 cm

The Metropolitan Museum of Art

C24-329200

Anonymous, Italian, 16th century, Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century

Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", 1553

Engraving

53 × 39.4 cm

The Metropolitan Museum of Art

C24-267437

Anonymous, Italian, 16th century, Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century

Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", 1553

Engraving

52.8 × 40.5 cm

The Metropolitan Museum of Art

C24-267440

Anonymous, Italian, 16th century, Venus and Eros, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century

Venus and Eros, from "Speculum Romanae Magnificentiae", 1561

Engraving

42 × 28.6 cm

The Metropolitan Museum of Art

C24-261991

Anonymous, Italian, 16th century, Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above

Anonymous, Italian, 16th century

Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, 1564

Engraving

40.5 × 26.3 cm

The Metropolitan Museum of Art

C24-378866

Anonymous, Italian, 16th century, Council of Trent, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century

Council of Trent, from "Speculum Romanae Magnificentiae", 1565

Etching and engraving

33.5 × 49.7 cm

The Metropolitan Museum of Art

C24-408407

Anonymous, Italian, 16th century, Plan of the Vatican Teatro, in which the Vatican Tournament was held, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century

Plan of the Vatican Teatro, in which the Vatican Tournament was held, from "Speculum Romanae Magnificentiae", 1565

Etching

55.2 × 32.2 cm

The Metropolitan Museum of Art

C24-273136

Anonymous, Italian, 16th century, The Crucified Christ Surrounded by Mourning Angels

Anonymous, Italian, 16th century

The Crucified Christ Surrounded by Mourning Angels, 1575–1679

Engraving

33.5 × 24.4 cm

The Metropolitan Museum of Art

C24-383295

Anonymous, Italian, 16th century, Landscape with a town in the background at the right, a winding road in the foreground

Anonymous, Italian, 16th century

Landscape with a town in the background at the right, a winding road in the foreground, 1580–1600

Etching on two joined sheets (different types of paper)

39.4 × 55.6 cm

The Metropolitan Museum of Art

C24-459014

Anonymous, Italian, 16th century, Design for Tools Relating to the Maintenance of Fire Arms

Anonymous, Italian, 16th century

Design for Tools Relating to the Maintenance of Fire Arms, 1580–1620

Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs.

13.2 × 19.2 cm

The Metropolitan Museum of Art

C24-553656

Anonymous, Italian, 16th century, Arch of Septimius Severus, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century

Arch of Septimius Severus, from "Speculum Romanae Magnificentiae", 1583

Etching with engraving

44.2 × 38.5 cm

The Metropolitan Museum of Art

C24-325770

Anonymous, Italian, 16th century, Decoration of a Fountain, from an Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine

Anonymous, Italian, 16th century

Decoration of a Fountain, from an Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine, 1589–92

Etching

26.8 × 40.1 × 1.4 cm

The Metropolitan Museum of Art

C24-195573

Anonymous, Italian, 16th century, A Pipe Organ with Papal Arms

Anonymous, Italian, 16th century

A Pipe Organ with Papal Arms, 16th century

Pen and brown ink, brush and brown wash

36 × 26.3 cm

The Metropolitan Museum of Art

C24-522859

Anonymous, Italian, 16th century, A Roman Triumph

Anonymous, Italian, 16th century

A Roman Triumph, 16th century

Pen and brown ink, brush and brown wash, heightened with white

21.6 × 34.3 cm

The Metropolitan Museum of Art

C24-542008

Anonymous, Italian, 16th century, A Saint Healing a Sick Man

Anonymous, Italian, 16th century

A Saint Healing a Sick Man, 16th century

Pen and brown ink, brush and brown wash

33 × 23.2 cm

The Metropolitan Museum of Art

C24-534439

Anonymous, Italian, 16th century, A Saint in Ecstasy (?)

Anonymous, Italian, 16th century

A Saint in Ecstasy (?), 16th century

Pen and dark brown ink over black chalk; framing lines apparently by artist in pen and dark brown ink; glued onto secondary paper support

20.9 × 30 cm

The Metropolitan Museum of Art

C24-552720

Anonymous, Italian, 16th century, A Vase

Anonymous, Italian, 16th century

A Vase, 16th century

Red chalk

19.1 × 16.2 cm

The Metropolitan Museum of Art

C24-487887

Anonymous, Italian, 16th century, Adoration of the Magi

Anonymous, Italian, 16th century

Adoration of the Magi, 16th century

Pen and brown ink, brush and brown wash

The Metropolitan Museum of Art

C24-533695

Anonymous, Italian, 16th century, Adoration of the Shepherds

Anonymous, Italian, 16th century

Adoration of the Shepherds, 16th century

Pen and brown ink, brush and brown wash

The Metropolitan Museum of Art

C24-533692

Anonymous, Italian, 16th century, Adoration of the Shepherds(?)

Anonymous, Italian, 16th century

Adoration of the Shepherds(?), 16th century

Brush and brown wash, highlighted with brush and white gouache, over traces of charcoal underdrawings, on light brown laid paper

30.5 × 16.8 cm

The Metropolitan Museum of Art

C24-465863

Anonymous, Italian, 16th century, Adoration of the Virgin

Anonymous, Italian, 16th century

Adoration of the Virgin, 16th century

Pen and brown ink, brush and brown wash on rose prepared paper

17.8 × 23.2 cm

The Metropolitan Museum of Art

C24-592552

Anonymous, Italian, 16th century, Altar Frame

Anonymous, Italian, 16th century

Altar Frame, 16th century

Pen and brown ink, washed

31.1 × 20.6 cm

The Metropolitan Museum of Art

C24-501698

Anonymous, Italian, 16th century, Ancient Naval Battle (recto); Park with Monuments (verso)

Anonymous, Italian, 16th century

Ancient Naval Battle (recto); Park with Monuments (verso), 16th century

Pen and brown ink (recto); pen and brown ink, brush and gray wash (verso)

14.5 × 21 cm

The Metropolitan Museum of Art

C24-541979

Anonymous, Italian, 16th century, Angel (recto); Fragmentary Sketches of Same Subject (verso)

Anonymous, Italian, 16th century

Angel (recto); Fragmentary Sketches of Same Subject (verso), 16th century

Red chalk

17.1 × 13.5 cm

The Metropolitan Museum of Art

C24-477597

Anonymous, Italian, 16th century, Arcade in the Balustrade (Stage Setting?)

Anonymous, Italian, 16th century

Arcade in the Balustrade (Stage Setting?), 16th century

Pen and brown ink

26.7 × 19.7 cm

The Metropolitan Museum of Art

C24-504862

Anonymous, Italian, 16th century, Architectural Design or Stage Set for the Colonna Family

Anonymous, Italian, 16th century

Architectural Design or Stage Set for the Colonna Family, 16th century

Pen and brown ink, washed

41.3 × 53.7 cm

The Metropolitan Museum of Art

C24-533651

Anonymous, Italian, 16th century, Architectural detail

Anonymous, Italian, 16th century

Architectural detail, 16th century

Pen and brown ink, washed

4.4 × 5.7 cm

The Metropolitan Museum of Art

C24-501685

Anonymous, Italian, 16th century, Architectural Detail

Anonymous, Italian, 16th century

Architectural Detail, 16th century

Pen and brown ink, washed

5.7 × 7.9 cm

The Metropolitan Museum of Art

C24-502227

Anonymous, Italian, 16th century, Architectural Drawing

Anonymous, Italian, 16th century

Architectural Drawing, 16th century

Pen and brown ink, washed

25.4 × 17.5 cm

The Metropolitan Museum of Art

C24-492224

Anonymous, Italian, 16th century, Architectural Frame for Altar

Anonymous, Italian, 16th century

Architectural Frame for Altar, 16th century

Pen and brown ink, washed

31.8 × 20.3 cm

The Metropolitan Museum of Art

C24-548929

Anonymous, Italian, 16th century, Architectural Sketches and a Figure (recto); Figure and Anatomical Sketches (verso)

Anonymous, Italian, 16th century

Architectural Sketches and a Figure (recto); Figure and Anatomical Sketches (verso), 16th century

Pen and brown ink, brown wash

27 × 18.4 cm

The Metropolitan Museum of Art

C24-508323

Anonymous, Italian, 16th century, Assumption of the Virgin (recto); Figure Sketches (verso)

Anonymous, Italian, 16th century

Assumption of the Virgin (recto); Figure Sketches (verso), 16th century

Pen and brown ink (recto); black chalk or graphite (verso)

21.9 × 17.1 cm

The Metropolitan Museum of Art

C24-523762

Anonymous, Italian, 16th century, Battle Scene

Anonymous, Italian, 16th century

Battle Scene, 16th century

Pen and black ink, brown wash, highlighted with white squared in red chalk

18.9 × 21 cm

The Metropolitan Museum of Art

C24-592623

Anonymous, Italian?, 16th century, Battle Scene with the Emblems of the Farnese Family

Anonymous, Italian?, 16th century

Battle Scene with the Emblems of the Farnese Family, 16th century

Pen and brown ink, brush and brown wash, on wood panel

17.1 × 12.5 cm

The Metropolitan Museum of Art

C24-540895

Anonymous, Italian, 16th century, Bellum Cuius Causa (The Cause of War)

Anonymous, Italian, 16th century

Bellum Cuius Causa (The Cause of War), 16th century

Etching

9.5 × 14 cm

The Metropolitan Museum of Art

C24-342937

Anonymous, Italian, 16th century, Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch

Anonymous, Italian, 16th century

Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch, 16th century

Woodcut image on left side of a folded sheet, right side pen and ink mathematical calculations

30 × 45.5 cm

The Metropolitan Museum of Art

C24-306898

Anonymous, Italian, 16th century, Ceiling Decoration

Anonymous, Italian, 16th century

Ceiling Decoration, 16th century

Pen and brown ink over red chalk

14.9 × 10.8 cm

The Metropolitan Museum of Art

C24-584366

Anonymous, Italian, 16th century, Children Dancing

Anonymous, Italian, 16th century

Children Dancing, 16th century

Red chalk

20.6 × 27.3 cm

The Metropolitan Museum of Art

C24-487890

Anonymous, Italian, 16th century, Choir Stalls

Anonymous, Italian, 16th century

Choir Stalls, 16th century

Pen and brown wash

27.6 × 53.3 cm

The Metropolitan Museum of Art

C24-501729

Anonymous, Italian, 16th century, Christ and the Woman of Samaria

Anonymous, Italian, 16th century

Christ and the Woman of Samaria, 16th century

Pen and brown ink, brush and wash

28.9 × 19.1 cm

The Metropolitan Museum of Art

C24-533645

Anonymous, Italian, 16th century, Christ Bound

Anonymous, Italian, 16th century

Christ Bound, 16th century

Pen and brown ink, brown wash, highlighted with white on brown paper

21.3 × 9.8 cm

The Metropolitan Museum of Art

C24-568873

Anonymous, Italian, 16th century, Circe and the Companions of Ulysses

Anonymous, Italian, 16th century

Circe and the Companions of Ulysses, 16th century

Pen and brown ink on brown paper

24.5 × 20.6 cm

The Metropolitan Museum of Art

C24-591311

Anonymous, Italian, 16th century, Composition for a Spandrel

Anonymous, Italian, 16th century

Composition for a Spandrel, 16th century

Black chalk

34 × 21.9 cm

The Metropolitan Museum of Art

C24-488832

Anonymous, Italian, 16th century, Court Yards (Sketch for Stage Scene?)

Anonymous, Italian, 16th century

Court Yards (Sketch for Stage Scene?), 16th century

Pen and brown ink, brush and brown wash

27.3 × 19.7 cm

The Metropolitan Museum of Art

C24-534018

Anonymous, Italian, 16th century, Crucifixion

Anonymous, Italian, 16th century

Crucifixion, 16th century

Pen and brown ink, over brush and brown wash, on buff paper

19.1 × 13.5 cm

The Metropolitan Museum of Art

C24-566460

Anonymous, Italian, 16th century, Decoration for a Spandrel in a Cove

Anonymous, Italian, 16th century

Decoration for a Spandrel in a Cove, 16th century

Pen and brown ink, over black chalk

12.4 × 11.4 cm

The Metropolitan Museum of Art

C24-587389